Posts filed under Colorverse

Colorverse vs Kakimori - Dip Nib Showdown

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I first reviewed the Kakimori dip nibs (along with several others) in my dip nib comparison article a while back, so I was very excited when I heard that Colorverse was coming out with their own version of the dip nib, called the Shuttle nib.

I am using the same methodology for the Colorverse Shuttle nibs as I did last time with the others:

  1. Ink - I am using Waterman Serenity Blue as a baseline for the swatches/writing samples. This is most nib grinders’ preferred ink of choice as it has consistent flow, does not stain and is good for vintage pens. I also picked a shimmer ink to see if it behaved differently. I capped and shook the vial between each test.
  2. Paper - I used a combination of a 68 gsm Tomoe River notebook, a 80 gsm Rhodia graph pad, and the standard sized Col-O-Ring cards made from 160gsm paper.
  3. Cleaning - I have used the steel Kakimori dip nib as my primary swatching tool for the past couple of years, so it has been rinsed/cleaned/wiped many times. I use tap water to rinse between uses.
  4. I use a syringe to gently shoot water downwards towards the tip of the nib.
  5. I do not dip the nib/holder into water and swish for cleaning, so I don’t get ink stuck inside the holder.
  6. Writing - Aside from the name of the dip nib, I tried to write the same text on the different papers so you can see how much writing I could get out of one dip. For the Colorverse nibs, I will write a line without an initial cleaning, so I can see whether it writes on first use. Then I will rinse/dry it before rewriting the line again.
  7. Swatches - I am making a broad line swatch as well as my typical Col-O-Ring swatches with both sets of nibs.

Note: After about 6 months of use, the Kakimori dip pen holder started allowing the dip nib to slide out of the ferrule (the “round thingy” that holds dip nibs in place). I showed a video to Kakimori, who ended up replacing the holder. Unfortunately, the replacement started doing the same thing some months later, so I stopped using that holder. I have also since misplaced it, so I don’t have any comparison photos of it next to the Colorverse holder.

Colorverse Shuttle Nib Box

The Colorverse Shuttle nib is packaged in a black box with holographic logo/design (right), which is then encased in a simple black box sleeve (left). The nib holder is similarly packaged but in a longer box (not pictured).

The Kakimori’s packaging (left) has a very different aesthetic. For lack of better words, I would say it feels more organic, while the Colorverse packaging gives off a very modern, space-like vibe, appropriate for its Shuttle namesake.

The hand marked check matches the rest of the Kakimori’s packaging aesthetic. Easy to see at a glance Colorverse’s brass or steel nib.

Before I get into the nitty gritty, let’s just get this out there ‘cause I know you’re dying to know if they are compatible with other holders. And the answer is YES! Both the Colorverse Shuttle and Kakimori dip nibs fit in standard ferrule nib holders, and yes, both will fit into the other’s nib holders as well! This is great news for folks who already have nib holders for the Kakimori or other dip nibs (neither will work in oblique nib holders).

Colorverse Shuttle aluminum nib in a Tachikawa holder, Kakimori steel dip nib in the Colorverse Shuttle holder, and Shuttle brass nib in a Speedball holder.

You can easily fit a Zebra G or pretty much any other standard dip nib in the Colorverse Shuttle holder.

There’s no denying that the shape of the Shuttle nib is similar to that of the Kakimori, but they are also a bit different. The Shuttle is a longer nib and has sharper channel grooves than the Kakimori. It is also more narrow and pointed, while the Kakimori is a bit broader and more “rounded”. Both of these differences factor into how the nib feels when using them at more extreme lower angles.

Colorverse Shuttle nib on the left, and the Kakimori nib on the right. Both are Brass and are in the Tachikawa holder, which has a standard dip nib ferrule.

Despite using a very light touch at more horizontal angles, the swatches still show “scratch marks” where the nib scratches the Col-O-Ring. I didn’t feel this quite as much on the much smoother TR 68 gsm paper, but neither performed quite as smoothly as the Kakimori.

