Posts filed under Meet Your Maker

Meet Your Maker: Jeff and Susan Haskett, Red Branch Crafts

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

When Jeff Haskett decided to start a “business to pay for a hobby,” what to call that business was never in question.

“My great grandfather had cherry orchards in Oklahoma called Red Branch. My grandfather, after his chemical engineering career, had a peach and pecan orchard in Texas with the name, I used to go there in the summer. When I started brewing beer I called it Red Branch Brewery.”

The brewing setup was sold off to buy a lathe and tooling for the new pen hobby. “I’m a theater guy, I’ve worked in entertainment since college – sets, lighting, audio – my creativity got poured into that. Now I’m more in management, I do event production for an agency. The creative side has gotten less and less every year.”

Red Branch Crafts

Haskett started with kit pens but like many makers did not stick with them long. “It was frustrating because I was limited by the kit.” Having grown up in an engineering family, he’d always been around tools, so the idea of moving to fully handmade three piece pens was not intimidating.

All of these factors converged early in the pandemic. “It got me into making stuff. It took me two years of work to create my first good pen.” Choosing names for pen models was not as difficult, with the history of fruit trees and orchards in his family.

Red Branch Crafts Fountain Pen

When pen shows resumed in 2022, Haskett and his wife Susan went to the DC show, one of the closest to their home in central Pennsylvania, as attendees. “I’d had a heads up from the podcast to expect it to be crazy!” That was when Susan got the idea that she would like to pour blanks. “There are so many good blank makers out there, and we’d been buying blanks, but the down side of that was that when we walked through the show we saw the same blanks everywhere.” Being a knitter and crocheter, she already had some ideas about what she liked in a color palette. “I love yarn that has multiple shades of the same color and I wanted to see that in blanks. Some of them are too busy for me. I have too much fun playing with color!” Jeff adds, “She would have blanks on her wall as art.”

Red Branch Crafts Fountain Pen Roll Stop

Resistance to limitations led to the creation of perhaps the most distinctive feature of a Red Branch pen, the integrated roll stop on the cap. Jeff says, “We decided to make it our feature early on. If you don’t want to make your own clips, the options are limited, but you don’t want pens rolling away either.” Susan says their first thought was “stud earrings? But then how….” Jeff tried a few different ways to achieve what they were after. “I am a fan of art deco, and the shape of the roll stop calls to that a little. I use a milling style machine to make them now, but it’s still a little tricky.”

Red Branch Crafts

When you visit the Red Branch website or come across their table at a show, you quickly realize that there is some major Taylor action going on. Susan is a long-time Swiftie. “I’ve loved her since day 1, I’m an OG Swiftie. We went to the DC show not long after the Eras tour, there were people wearing t-shirts and things from the tour. I wanted to do something as homage to her work, with a cohesive concept.” There were just too many songs to consider relating pens to songs, but looking at the albums’ artwork showed that each recording had its own predominant color, which led to blanks designed to correspond to those colors. “We also made a slightly different body, because I liked some features of the Blossom and some of the Heartwood – could we do a hybrid?” There are currently only two more albums to cover, and they plan to use the special Taylor blanks in their other pen models starting next year. It’s rumored Swift is a pen person – do they want to send her a pen? “I’d like to give her a set, but we couldn’t handle the demand if she gave us a shoutout!”

Red Branch Crafts Pocket Blossom

Besides completing their Swift series, the Hasketts met the craze for pocket pens by bringing out a pocket Blossom model that did quite well at the DC show. Jeff also has an idea for lower cost items that would be more suited to attending local craft fairs. “A click pen would be an easier buy for that audience.”

