In the world of fountain pen inks, is there any better collaboration than Kobe and Vanness Pen Shop? These two recently worked together to produce Vanness Hummingbird, a wonderful Emerald Green ink, exclusively for Vanness. I have one bottle to give away this week, and the winner is:
Congrats Jeremy! I’ve sent you an email to collect your shipping address.
(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)
I had heard of Apica notebooks before, but hadn’t really given them much thought since we all know I already have way too many notebooks in the paper fort, but I have some friends who really enjoy using Apica so I thought I’d give them a try.
The Apica C.D. line of notebooks comes in sizes ranging from A4 to A7 (and B5 too) and is available in 10 colors. The Premium C.D. comes in A4, A5, B5, and A6 and comes in “A. Silky 865 Premium” and “Cream Woodfree Paper” (the latter is only available in A5). I am using the C.D. Notebook in A6 and the Premium C.D. Notebook with Silky paper in A5.
Apica C.D. Notebook in A6.
Apica Premium C.D. Notebook in A5 has a cellophane cover (handy for slapping stickers on for the non-committal folks like me).
Here’s the notebook without the yellow band and cellophane cover. If you didn’t already know the brand, it’s hard to tell that this notebook is Apica. It is also foil-stamped “Premium”.
The itty bitty logo at the bottom of the notebook tells you if it’s Apica C.D. (top) or Apica Premium (bottom).
Side note: I am using the A6 to keep track of my Italian learning and vocabulary. Most days, I’m just doing Duolingo, but sometimes I listen to podcasts or read Italian books. I’m not using this to memorize vocabulary, per se, but writing it down makes it stick a little more. Also, I’ve been making screenshots/highlights on my phone and then copying the words down later. That way, it’s like doing a review several days/weeks later when I get around to putting them in the notebook.
Writing samples in the A6 Apica C.D. Notebook. The paper is white but not overly bright.
You can see some feathering from Colorverse Chesapeake Bay.
You can see some ghosting and a wee bit of bleedthrough on some of the dots.
Here’s how the page looks with writing on both sides.
It generally handled the flex writing from my Stylosuite X-Wing Harpoon flex nib. I didn’t see any of the subtle chromashading of Sailor Ink Studio 143 though.
Can you see the shimmer up top? Not the paper’s fault but my pen decided to let out a bunch of shimmer - this is what I get for not periodically rotating my nib up/down to redistribute the shimmer. Still, it handled the shimmer just fine.
Look at the entries for 9.12.26 and then look at the same section in the next picture.
Look at the sheen of Diamine Polar Glow! It’s blue in the above picture and almost hot pink from this direction!
A different flex nib from Stylosuite which is much sharper than the other one - hard to tell if the feathering is from the ink (Bungubox Tsuyuhikari) or from the nib making microscratches on the paper.
My dedicated set of standard pens and pencil: Uni-ball Signo DX, 0.38, Pilot G-2 07, Frixion Clicker 07, Parker Jotter Ballpoint, Lamy Tipo Medium, Parker Flighter Gel, Spoke Clickstream, Schmidt EasyFlow 9000 M, Zebra Sarasa Clip 05, Ticonderoga HB Soft, Sakura Pigma Micron 05, Tombow ABT, color 476, Sharpie.
Std pens and pencil on the A6. No problems with any of them on this paper. Side note: I “lost” this clear Penco Clampy on my desk multiple times while taking pictures cuz the dang thing is clear, aka invisible. Keep that in mind if you buy this “color”. 😀
No bleedthrough on anything but, you guessed it, the Sharpie. I don’t know why I bother with the Sharpie but maybe one day I’ll find a fountain pen friendly paper that it won’t bleed through.
One of my pet peeves is when the first/last page of a notebook is glued to the cover so it doesn’t flip properly without being creased.
Overall, the A6 paper was ok. Not great, not awful, never knew what would make it bleed through, though it usually didn’t bleed through too much (Sharpie aside, of course). I kept thinking I must be missing something because this doesn’t seem good enough to be some folks’ favorite paper. That’s when I did a little digging on the Apica website and realized that there were different papers. So now I was really curious to see how the A5 behaved.
In the A5 Premium C.D. notebook, I logged the pens/inks used for the entries starting 8.22.26.
Pens/Inks used: Platinum Curidas, Fine; 3 Oysters Aubergine (picked for the very fine/thin line) Lamy Studio, 14kt gold Fine; Colorverse Chesapeake Bay (shading ink) Pilot Decimo, Fine; Akkerman #16 Oranje Boven (fine nib) Pelikan M800, Fine Cursive Italic; Pelikan Edelstein Apatite (wet pen with a grind and a slightly dry ink) TWSBI Eco, Fine; Robert Oster African Gold (just cuz, lol) Zodiac Pen Co Virgo, Stylosuite EF X-Wing Harpoon; Sailor Ink Studio 143 (flex and subtle chromashader) Visconti Van Gogh, Medium; Wearingeul x Atlas Stationers Twelfth Night (shimmer) Sailor Pro Gear, 21kt gold Medium Fine; Diamine Polar Glow (sheening ink) Esterbrook Estie, Fine Journaler; KWZ Beefeater Red (wet ink) Platinum 3776, Medium; Van Dieman’s Spotted Sun Orchid (cuz it’s pretty) Leonardo Momento Magico, Stylosuite EF X-Wing Harpoon; Bungubox Tsuyuhikari (wet pen, sharp flex)
You can see the shimmer in the Visconti, the sheen from the Sailor, and the feathering of the Leonardo with the sharp flex nib and Bungubox ink.
The bleedthrough is primarily coming from the two flex nibs, but there are occasional spots where there is more ink, especially dots.
As with the C.D. paper, the Apica Premium did just fine with the standard pens/pencil. Side note: I appreciated the blue “stitches” in the middle of the signatures/sections of paper. It made it easy for me to find the middle, so I could remove these sheets down the road when I figure out what I want to use this notebook for. They don’t do this in the regular C.D. notebooks - all of those stitches are white.
Same as the above, no problems on the back, except for the Sharpie. Good thing I put a sheet of scratch paper underneath because it did transfer to the page behind it.
Same pet peeve in the Premium notebook. Not the end of the world, it’s just kind of annoying. FYI, the notebook’s spine is intact - what you see on the bottom is the yellow “belly band” of the notebook.
I liked the Premium paper more than the regular C.D. paper. While the C.D. is fairly smooth (a touch smoother than Leuchtturm or Rhodia), the Premium is even smoother, which I prefer. Both papers portrayed ink colors pretty accurately though some of the more subtle chromashades didn’t show up as much as other papers out there. Both had some bleedthrough with flex nibs, so I’d avoid flex or super wet nibs/inks on both of these papers.
At around $4 for 52 pages in the Apica C.D. A6 notebook, I’m ok with how it behaved, though I wish it came in more options than just lined. The Apica Premium C.D. A5 notebook costs $19 for 96 pages, and it’s also available in blank, lined, grid, and dot grid. As I said, both are fine, and I’ll use the ones I have but I probably won’t be rushing to restock them.
(Disclaimer: All notebooks were purchased by me from Vanness Pens (for the A6) and Flax Pen to Paper (for the A5). All pens/inks are my own.)
Is the LAMY 2000 part of stationery journey?
Myke and I are fired up to meet in Memphis next week for the St. Jude Podcastathon, but first, we have pens to talk about! Wait, make that pencils, as I have a few words on the latest uniball Kuru Toga Dive, and then we dig into pens, and some advice on the stationery hobby as a whole.
This episode of The Pen Addict is sponsored by:
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