The Colorverse Shuttle nib (Aluminum) in the Shuttle nib holder (also Aluminum.)

The Colorverse Shuttle nib holder has a ridged grip section, which is neither too smooth nor too sharp. It makes it easy to hold without your fingers slipping. It is slim with a bit of heft to it, unlike a traditional wood or plastic dip pen holder which is very light. As such, it can be a bit uncomfortable for long term writing if you prefer a lighter pen or more girthy grip section or both. This nib holder is the Large model and is 7.4”/187 mm. There is also a Small one which is ~5.6”/142 mm.

Thanks to technology and poor photo editing skills, here is an approximation of the Kakimori holder (left silver) with the Colorverse Shuttle holder (right center). The holders on the left/right sides are from Tachikawa and Speedball.

The Shuttle nib holder doesn’t look like anything more than a ferrule in a ridged-grip long nib holder. The grip actually unscrews itself from the rest of the “barrel”, revealing a brass ferrule which is still attached. When attached, this piece and the grip form a gap which holds the dip nib in place. This brass piece is also detachable from the holder, making cleaning easy if you somehow manage to get ink back there. Unscrewing the section also makes it easier to fit into shorter cases/pouches.

Grip section unscrewed from the nib holder. You can see that the piece that holds the ferrule is still attached to the rest of the holder. It would be cool if you can get grips with different materials, designs, etc.

You can unscrew the ferrule if you need to disassemble it further to put it in a small case or for further cleaning. I wonder if the ferrule is replaceable - that would have solved the problems with my Kakimori holder.

For the writing sample below, the first part was done with the Shuttle nib right out of the box without any rinsing or cleaning. I did a quick wipe with a napkin to ensure no particles would get in the ink.

Header with 4 lines of text before running out of ink. A simple rinse and wipe before a new dip gets an additional line of text. No problems writing cursive or print on the slightly textured Col-O-Ring card either.

Making my swatch line with the Aluminum Shuttle nib. There is less of a curvature of the Shuttle nib, so I had to use a very low angle in order to not cut the paper or make much thinner lines.

Writing samples on Rhodia 80gsm (left) as well as writing at some different angles

This was really hard to do towards the bottom of the page of a super thick notebook, especially for someone like me who is also used to writing at 75 degrees.

One of the things that differentiates the Colorverse Shuttle nib from the Kakimori nib is a small reservoir which stores a wee bit of ink so you don’t have to dip it as often. I dipped it a few times because I could see that it was a surface tension bubble as opposed to ink in the reservoir.

Ink in the nib reservoir.

After dipping and confirming ink was in the reservoir, I managed to write a bit more than 1 page of A5 slim, which is about 3-4x what I got from a non-reservoir dip.

The number of pages you get will depend on multiple things including writing angle (my steep angle meant that ink flowed down faster initially), and how the reservoir is oriented (I had it facing up, but in another writing sample, I rotated it almost face down and got a lot more/too much ink flow).

Like I did with the Aluminum nib above, there was no cleaning of the brass nib prior to first writing. Not gonna lie, I absolutely HATED my Kakimori brass nib, so I was pretty nervous about how the brass Shuttle nib would perform. No need for worry as it wrote right away with zero problems whatsoever!

Header with 5.5 lines of text vs Aluminum’s Header + 4. Clean, wipe and re-dip gets an additional 3.5 lines of text.

Swatch line and Rhodia samples. I had a bit more trouble writing on the Col-O-Ring than I did with the Aluminum nib, which surprised me.

Different angles on TR 68gsm and Rhodia. I rotated the nib a bit while writing at the 20 degree angle on top, hence the drastic line width compared to the Rhodia sample.

After dipping and confirming ink was in the reservoir, I managed to write a few lines more with the Brass nib than I did with the Aluminum nib.

In general, the two Colorverse nibs wrote similarly for me from 45-75 degrees (these were all done as “below reservoir” dips, aka, not super saturated, but with plenty of ink to write with). The widths were a bit more noticeable around 30 degrees and even more so when lower than that.