Because Jeff has lots of work travel, the Hasketts have not planned to vend at too many shows. However, when they do decide to go on the road, they bring home with them. “We’ve lived full time for three years in an RV,” Jeff says. “We weren’t blessed with children, and I travel a lot, so a three bedroom house didn’t make a lot of sense.” He rents shop space in the basement of a former t shirt factory. “The work doesn’t come home with me.” Because they are originally from New England, they have gone to the Commonwealth show in Massachusetts. “We’ve done well there, we wish more makers would come to that show – we were the only maker there.” This past summer they had a table at DC, and are hoping to make it to Baltimore next year. San Francisco is more of a pipe dream because of the distance. Attending shows lets them connect with pen people at large. “It’s a really nice community. All the makers are nice to each other.”

Red Branch Crafts

What pens do they like enough to give house room in an RV? Susan’s favorite pen is a Waterman Carene in the L’Essence de bleu series. “I tried one at Pen Boutique and when I had some birthday money I ordered it right away.” She also has a Hello Kitty Waterman Metropolitan. Jeff has a LAMY Dialog, blue with rose gold fittings, that he prizes. “I love mechanical stuff so the twist retract appeals to me. It has a larger size nib than the Vanishing Point. I used to take work notes on an iPad with an Apple Pencil, I got rid of that and now use fountain pens and notebooks.” As to his own pens, “I can’t pick one. Blue would be my choice, but then I think other people will like it so I leave it.”

Making something both beautiful and useful is the heart of pen making’s appeal for Jeff. “It’s a functional object, I’ve always appreciated functional art. You’re making something someone holds, so touch is as important as appearance.” The name of their business, “crafts” rather than “pens,” leaves the door open for more functional art in their future. Leather work? Wood accessories? Time will tell.

Red Branch Crafts’ work can be seen on their website, Instagram, and at pen shows in Massachusetts and DC.


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Posted on October 14, 2026 and filed under Meet Your Maker, Red Branch Crafts.

Meet Your Maker: David Broadwell, Broadwell Studios

David Broadwell

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

You can’t talk to many pen makers who do anything with metal, before you hear mention of David Broadwell, and how he has been an influence or inspiration for their work.

So it’s particularly fun to hear that this artisan and artist began with pens close to my heart, the inexpensive Sheaffer school fountain pens, and the Skrip cartridges they take. “I wrote with Sheaffer school fountain pens in the fifth grade. One of them burped all its ink into my pencil bag.” He just cleaned out the bag and carried on with the pens. “Nobody else was using fountain pens, everyone was using Bics. We found that if you warm the ‘clip’ on the cap of a Bic stick pen with a match or a lighter, you can modify it so you can actually clip it to things.”

Broadwell, like many kids growing up in the US, had art daily until sixth grade. “I drew pictures of tanks, ships, and cars with my fountain pens.” After that, he took as much art as possible, and also mechanical drawing and wood shop. “Wood shop isn’t there to turn you into a cutting board maker, it’s about how to have skills and take pride in making things.” Sadly, high school wood shop classes seem to have died out in many places, but Broadwell went on from that background to become a machinist.

His father was a Mason, and he liked playing with his father’s Masonic sword. “I made a cardboard shield with our coat of arms, I put on my dad’s bathrobe, and I fought the mimosa tree dragon.” Knives were the first thing he specialized in, beginning in his mid-twenties. “I was working as a machinist and I had a broken file on my bench. I thought, ‘I could make a knife out of that.’ It was terrible.” But he persevered and was soon making knives full-time. “I mostly make 7-11” blades. I made a couple of swords but someone else had to do the heat treating for me. I chose not to make switchblades because of federal laws about shipping them. I’m semi-retired now from making knives.”

Pens seem like they are some distance away from these art forms. About twenty five years ago, his then wife decided she wanted to sell component pens, and he thought he could do that. Almost right away he could see beyond their limitations. “I thought, I’m a machinist, why would I use kits? I can make all the parts. I needed to do something more complicated.” His first pen, which still can be seen on his website, was “really ambitious. Sheaffer acrylic I got from Bexley, Mokume gane clip, cap top, cap band, a metal sleeve.”

