Posts filed under Visconti

Visconti Rembrandt Silver Shadow Fountain Pen: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

The Visconti Rembrandt Silver Shadow is a variegated resin pen in a silver/grey color. The resin is meant to evoke Rembrandt’s use of chiaroscuro (tonal contrasts that create a 3-D effect) in his paintings. You can see that effect in the photo of the resin below:

The pen comes in a large Visconti clamshell box in brown with a soft cream interior. A Visconti booklet is enclosed. My loaner pen came with two different converters, but I’m sure it normally arrives with just one.

The Rembrandt is one of the smaller Visconti pens. It is 140mm capped, 160mm posted, and 125mm unposted. It weighs 33 grams.

The cap is adorned with the Visconti finial (and you can replace this with Visconti’s “My Pen” system), the arched Visconti spring clip, and a beautiful cap ring engraved with Rembrandt’s name and etchings that are based on the artist’s work. The cap snaps on using a magnetic system that is rather unique.

Unfortunately, my Rembrandt came with a faulty finial. It fell off the moment I removed the pen from its cellophane wrapper. It looks as though the glue that holds the magnetic base for the finial came loose. This is one of those things that could be a fluke, or it could be an indication of quality control issues that seem to be common with Visconti pens

In addition to that issue, I noticed what might be a flaw in the resin. It’s tiny, but noticeable and looks like a crack in the resin. It feels smooth to the touch, however, so it may simply be a place where darker resin pooled.

One beautiful detail that I almost didn’t notice is a ruthenium (I think) bottom finial. It is barely noticeable from the side, but from the bottom, it shines like a mirror. It provides a nice balance to the cap finial.

The nib is a fine stainless steel coated in black with Visconti’s lovely scroll work. It is really quite beautiful and goes well with the grey color of the pen.

The grip is ruthenium-coated. As with most metal grips, it can become slippery if you have sweaty fingers. But, because this pen is light, I found it easy to write with in spite of the fact that I normally don’t like metal grips.

The pen fills with either short international cartridges or the enclosed converter.

I found the Rembrandt to be quite comfortable for writing. The pen is a little small, but not so much that I found my hand cramping. The stainless steel nib was smooth and exhibited no problems like hard starting or skipping. It is, however, a very stiff nib and offers absolutely no flex or give. Although the nib is labeled a fine, it wrote more like a medium with Iroshizuku Take-Sumi ink.

Midori MD Notebook

I wrote a portion of the first chapter of The Hobbit in my Clairefontaine French-ruled notebook to put the pen through its paces. It wrote flawlessly, and by the end of the page my hand was not fatigued.

You can purchase the Visconti Rembrandt fountain pen in Silver Shadow from Goldspot Pens for $175. I found the Rembrandt to be a sweet smaller pen that wrote well and looks quite classy, but I think $175 is rather expensive for this pen, considering that it is plastic, has a steel nib, and is not a piston filler. The Rembrandt comes in other colors as well: red, purple, blue, and black. Not all have the black nib, however.

Pros

  • I was pleasantly surprised at how much I liked this little Visconti. I love the grey/silver color and the black nib.
  • The nib on this pen is unyielding but smooth. The fine wrote more like a medium, so if you like a finer line, you might see if you can get the nib in extra fine.
  • The pen is comfortable in the hand, and, despite the metal finial, I didn’t have trouble holding the pen even when my fingers got sweaty.

Cons

  • My pen arrived with two flaws: a faulty finial that fell off the pen upon removal from the cellophane and a possible small flaw in the resin (which could just be where a darker portion of resin pooled).
  • This is not a pen for people who have large hands or who like large, hefty pens.
  • Visconti pens can be hit or miss in terms of nib quality out of the box. I was pleased that this steel nib wrote smoothly. But if you can, have your retailer test the nib and tune it before shipping.
  • For a plastic pen with a steel nib and converter system, $175 seems too high pricewise.

(Goldspot loaned this product to The Pen Addict for review purposes.)


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Posted on September 8, 2017 and filed under Visconti, Fountain Pens, Pen Reviews.

Visconti Divina Elegance: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

The Visconti Divina Elegance is one of those pen models that is distinctive. It is a spiral shape based on the divine proportion 1.618.

The pen arrives in typical Visconti packaging: an outer cardboard box enclosing an inner brown plastic clamshell box with a satin-like interior holding the pen. A booklet is included.

The Divina Elegance comes in a pearlescent green resin with gorgeous shimmer. The solid bronze trim complements the green resin perfectly.