The angles are approximate and how much ink is left on the nib will also affect its width. Colorverse Brass (top), Aluminum, Kakimori Brass, Aluminum.

Both the aluminum and brass Shuttle nibs handled shimmer without any issues.

Alongside other dip nibs using the same Robert Oster Glistening Orange Rumble ink sample.

TLDR: If you don’t already have a Kakimori dip nib, the Colorverse Shuttle dip nib would be a good purchase, especially if you want to use it more for writing. I had a slight preference of the Brass because the line was just a wee bit thicker and held a bit more ink, though I probably would never use it for more a lot of writing (that’s what FPs are for, lol), But, I liked the Aluminum for writing on Col-O-Rings more than the brass. On smoother paper like Tomoe River, I liked either of Shuttle nibs a bit more than the Kakimori steel nib (and we all know how I feel about the Kakimori brass regardless of paper). However, given that my primary swatches are done on Col-O-Ring cards, the steel Kakimori feels smoother when making the large swathes of ink. You may like or dislike how either nib feels on different kinds of paper (like textured papers or watercolor paper versus Tomoe or Rhodia) or if you plan on using it for writing versus art, etc.

I would hands down get the Colorverse Shuttle nib holder over the Kakimori because I don’t have to worry about the nib eventually sliding out of the ferrule like what happened with 2 of their nib holders. Plus I like the ability to disassemble it in case of inky accidents.

The Colorverse Shuttle nibs cost $42 and $48 for the Aluminum and Brass, respectively. The nib holder in Aluminum costs $75 and $60 for the large and small, respectively, while the Brass holder is $85 and $67. They are priced similarly to their Kakimori equivalents. You can find the Colorverse Shuttle products on the Pen Realm website.

(Disclaimer: The two Colorverse Shuttle dip nibs and the nib holder were purchased from Pen Realm at the 2025 CA Pen Show. All of the other products are my own, including the Kakimori nibs and various holders.)

Posted on February 28, 2025 and filed under Colorverse, Kakimori, Dip Nib, Pen Reviews.

Colorverse Korea Special Ink, Part 1

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I’ve been on a bit of an ink swatching spree, and at the bottom of one of the bins was this set of 10 inks from the Colorverse Korea Special Inks, part 1, which I got some time in December. They have since released part 2, so I knew I had to swatch these before getting tempted by the second series! I am following the same speed swatching methodology from my recent swatch-a-palooza, so without further ado, here we go!

Colorverse Korea Special Ink, Part 1.

I am swatching these in the order that Colorverse lists them in one of their IG posts, which is also how they are listed numerically from 044 - 053.

  • 독 도 Dokdo - is a nice, mid-toned teal with slight red sheen on the edges of wet swabs.
  • 한 빛 Han Bit (Glistening) - The only glistening (aka shimmer) ink in this series, Han Bit is a very light dual shading blue/lavender ink with light blue shimmer. I am very interested in seeing how this looks in a wet writer.

You can see more of Han Bit’s chromashading as well as the shimmer if you view it at an angle.

  • 이응다리 Eung Bridge - At first glance, it looks like a “regular blue”, but it’s actually a little more complex. It is a bit of a chromashader, with purple and bright blue popping out against the more muted periwinkle shade of blue.

I wonder how similar this one will be to Sailor Manyo’s Nadeshiko.

  • 거북선 Korea Turtle Ship - I hesitate to call this a black ink because it’s more like a black-ish, or grey, ink. It reminds me of pencil lead.
  • 단오제 Danoje Festival - This ink is a mint colored ink, with hints of yellow as well as turquoise sheen around the edges of wetter swabs.
  • 왕의 길 King’s Road - I don’t know if “light, dusty, sage green” are the right words to describe King’s Road but that’s the vibe I’m getting. It is very slightly dual shading, so I’m curious how it will look from a wetter pen on Tomoe River or Cosmo Air Light.