Broadwell’s pens are in fact rooted in his knife making background. “All the things I do can be traced back to my knives. I use a belt grinder. I like making things different from what anyone else does.” His first pen model was the Trinity, a three sided pen. “I hand grind it freehand on the belt grinder.” His signature pen, the Eléf (from the Greek eleftheros meaning free), is free-form with a bend in it, and is also hand ground. He still uses a lathe to turn metal bands.

Broadwell cites a few makers whom he mentored as they began to work with metal, including Tim Cullen of Hooligan Georgia and Jason Olson of WriteTurnz. He was also happy to see that Jon Tello of Hello Tello has embarked on engraving, and he likes the engraving John Albert did on his pens. “Tim (Cullen) would call me and ask lots of questions. I told him there are no secrets, but if you’re not going to do it I won’t waste your time. He’s taken everything I told him and put it into practice and developed his own style.”

He’s not tempted to make his own materials, having found his ideal material partner in Tim Crowe of Turnt Pen Co. “He’s my guy. I’ve sent photos to him and he’s always done great with them. I sent him photos of my Harley to make a blank, and I’ll put design elements on it to match.” He held up an orange blank into which he’s carved a grooved channel, and he’s sending it back to Crowe to do a second pour of black into that channel. There is also a knife and pen set in the works for the LA pen show with a material from Turnt. In 2025, Broadwell was approached by the author John Maxwell to create pens to match the cover of each of his books, and Turnt produced the materials. (Pen World magazine wrote a story about the project for the December 2025 issue, and that story is available to read in a post on the Broadwell Studios Facebook page.)

Show attendance has slowed down a little for Broadwell. “I don’t make inexpensive pens, I make unique luxury pens – I don’t want to make plain inexpensive pens. So I don’t have large sales at shows.” He’s tried a lot of shows, but he’s even given up going to Dallas, his nearest thing to a home show. His favorite show is the new California show. “I have friends and customers in that area. I’m donating a pen for next year as a show sponsor.” The most important reason to go to shows is people. “I go to shows to meet people. I’ve met some nibmeisters and I’m going to get a nib for a pen I want to make for myself.”

What pens does an artist like Broadwell have for himself? “I collect 1930s-1940s Parker Vacumatics. They have some of the best design elements of any pen, and I like art deco style.” He also has a few Bexleys – “Howard Levy is one of my mentors in basic pen design and manufacturing processes.” He did keep an early Eléf for himself for a while, out of a vintage tortoiseshell material, but he’s since sold it.

Broadwell gives a lot of credit to his wife, Nita, for pushing him to do new things. “She is always tossing out challenges. ‘Couldn’t you carve that on a clip? I think your next pen should be a Trinity Eléf.’ I’ll say, ‘Aw, I can’t do that!’ but then I think, ‘Maybe I could….’”

David Broadwell’s work can be seen at his website Broadwell Studios, his Facebook, his Instagram (the Facebook account is more active), and at the California Pen Show.


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Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on September 23, 2026 and filed under Meet Your Maker.

Meet Your Maker: Darrell Davis, D Squared Arts

Meet Your Maker: Darrell Davis, D Squared Arts

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

College friends can influence our lives even long after graduation. Darrell Davis was teaching high school when his mother passed away, and his father’s health deteriorated to the point that he needed an in home care giver. Davis quit his teaching job to fill that role.

At the time, his college friend Shawn Newton was well into a pen making career, and asked him to make some blanks. Having a degree in art, it seemed like a possibility, so Davis made a few blanks as a filler job. Newton liked those, and asked if he could imitate the striated look of Arco blanks. “I tried to mimic it, it worked. I made several iterations – there are still some kinks in the process so I test them all, to be sure they don’t separate.”

His dad ultimately also passed away, but he was underway as a blank maker, and after a year he did the Arkansas pen show as a seller of blanks. The striated blanks have become almost a signature for him.

D Squared Arts Striped Blanks

Striped acrylic from D Squared Arts, used for a Hatch special project.