The cap attaches with the Visconti hook and lock system, and for you OCD folks out there, the system means that the spiral accents line up perfectly every time (I love this!) I much prefer the hook and lock system to typical threads because the cap is quicker to open and close and it is absolutely secure.

See how the spirals line up perfectly?

The cap is adorned with a gold finial engraved with the Visconti logo.

And it has the spring-loaded Visconti clip that is effortless to use.

This Visconti fills via a pull and turn piston which is actually a captured converter. There’s no ink window to view your ink level, but an ink window would ruin the beautiful aesthetic of this pen. The converter holds approximately 1.1 ml of ink, which is fairly small considering how large this pen is.

Weighing 41 grams capped and 25 grams uncapped the Divina Elegance is heavy. But, it is so comfortable in the hand you don’t really notice the weight. The pen is well balanced unposted. I don’t recommend posting because the cap puts too much weight on the end and throws the balance off. The pen measures 152mm capped, 138mm uncapped, and a whopping 180.5mm posted.

The Divina Elegance is fitted with a 23K Palladium nib plated in rose gold. The rose gold is gorgeous with the green resin and bronze accents. The nib is engraved with Visconti’s beautiful scroll work.

This fine nib wrote perfectly straight out of the box. In my experience, Visconti nibs can be hit or miss, so I was very pleased with this one. It is rigid, unlike the Palladium nib on my Visconti London Fog, which verges on being semi-flexible (see my review here). Even though this nib doesn’t have any bounce or flex, it is wonderfully smooth.

I currently own two other Viscontis: the Homosapiens Bronze Age Maxi and the London Fog. I love both of those pens and each is beautiful in its own way. But I have to say that the Divina Elegance is one of the most beautiful pens I’ve ever held. There is something special about the shimmery green resin combined with the bronze and rose gold accents.

If you want to own this incredible beauty, you will pay a premium price. It retails for $1,195.00 at Goulet Pens. It’s always hard to say whether a pen is worth that much money, because worth is such a subjective thing. Is this pen extremely well made? Yes. Are the materials top notch? Yes. Does it write well without any problems such as skipping, blobbing, and inconsistent ink flow? Yes (though that is always dependent on the nib you get). Would I pay $1,195.00 for this pen if I had the money? Yes, for this pen I would. But, again, I realize not everyone would be willing to do that.

The only semi-negative thing I have to say about this pen (other than the relatively small ink capacity) is that the bronze accents will develop a patina over time. In fact, after just a few weeks the bronze accents on my loaner pen are starting to discolor. This isn’t a huge deal since you can easily polish and remove the patina. And, some people might actually like the patina as it develops.

You can order the Visconti Divina Elegance from Goulet Pens in various nib sizes, including EF, F, M, B, and 1.3mm stub. I’ll be honest, sending this beauty back is going to be very difficult.

Pros

  • In my view this is the most beautiful pen Visconti has produced thus far. The green resin has depth and shimmer and the bronze accents and rose gold nib complement the color perfectly. The spiral Divina shape is stunning.
  • I found the pen to be perfectly balanced in my hand. Even though it is a hefty pen, I was able to write page after page without any hand fatigue.
  • I like the filling system. Even though this model doesn’t hold as much ink as the Homosapiens or London Fog (which are vacuum filled models), the pull and turn system works just like a piston and is easy to use.
  • The fine nib on this model is smooth and trouble-free. I wish it had some bounce to it, but I was thrilled that it wrote so well. As stated in the review, I’ve found Visconti nibs to be hit or miss. I had to have my Homosapiens worked on twice. One of my Van Goghs had a troublesome nib. But my London Fog nib was perfect out of the box.

Cons

  • Obviously the biggest con for the Divina Elegance is the price.
  • People who require light pens will likely find this pen too heavy for sustained use. I’ve grown to prefer heavy pens, and I found this model extremely comfortable. If possible, try before you buy.
  • The bronze accents will develop a patina over time. If that bothers you, you’ll need to get a polishing cloth (I didn’t find one included with this pen, though one came with my Homosapiens).

Thank you to Goulet Pens for letting me borrow the Visconti Divina Elegance for this review.


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Posted on July 14, 2017 and filed under Visconti, Fountain Pens, Pen Reviews.

Visconti Homo Sapiens London Fog: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

The Visconti London Fog is another pen in the Homo Sapiens series that came out earlier this year. Originally, I had no plans to purchase one – I like the Crystal Swirls model better, but it is no longer available. Still, the more photographs I saw of the London Fog, the more it grew on me. So, I decided to pull the trigger.

The pen comes packaged in a large Visconti box. They are masters of ornate pens and flashy boxes. I never quite know what to do with such large, heavy boxes, so I just stow them in my office closet in case I decide to sell my pens later.