Some yellow and darker greens showing up on the wetter parts of the swatch.

  • 녹 차 Green Tea - There are many shades of green tea inks and this one leans brighter and more yellow. It is borderline too light for my personal tastes, but again, maybe in the right, juicy pen/nib, it could be quite lovely.

Hard to see in this picture, but there is some bright lime as well as dusty pink popping up.

  • 하회탈 Hahoe Mask - A slightly pinkish-leaning lighter brown ink, Hahoe Mask gives off dusty, warm clay mask vibes, though Hahoe Masks are often made from wood, not clay.
  • 감 귤 Tangerine - This is a nice, light, but not in-your-face bright, orange inks. Despite it’s brighter color, it is a bit softer in tone.

Tangerine - this looks brighter in the photo than it does in real life.

  • 소래 안개 Sorae Fog - This peachy pink ink felt a bit on the dry side, but is a lovely color that ranges from light pink to a medium-light coral.

In addition to using the Col-O-Rings, I also decided to swatch the series on PLOTTER DP Cream and Tomoe River 68 gsm papers.

I love seeing all the colors on a page like this!

Look at that purple popping from Eung Bridge! Also, ignore the bloop on the latter part of Danoje Festival because that’s from user error, I mean, the Kakimori dip nib, and not the ink’s fault.

Green Tea’s bright, lime green edges as well as the barely perceptible peach shade looks really interesting!

Line swatches on Tomoe River 68 gsm - I was a little surprised that these swatched lines weren’t as “interesting” as the swatches on PLOTTER paper, especially since both were made from the same Kakimori dip nib! Just goes to show how differently inks can behave on different paper!

I’ve decided to ink up these two:

I picked a Pelikan M605 with a medium nib (the swatches get harder to photograph once you put a pen on it.)

I know that Sailor Pro Gear Slims aren’t the wettest pens out there, but I’m keeping my fingers crossed that the Medium nib on this PGS Fuki pen will put down enough ink to make it legible.

A few thoughts that popped up while doing these swatches:

  • The one word I would use to describe almost all of the inks (except Dokdo) is “soft”, as in slightly muted, not very saturated, not very bright. This is neither good nor bad, just a vibe that I get when I look at the inks.
  • Most of the inks (except for Dokdo) felt a bit dry when swatching. I look at how easily ink moves around when i’m swatching, as well as how it feels from the dip nib, to help me gauge an ink’s wetness or dryness. Obviously, this isn’t foolproof, but if I have to do a lot of dipping and swabbing to get ink onto paper, it’s something I notice.
  • We know that pen/nib is important in how an ink looks and feels, but paper is particularly important for the chromashaders like Eung Bridge, King’s Road, and Green Tea.
  • I love that Colorverse made these in 15ml bottles. I wish they’d stop making the gigantic 65ml bottles of ink. The 15 and 30ml bottles are perfect.

Swatch cards

  • The swatch cards took ink nicely and were easy to use and did not warp when swatched. I don’t like having only 3 lines for the ink names. I think I would prefer that it was blank.
  • They are an interesting size, around 4” x 2.5” or 100 x 65mm, or “Size B”. Larger than a Col-o-Ring and much larger than a business card (which is about what Wearingeul’s cards are), but also quite a bit smaller than an index card. I’m not sure how I will store these cards now that they are swatched.

==swatch card== The swatch cards come in packs of 50 and are made from 200 gsm Nebula Premium paper.

  • Just for fun, I decided to try the Hubble Ink Art Card in “Size C”, 5.75 x 3.75” or 145 x 95 mm. I started the swatch with the Kakimori and quickly realized I needed a lot more ink (and more frequent dipping would only increase the chances of me knocking over the bottle), so I switched to a paintbrush. Next time I think I might try syringing some drops onto the card instead.

There are 15 sheets each of two designs (total of 30 sheets) and are made from the same paper as the swatch cards.

You can see the few places where I went over it more than once, and it’s cool to see more of Eung Bridge’s chromashading.

