Posts filed under Lamy

LAMY Petrol 2025 vs the OG 2017, and LAMY Sepia too!

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

Last year, LAMY “re-released” the beloved and highly sought-after LAMY Dark Lilac ink, except folks were quick to discover that it wasn’t the same as the original. I reviewed both inks and came to the same conclusion. With this latest release of LAMY Petrol 2025, people are wondering if it will be the same as (or at least closer to) the original Petrol from 2016, or will it be different or super sheeny like LDL 24 was compared to LD OG. As with LDL 24, some of the original ink components of Petrol 2016 are no longer allowed/available.

Unlike the original LAMY Dark Lilac, where I am a hoarder, I mean, owner of several bottles, I only have one bottle and several cartridge packs of the original LAMY Petrol (which I will refer to as OG or 2017). Still, I was really curious to see how the two inks compared, so let’s dive right in!

One of the ways you can tell if you have the 2017 (top left) vs 2025 versions of LAMY Petrol is from the box. Limited Edition inks always have solid colored side (and bottom) panels. The 2017 Petrol’s box is rotated so you can also see the colored dot at the top of the box. The bottom box is the new LAMY Sepia.

I’m surprised that the price tag on the bottom of OG (left) is still there! If you still can’t tell if you have Petrol OG or 2025, 2025’s barcode ends in 789383.

2017 Petrol on the left and 2025 on the right. The caps are different colors with 2025 looking a touch greener. Petrol 2025 is part of the regular line, and as such, has the grey/silver sides instead of the LE colored side. They were similar enough in color so I kept them apart at all times and boxed each one immediately after use because I definitely didn’t want to get those mixed up.

Original LAMY Petrol swatch that I made in 2017 (left), same bottle swatched again this week (middle) and the new 2025 Petrol (right). The left and middle swatches of OG Petrol show a dark forest green, while 2025 Petrol has a hint of blue which you can see peeking out in some of the lighter parts of the swatch.

Same as above but zoomed in a bit and at a different angle. There is a hint of red sheen on OG that isn’t present on 2025’s Col-O-Ring swatch.

As usual, all swatches were done on Col-O-Ring cards using a Kakimori steel dip nib, while writing samples were done with a TWSBI Go with a Medium nib and a LAMY Vista with a steel Medium nib. The TWSBI Go is a slightly wetter writer and the LAMY is a drier writer, so these two give me a good idea of how an ink will look from different pens. The notebook used for writing samples is the Endless Recorder with 68 gsm Tomoe River paper. Dry times for the Vista are shown with “(V)” and the Go will be below that and shown with “(T)”. Dry times may be a bit slower on 52gsm TR or faster on more absorbent paper like Cosmo Air Light, Rhodia, copy paper, or with drier or finer nibs, etc.

LAMY Petrol 2017 writing sample and dry times on TR 68.

The color difference in the 2017 writing sample isn’t very obvious between the drier Safari nib vs the wetter Go nib. The dry times were pretty fast with both pens at under 30 seconds.

The 2025 writing sample page looked very similar to the OG. It had a slightly longer drying time around 30-25 seconds.

It’s a good thing that I labeled the chromatography strips because they look almost identical! The color distribution/order/spread is very similar.

A closer look at the base of the chromatography where there is a little more spread of the slightly darker blue in the middle of the OG chroma (left) and also less spread of the purple right above it. The bottom portion of both chroma strips have an almost peachy section above the line and first blue separation. I can’t explain what the color distribution means, just showing you how similar they are.

Writing sample on 80gsm Rhodia DotPad: this photo is as uninteresting as the real life writing sample, where the ink just looks like a very dark green-black, and zero sheen (which I didn’t expect to see anyway.)

Writing samples on 75 gsm Cosmo Air Light (top) and 52 gsm TR. CAL eats a bit of OG’s reddish sheen, but you can see it on the small swatch on 52 gsm TR. I wasn’t able to get any sheen from 2025 on either paper.

Writing samples on 52 gsm Tomoe River from a 2022 Hobonichi Weeks (old TR); the paper is a bit more cream than white. You can see a wee touch of red sheen on the bottom right of both swatches; surprisingly, there was a bit more in the 2025 swatch than 2017, but that can also be due to the amount of ink being laid down by the Kakimori dip nib.

Writing samples on 68 gsm TR: Top line swatch is 2017, bottom line is 2025. I alternated lines in the writing sample, with 2017 as the first line.

Slightly zoomed in and at a different angle to show the lack of sheen from both, but also how similar the colors are. The slightly thicker line is from the TWSBI Go which had 2025 and you can see it is also a slightly lighter green than OG.

Some inks that are similar to both LAMY Petrol include: Franklin-Christoph Ink ‘16, Robert Oster Shake-n-Shimmy Blue Velvet Storm (I believe there is also a non-shimmer version of this which is supposed to be a good match but alas, I don’t own it. Shocking, I know.), and Anderillium Colossal Squid Dark. Most of the other dark greens or teals are either too green or too blue.