This pen is, to put it mildly, majestic. It is large (146mm capped, 130mm uncapped, 170mm posted) and weighty (40 grams), but I have come to love big pens. My right hand doesn't get cramps when I write with a pen like the London Fog.

The cap, grip, and piston knob are made of acrylic that is mostly silver/grey with dark blue swirls. The material sparkles in the sunshine.

The barrel is made of clear acrylic with celluloid ribbons of silver/grey and blue. Acryloid is Visconti's name for this special material that is a mix of acrylic and celluloid in microscopically thin strips. Whatever it's called, it really is fantastic. The layers swim like tropical fish through the clear acrylic. The combination of demonstrator with beautiful artistic swirls makes for a stunning pen.

The cap is quite heavy due to the sterling silver clip, rings, and finial. I do not recommend posting it because it throws the balance of the pen off, but to each his/her own. As with other Visconti pens, the finial is removable. You can replace it with the Visconti "My Pen" system. I think this pen would look gorgeous with a lapis lazuli stone, but that will have to wait for a day when I have money again.

The cap is also adorned with two silver rings and the iconic Visconti clip which is spring loaded.

Visconti's special "Hook Safe Lock" system is how the cap attaches to the barrel. I really like this system because the cap is so easy to get off and on. It is much easier than a thread system that requires multiple turns. The Visconti "hooks" are smooth and do not interfere with one's grip on the pen.

The barrel is adorned with a large silver ring engraved with "Homo Sapiens." It is simple and beautiful.

A plain silver ring connects the barrel to the piston knob. The piston unscrews to allow the user to pull the vacuum seal out to fill the pen. I haven't been able to get a complete fill on this pen, despite the "power filler" name. I don't know if I just need to practice more or if the system is not meant to fill the barrel completely with ink. I noticed that when the ink in the barrel got low, no ink went into the feed. I had to pull the piston out to let ink into the lower barrel. This got messy. I'll have to work with the system more to see if there's a problem with my pen or if you simply need to keep the barrel filled with ink for the feed to remain saturated.

I ordered my London Fog with a fine, 23K Palladium nib. The nib is springy and slightly flexible if you press into it. It is a joy to write with.

The nib is beautiful with Visconti's lovely scrolling and the moon-shaped breather hole.

When I ordered my London Fog, I requested two things. First, I wanted the pen to have lots of swirls. Some versions of these Visconti pens are mostly acrylic with just a few swirls. If you're going to pay this much for a pen, get as many swirls as you can! I strongly recommend that, if you can't purchase the London Fog at a physical store, you contact your online dealer and request photos of the pens in stock. That way you can choose the pen that has the look you want. The swirl factor was important to me.

Second, the other issue when ordering a Visconti is the nib. Almost every Visconti fountain pen I've purchased has had a bum nib. Maybe I've just been unlucky, but I have had to send all my Viscontis in for nib work. Not this time. When I placed my order with Bryant at Chatterly Luxuries, I asked him to make sure the nib was smooth and trouble-free. I am happy to say this is the first Visconti pen that I've received that has written well straight out of the box. Thank you, Bryant!

At a retail cost of $995, the London Fog is quite an investment. You can purchase this pen at a lower cost through Chatterly Luxuries (they can't advertise their price), but regardless, if you buy this pen, expect to pay a good amount for it. I am very happy with my purchase because this pen writes like a dream and is absolutely spectacular in appearance. Still, if I ever find a Crystal Swirls Visconti, I might just trade my London Fog for it.

Pros

  • The London Fog is a truly spectacular pen.
  • If you get a good nib, the Visconti really is a dream to write with. They aren't kidding with the "Dreamtouch" label! But make sure you have it tested before it is shipped.
  • I find the vacuum filling system to be adequate. I honestly prefer piston fillers. But, the pen holds a huge amount of ink (1.51 ml) if you can get a good fill.
  • The pen feels wonderful in the hand. It is hefty and large, but I've found pens like this reduce hand fatigue. I love writing with this pen.
  • The capping system is quick and effective.

Cons

  • The London Fog is an expensive pen, no doubt about that.
  • Vacuum fillers are notoriously difficult to clean.
  • Visconti nibs are hit or miss in my experience. If you get a good nib, it is truly a great writing experience. But, if you get a nib with the tines out of alignment or is dry or has baby's bottom, you are stuck with paying more for a nibmeister to adjust it. Visconti really needs to do a better job of quality control.

(I purchased this pen with my own funds and was not compensated for this review.)


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Posted on September 9, 2016 and filed under Visconti, Fountain Pens, Pen Reviews.