Montblanc Manganese Orange Ink Review

Montblanc Manganese Orange was released in 2019, in conjunction with the Montblanc Pix Orange Ballpoint. Wait, a fountain pen ink was launched to mark the release of a ballpoint? I can’t find a similar fountain pen to match, so yeah, maybe so?

Or, more likely, it is my excuse to understand how an orange ink fan like myself missed a bright orange ink release by a major company. Yeah, the ballpoint threw me off. That’s what it was!

In reality, there are a lot of products launched every year, and with Montblanc Lucky Orange released two years prior, a new, similar looking orange from the company with the snowcap flew under my radar. It took a spin around the Atlanta Pen Show a month ago to run across a bottle of this ink stacked on the Dromgoole’s ink shelf. A quick look at how bright it was, and it was an easy purchase.

The main question I had about Manganese, aside from how I missed it, is how different it is than Lucky Orange. Given Montblanc’s repeated reissuing, repackaging, and renaming of existing ink formulas, that’s right where my mind went. Is this Lucky Orange in a new box?

Cotton swabs on Kokuyo A5 Business Paper. Manganese is lighter than the three other inks, but isn’t a yellow-orange like Sailor Apricot, or similar.

I was assured it wasn’t, and that turned out to be the case. Lucky Orange is a nice, bright orange. Manganese is a nice, BRIGHT, orange. There is a visible difference to junkies like me, but is there enough of a difference to separate it from an already saturated orange ink contingency?

Once I inked it up, I was instantly drawn to it. It leans towards that searing, almost neon orange look that I see in Akkerman #16 Oranje Boven. It’s bright, that’s for sure. And usable, too. On the page, it does tone down the nuclear glow that I was seeing at first, simply making it a standout color.

Dry ink makes for fast dry times. Good color, only minor shading, if any.

But I’m not sure you need it if you already have something close. Montblanc Inks are some of the best on the market and fairly priced to boot. This bottle is $26 for 60 ml, with Lucky Orange, when originally available, priced at $19 for 30 ml. The beautiful 60 ml Akkerman bottle is slightly more at $30.

All of this is to say that I like Manganese Orange, and would recommend it if you don’t have something in this range. If you already have a similar orange, I’m not sure it is a difference maker.

Notes on the pen, nib, and paper used in this review: I bought my Franklin-Christoph Model 46 in Olivae at the Atlanta Pen Show as well. It is fitted with a black-plated steel EF nib with a SIG grind done by the Nib Doctor Audrey Matteson. This is a near-perfect nib setup for my writing style, and it will be in heavy rotation.

The two notebooks are the Yoseka Notebook for the line art, and The Paper Mind for writing and ink samples.

(I purchased this ink from Dromgoole’s at the 2022 Atlanta Pen Show.)

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Robert Oster Muddy Water Ink Review

Robert Oster Muddy Water sure doesn't sound like it's going to be a good color, but thank goodness, it is. It's part of Robert Oster's Mudpack series--a set of inks designed to be used for ink art as much as writing, and which exhibit fun qualities in shading and sheening. The series includes Muddy Crown, Muddy Wine, Muddy Swamp, Muddy Sand, Muddy Bucket, Muddy Dragon, and this one, Muddy Water. I'm all for it.

This color is a smokey denim blue, almost a dark teal, that takes on a lot of different colors in its shading. It really does display some of the best shading I've seen in a long time, and it can even sheen with a bit of rose color, when it pools and catches the light right. It didn't show any sheen in writing, but if used for ink art, I imagine its full effect would be seen. Its best trick is appearing perfectly normal while simultaneously being very fun.

It has a typical dry time of around 20 seconds, does not feather or bleed, and while it isn't water resistant, some faint trace of line remains even after a spill.

Chromatography shows the different tones that come out in its shading, from soot to sky blue. It's not a complex color, but it's a good staple color with the kind of character and elegance that draws us to our inks in the first place. Something about its tone and behavior gives it a very vintage feel and it makes my handwriting look like it was composed with a dip pen by candlelight. I love it.