After all is said and done, I think LAMY Petrol 2025 vs OG 2017 isn’t the same NY Times-worthy drama that LAMY Dark Lilac 2024 vs OG 2016 was. The new Petrol is very similar to the OG, not identical, but close enough that one doesn’t need to chase after the OG (unless they want to, I won’t judge). Both inks behaved similarly with average flow and nice dark green-leaning teal. The 2025 version is just a wee bit wetter, but only enough to take 5-10 seconds more to dry. Last year, I felt that LAMY shouldn’t have called their re-release Dark Lilac, especially since it was quite a bit different from the OG. While this year’s Petrol is very similar to the OG, I still think that they should have called it something else to avoid confusion. Maybe something Petrol-esque, like Benzine, or at least Petrol 2.0.

Alright, enough of Petrol, let’s get on with the bonus ink review of LAMY Sepia!

LAMY Sepia was announced and released together with LAMY Petrol 2025. If you ignore the questions about Petrol OG vs 2025, the rest of the chatter was around how cool the Sepia looked. And I want to say that it does not disappoint.

LAMY Sepia is a new addition to the regular lineup and has the same grey/silver box as Petrol 2025. The cap matches the circle on the box top. (Sorry, I don’t have LAMY Red to compare it to.)

Sepia swatches show that it is brickish red/brown in color (the IRL swatch and picture on my phone doesn’t want to match my monitor, so hopefully the right color shows up for you.)

LAMY Sepia writing sample and dry times on TR 68.

If I had to pick whether LAMY Sepia is brown or red, I would say brown, and then add “but a reddish brown”. After I did the swatches, I had to ink up the LAMY Studio Terracotta because it was such a good match. I would have guessed that, based on its shading with cursive, that it would dry faster than the other two Petrols, but it took about 10 seconds longer to dry. It didn’t feel dry at all when writing with either the LAMY or the TWSBI.

Chromatography on Sepia reminds me of melting Neopolitan ice cream with light milk chocolate on the bottom and strawberry on the top. Cosmetics fans might say it looks like a cool pink blush on foundation. Or I could just say it’s bright pink on a light clay brown.

Inks similar to LAMY Sepia include: Papier Plume Red Beans & Rice, Robert Oster x Vanness Pens Charred Hickory, Sailor x Tinterias Spicy Chipotle, Sheaffer Latte, Taccia Cha Brown. (The bottom 3 are a touch too dark and brown.)

Here are some inks that have “Sepia” in the name. As you can see, no one seems to agree on what color it should be. (Leonardo Sepia Brown, Diamine Sepia, LAMY Sepia, Scribo Classico Seppia, Papier Plume Sepia, Platinum Sepia Black, Kobe Ginza Gold Sepia, Maruzen Sepia.)

The new Petrol and Sepia both performed well and cleaned out easily. You can’t go wrong with either one. LAMY’s inks are a bargain at $9.60 retail for a 50ml bottle, so you can get both. And if I had to pick between these two, well, I already did, because I inked up the Terracotta Studio with Sepia right away. (Don’t worry, I’ll give Petrol 2025 some love too.)

(Disclaimer: The original bottle of LAMY Petrol from 2017, as well as the pens, notebooks, etc., were all purchased by me. The 2025 Petrol and Sepia were purchased from Pen Chalet.)


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Posted on March 28, 2025 and filed under Lamy, Ink Reviews.

Lamy Safari Ballpoint Piña Colada Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

At this point in the year, summer vacations are winding down and everyone is settling in for the last big push before the end of year holidays are upon us. When I think of piña coladas, I instantly associate that with beach-side vacations and carefree living. While the 2024 special edition Safari can't replicate that experience, it can certainly lighten the mood with these bright colors.

The Lamy Safari Piña Colada is a light blue and bright yellow color combo that I haven't been able to put down. I'm using the ballpoint version, though you can get this in fountain pen, rollerball, and pencil variants as well.

If you've ever used a Lamy Safari ballpoint before, then there's nothing new here aside from the unique color combination. The refill included inside is Lamy's proprietary M16 medium point with black ink. As far as ballpoint refills go, the M16 is decent, but not my favorite. Unfortunately, there aren't other refills that you can easily drop-in to replace the M16, but Lamy do offer some other point sizes and color options for the refill.

The body of the Piña Colada is a light blue with a touch of green. There's a clear finish on the body that catches the light. The clear finish also provides a nice feel when writing, but can cause some oil build-up after writing for a while. The pen is easy to wipe down, though!

The accents (nose cone, bellows/nock, and clip) are all a matte bright yellow color that goes perfectly with the light blue-green body.