Newton was still egging Davis on to do more. “He talked me into making pens. I said, I’m going to do something completely different from you!” And he did. Unlike almost every pen maker you will encounter, Davis does not use a lathe. “I use Shawn’s CNC to do the drilling and threading so I have a good solid fit, then I hand shape with scrapers, rasps, and sandpaper.” He hand sands, so that the detailed shaping and the textures from the tools will not be lost, then he can buff and polish with a lathe. “I demo the hand shaping process of nib holders at pen shows, because it can be difficult to get people to understand that I don’t use a lathe. It’s a good way to interact with people. I need a wall table, though, so I won’t get in anybody’s way.”

D Squared Arts Orange Lava

Davis’s first hand made pen was carved in the shape of a lily. “The amount of time and effort it took, I knew it wasn’t viable in the market.” Someone has commissioned something similar, though, and his processes are more mature now, so he’s giving it a go. Most of his pen models (he has a total of eighteen although not all are available on hand to be photographed) have evolved over time, since each one is hand shaped. “If you laid them all out you would see the connections.”

His degree in sculpture and ceramics has fed inspiration into his pen making. “I’ve always disliked that you can’t touch sculptures in museums. They were meant to be touched. That’s one thing I like about making pens - someone will like to use and touch them.” Like his pens, his longtime work in ceramics seeks to combine the functional and the interesting and the personal. “I make boxes that I’m trying to make more emotional – the outside is jagged and rough but the inside is fuzzy and warm – like someone presenting as goth but carrying a pink puffy keychain. Whatever our perception of someone is, we assign it to that person until we know more of what’s inside.” At present, he’s experimenting with adding resin work as additional textural interest on his ceramic boxes.

D Squared Arts Tordre

Being visually oriented, Davis takes inspiration from all kinds of places. “The theories in my head are Leonardo da Vinci and Frank Lloyd Wright – Leonardo did everything, Wright designed every thing in his buildings – my thought process is that everything is related.” The Tour model has a foot like a chess rook (tour is French for tower); the newest model, the Boo-boo, takes elements from perfume and cosmetic bottles; the Cône has grooves in the ends for thumb fidgeting; the Tordré appears to be twisted. “Sometimes it is just – Do I have the ability to make the idea that I have in my head?”

Having worked with many students with disabilities, Davis is interested in making his pens accessible and inclusive, to help with dexterity. “Grips will be shaped to allow more people to write with them.” He does take commissions, which allows him to do something he particularly values: “I try to make a pen that matches one person, that’s ideal for them.” He is currently running about six months out on commissions, because he is a college volleyball coach, and volleyball season is ramping up right now. And because his work is done by hand and not machine, there are just times that it won’t come. “Right now I haven’t touched a pen in two weeks, because my brain won’t let me – I’ll sit down and start and think, This isn’t going to work. I’ll mess it up.”

D Squared Arts Rocketship

So does someone whose work is so much like art have a favorite pen? “When Shawn started making pens, I said, Make me one. At the time he was working with polyester resin – it had janky threads – and some student took it. I pestered Shawn for seven months until he made me what he called The Bug Pen – it’s ridged with scales, like a bug. He says it was the worst pen he’s ever made, but everyone loves it. That’s my daily use pen.” He also has a 2024 Arkansas show exclusive pen Newton made from D Squared resin. And he recently bought back one of his own. “I had donated it to a fundraiser, but I ended up buying it myself.”

D Squared Arts Arkansas Sunset

Davis is still working on the best way to make videos to show the unique shaping elements of his pens. In the meantime, his show experiences are fueling his craft. “I know enough about pens to make myself look silly in a conversation. But I’m always learning about other people’s journeys in the pen world. It’s nice to see people be so enthusiastic about how my pens look and how they write.”

Darrell Davis’s work can be seen on his Instagram @d_squared_arts (“I’m far behind on updating the website at dsquaredarts.com, I have thirty pens I need to put up there”) and at shows in Arkansas, Chicago, St Louis, and Dallas.


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on August 19, 2026 and filed under Meet Your Maker, D Squared Arts.