Colorverse Ink, including the Korea Special inks series can be found at site sponsors JetPens, Goldspot, Pen Chalet, and Vanness Pens for around $15/bottle retail. The ink bottle swatch cards retail for $6 for a pack of 50 cards, while the Hubble cards retail for $12 for a pack of 30 (15 each, of 2 designs).

(Disclaimer: The swatch cards and ink art cards were provided by Luxury Brands of America at no charge for review. I purchased the inks on my own.)

Posted on June 7, 2024 and filed under Colorverse, Ink Reviews.

Colorverse Brunch Date - An Ink Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

As I mentioned in the 2023 Atlanta Pen Show Recap, I had the pleasure of meeting Akhila Sheth who is the driving force behind Smruti Pens. Brad and I also got to meet her “assistant” (and husband) Nirmal and their two kids at the show, and they provided this Colorverse Brunch Date ink for us to review.

Colorverse Brunch Date is No. 80 in the Colorverse lineup and is part of their Season 6 - Earth Edition. It is part of the Joy in the Ordinary series along with No. 76 Under the Shade, No. 77 Walk the Dog, No. 78 Rainy Day, No. 79 Coffee Break, and No. 81 Delicious Sleep. I had heard that this could be a good match for some rose-gold trim pens so I was eager to test and review it.

Colorverse No. 80 Brunch Date.

A-ha! Now we know how the bread got stolen!!

Since my TWSBI Go pens were already inked up, I picked the TWSBI Swipe with a Medium nib and used that for the writing samples in the notebook. For the other writing samples, I used the Kakimori steel dip nib on the Col-O-Ring cards, as well as the 52 gsm, 68 gsm Tomoe River and Cosmo Air Light 75 gsm papers.

Writing sample and swatch on 68 gsm Tomoe River Paper.

52 gsm TR paper.

Cosmo Air Light 75 gsm paper.

Writing sample and dry times on 68 gsm Tomoe River Paper.

Chromatography showed a pink with hints of orange on the upper portion, which I didn’t expect.

Brunch Date had an average flow, though it felt wetter than I expected based on what a lovely shader it is. Shading inks are usually drier than their more saturated counterparts, so I was a little surprised that it took ~30 seconds to dry on 68gsm TR, which is neither too fast nor too slow given the wet TWSBI Medium nib. It would definitely dry faster like Rhodia, copy paper, Cosmo Air Light or with drier or finer nibs.

Inks similar to Brunch Date: Robert Oster Melbourne, Kobe #54 Goshikiyama Ocher, J Herbin Rouille D’Ancre, Sailor Ink Studio 273, Papier Plume Maroon, Ferris Wheel Press Lady Rose, PenBBS #178 Rose Quartz.

This category of inks is so hard to describe and match! It’s sort of pinkish, brownish and in some cases, almost orangish. It really depends on what other pens or inks are next to it and then you can see how it differs. It is definitely not as orange as the Robert Oster Melbourne, nor as pink as the FWP Lady Rose or PenBBS Rose Quartz, nor is it as brown as Sailor Ink Studio 273 or Papier Plume Maroon (which is much lighter than I expected a Maroon to be). The two that are the most similar to it are Kobe #54 Goshikiyama Ocher and J Herbin Rouille D’Ancre - both of which are my favorite inks to match with rose gold trimmed pens.

Just for funsies, here are some Kawecos (AL Sport Ruby, AL Sport Rose Gold, and Sport Macchiato) that could work with Colorverse Brunch Date.

Colorverse Brunch Date, along with the other Colorverse Joy in the Ordinary series inks, can be purchased for $14 for 30 ml at Smruti Pens. You can also purchase 3ml or 5ml samples from them for $3 and $5 respectively. I am glad I have now added another option for matching with my rose gold pens!

(Smruti Pens provided this product at no charge to The Pen Addict for review purposes.)


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Posted on May 19, 2023 and filed under Colorverse, Ink Reviews.