The squishy bellows mechanism requires a good amount of force to operate, but it's so satisfying to use, just like any other Lamy Safari ballpoint. I love the bellows cover — it would be easy to identify this pen as a Lamy just from the clip shape, but the squishy accordion nock is another signature clue.

The grip section is a three-sided contour that provides three flattened areas for resting your fingers. This works well for how I grip the pen, but it might not be to everyone's liking. The nose cone is long enough that you can even grip the upper part if needed for more control.

The only branding on the pen is a LAMY logo debossed into the side of the body right under the bellows and opposite the clip. It's subtle and can be easy to miss in low light. The clip is strong and will keep the pen secured to whatever you clip it to.

At $16, this Piña Colada special edition Safari is a good deal on a classic pen. For me, this was a compulsive purchase just because of the colors. The fact that it's a great writing instrument is just a bonus. If these colors speak to you, be sure to pick one up before they're gone!

(Vanness Pens provided this product at a discount to The Pen Addict for review purposes.)


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on August 21, 2024 and filed under Lamy, Safari, Ballpoint, Pen Reviews.

Did Less, Swatched More, First Impressions

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

In the vein of last week’s article where I drastically reduced the number of steps to swatch inks, I am happy to report that I have made progress! From the first of January until last week, I had swatched 7 inks (and yes, that included the ones I did for reviews). Since last week, drumroll please, I’ve swatched 20, yes TWENTY, more inks!!! Woohoo!

As you may already know, I like to be matchy matchy with my pens and inks (black, white, clear, silver, and gold pens are the exceptions). Which means I usually start with “what general color pen do I want to use”, then I go through my swatches to find the best match, which is either an exact match, if possible, or slightly lighter or darker depending on mood. Occasionally, I like to go the other route and start with an ink that I really want to use and then pick the pen after. Don’t worry, I’m neither reviewing nor inking up all 20 inks because that would take too long; instead I’ll share some first impressions. Who knows, maybe some of these will jump out and demand to be inked!

A few things to note: (1) Some of the pictures are at an angle because the shimmer showed up better than with head-on photos, (2) even with angled pictures, shimmer is hard to pick up in photos, (3) the picture below has a different colored mat than the other swatches, hence the vastly different background color, and (4) a lot of these are Wearingeul swatches because that’s what I bought samples of and happened to trade with a friend.

Look at all these swatches - I am SO happy to be over the swatching slump!

Here are the 20 inks that I swatched in the past week, sorted roughly by color:

-- Montblanc Le Petit Prince, Rose Burgundy - I knew that I would be inking up a LPP pen since I am nearing the completion of writing out the book, but I had to make sure it matched the pen first. It is a nice shade of burgundy with a hint of copper sheen on very wet swatches. I can’t wait to use it!

-- Wearingeul Anna Karenina - This is a rich red, but not quite burgundy, ink that also has red shimmer and a touch of green sheen on wet swatches. Pretty color but I don’t need to ink up any more red pens right now.

A bit hard to see the shimmer near the bottom.

-- Wearingeul Anne of Green Gables - Yes, this is a red ink, which I was not expecting. Yes, I know that the gables are green but still, it messes with my mind. The ink is actually named “Lucy Maud Montgomery”, and is a bright red ink with some greenish-gold sheen. Off the top of my head, it reminds me a bit of Iroshizuku Momiji.

Anne of Green Gables shows up as a bit more orange than in real life but you can still see the gold sheen in the swatch.

-- Wearingeul Wendy Darling - I am so glad I got a sample of this because I would be a little annoyed with myself if I bought a whole bottle. It is a really pretty, but extremely light, pale, borderline invisible, pastel blue ink with hints of pastel pink, and has silver and turquoise shimmer. I don’t know how readable it is, especially after seeing Kelli’s review from Mountain of Ink, but I’m kind of tempted to put it in a wet Pelikan, but not now, as there are too many other colors that are catching my eye.

Wendy Darling is way too light at any angle.

-- Robert Oster Romeo & Juliet - Ooh, now this one is different, especially from Robert Oster, who isn’t typically known for chromashading. This one is a dusty blue with grey shading that is visible in swatches and I suspect, fairly visible with a wetter pen on Tomoe River and similar papers. This is definitely a contender for “ink it up”!

I really want to see Robert Oster Romeo & Juliet on some Tomoe River!

-- Wearingeul Tinkerbell - Another ink from Wearingeul’s Wendy & Peter collection, this is a light muted, dusty green ink with pearlescent (silver? gold? both?) shimmer and is surprisingly readable. Not my usual jam but that might make it a contender as well?

Wearingeul Tinkerbell looked more readable than I expected.

-- Wearingeul Tick Tock Croc - Also from Wearingeul’s Wendy & Peter collection, Tick Tock Croc is a slightly teal leaning green ink. It looks alright, but it’s not jumping out at me. And yes, silly me forgot to get Peter Pan and Captain Hook.

-- Inkebara #236 Sand - A warm yellow-brown that has some green chromashading in wetter swabs. I’ve got a lot of brown inks in pens right now but this is definitely high on the list for the next light brown pen inking.

The “line” near the light part of the swatch is where there’s some green in Inkebara #236 Sand.

-- Sailor Moroccan Mint Tea - This ink is a touch darker than the Inkebara Sand and doesn’t seem to have the green hint to it either. I’m very curious to see how it compares to Sailor x Tinterias Homemade Tortilla.

-- Diamine Tobacco Sunburst - Part of the Gibson Les Paul series of inks from Diamine, Tobacco Sunburst is a medium golden brown. I wasn’t expecting much but was pleasantly surprised at the golden tone and how nicely it shades. Again, if I didn’t have so many browns inked up already …

-- KWZ x Newcastle Pen Show, Newky Brown - A kind friend surprised me with this ink and I am over the moon because I loved drinking Newcastle in my (much) younger days and I also love KWZ ink! This is a darker reddish/orangish brown ink that could potentially show some nice shading in a drier pen.

-- Franklin-Christoph Bronze Age - Was anyone surprised that I bought this one? Me neither. The color isn’t one that instantly grabs me but it is more interesting than the photo shows - it is a darker chocolate brown that has very slight green undertones, like patina’d bronze.

-- Wearingeul 20,000 Leagues Under the Sea - Ooh, this is a pretty royal blue ink with gold shimmer. I am VERY curious to see how this compares to Pelikan’s Ink of the Year, Golden Lapis, which looks quite similar (I can’t wait to get my bottle). This is a contender since I will be need to ink up a mid-toned blue soon.

The shimmer is much more pronounced in real life.

-- Wearingeul Iaros Orna Eperanto - This is a darker, richer blue with gold shimmer and a hint of red sheen in wetter patches. It reminds me of a shimmery Diamine Blue Velvet.

-- Lamy Pink Cliff - One of those instances where I can’t get past the name because it’s not remotely pink. Not a contender for near-term inking but I will be curious to see how it compares to Lamy Blue Black, which is a favorite.

-- Wearingeul Frankenstein - A slightly blue-leaning, royal purple ink with a hint of copper sheen? Yes, please, but is it unique? Not so much, but I still love the color!

-- Color Traveler Miyoshi Pione Purple - A little moodier and more red-leaning purple than Frankenstein, this is right up my alley, but I’m looking at 8 pens with purple ink right now, so this one has to wait a bit. I’m curious to see if it sheens or has shading properties on TR paper.

Oops, accidentally added an extra “L” in my Color Traveler Miyoshi Pione Purple swatch.

-- Wearingeul Persephone - Ok, Wearingeul, I love this one. Dusty purple with purple shimmer? Yeah, short list. I don’t care which purple pen I have to clear out to make room for this one.

Don’t see purple shimmer that often!

-- Wearingeul x EndlessPens, The Black Cat - My witch-crazed friend shared a sample of this one with me and I’m glad that it’s not a “plain black ink” but has a subtle purple and grey tint to it, as well as some pink (?) shimmer. Not in any rush to put black inks in any pens but this one could pass for almost purple-black.

-- Wearingeul Hades - I got a sample of this because I was hoping it would be more blue, but it’s really a dark black ink with blue shimmer, which is kinda cool.

One of the few ways to get me to use a black ink is to put shimmer in it!

So, out of these 20 swatches, which ones am I most eager to ink up?

Top 3 picks:

Montblanc Rose Burgundy - I already knew this was going into a pen, so maybe this is an unfair pick.

Montblanc Le Petit Prince, Rose Burgundy ink with the Le Petit Prince, Red Planet pen.

Robert Oster Romeo & Juliet - the chromashading looks promising

Robert Oster Romeo & Juliet pairs pretty well with S. T. Dupont D-Inital in Shark Blue.

Wearingeul Tinkerbell - This one is giving me all the feels and I don’t know why.

It’s like Wearingeul Tinkerbell and Sailor Pro Gear Slim, Solar Term, Fuki were made for each other!

Honorable mentions:

  • Inkebara #236 Sand - I wanna see how this ink shades on TR or Cosmo Air Light paper.
  • Wearingeul Persephone - I know, I said shortlist but there are too many purple pens inked up!

There you have it, some (relatively) quick thoughts on 20 different inks. Now to write some more pens dry so I can start using these inks, and get back to swatching!

(Disclaimer: All inks are my own, either purchased from various retailers at recent pen shows including Jimmy Dolive, Franklin-Christoph, and Vanness Pens, or samples swapped with a pen friend.)

Posted on May 24, 2024 and filed under Ink Reviews, Robert Oster, Lamy, Sailor, KWZ, Montblanc, Wearingeul.