All standard Robert Oster 50ml bottles of this ink cost $18.00, and come in the signature plastic bottle with the gold foil label. It's a fair price for a great quality ink.

(Goldspot provided this product at no charge to The Pen Addict for review purposes.)

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Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Pennonia Cheerio Waterbus Ink Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

“See you later, Cheerio Waterbus” - what the heck, Kimberly? That doesn’t even rhyme! I know, I know! There are “goodbye phrases” that rhyme in English like “See you later, alligator” and “In a while, crocodile”, but did you know that other languages have similar rhyming sayings for “see ya”? If you check out this Twitter post by Adam Sharp, you’ll find foreign language equivalents including the Dutch’s “Aju paraplu” (“bye umbrella”) or Basque’s “Agur yogur” (“bye yogurt”), but the one that we’re talking about today is “Szervusz vízibusz” which is Hungarian for “cheerio waterbus”! Mike Matteson of Inkdependence thought that was cool and it would be a great name for his ink collaboration with Hungarian ink maker, Máté Bikfalvi of Pennonia Inks.

Released just a few weeks ago in late March, Pennonia x Inkdependence Cheerio Waterbus’ first online batch sold out on the same day and the remaining inks were gone before Saturday afternoon at the Atlanta Pen Show! I was glad I was able to pick up my ink from him at the show before they were all gone! (Don’t worry, more is coming)

Cheerio Waterbus comes in a 60ml glass bottle which is packaged in a white box with Mike’s logo on the side and a round color swatch on top (I love this so I can see what colors are in my ink drawers). The bottle also has a nice swatch on the front, Mike’s logo on the right and “Thanks for choosing Pennonia ink” in Hungarian on the left.

Don’t ignore this advice! You really need to shake it like a Polaroid picture!

There’s a reason you gotta shake the bottle. There is a layer of blue pigment at the bottom.

On Col-o-ring cards, you can see that it is a nice green-leaning teal mixed with blue pigment, which makes the ink shift colors depending on how much pigment you get when you’re writing. You can see the pops of blue in the swatches and the writing sample. I used a Kakimori brass dip nib on the swatch cards. For the other writing samples, I started out with a Leonardo Momento Zero Grande in Caraibi, which is a really great match for all the variations of green and blue that you get from Cheerio Waterbus.

Similar inks include Robert Oster Tranquility, 3 Oysters Aqua Green, Colorverse Morning Star and Robert Oster Marine. These are all just a teensy bit more blue than Cheerio Waterbus. I color-corrected this picture so the swatches would be more accurate, but it makes the Col-O-Ring cards look more yellow.

Pigmented inks can be (but aren’t always) difficult to clean and possibly stain, so I decided to unink my Leonardo Caraibi, which has a captured converter. I only had it in the pen for a day but I didn’t have any problems cleaning it out, other than constantly twisting the converter because that’s the only way to clean these kinds of pens. I switched to a Levenger True Writer, Teal Appeal, so I could use a converter and not worry about any staining (so far so good). Both have Fine European-sized nibs, but the Leonardo writes wetter due to the larger nib/feed, so I was able to see more blue in that writing sample. As with any pen inked up with a pigmented ink like Cheerio Waterbus (or with shimmer inks), you should periodically agitate it to make sure the pigment is mixed well with the dye. Tip: You can agitate a pen with pigment or shimmer by gently rocking it back and forth a few times (nib down, then up, then down, repeat), rolling it around on the table (with the cap on in case of impending gravity!), shaking it gently, or moving the converter piston up and down a few times in combination with other methods.

The wetter pen (top) got me more blue.

Just look at the green, teal and blue in that swatch!

The color shifting wasn’t as noticeable on 24lb copy paper.

The flow is average to slightly wet but it still dried fairly quickly with the Levenger on the index card. On 68 gsm Tomoe River paper, it took a bit longer, especially with the Leonardo, probably 10 seconds more.

Dry time was 25-30 seconds on this Exacompta index card (yay, I found some white ones!)

Now, I know this isn’t meant to be a waterproof or water-resistant ink but since the blue is pigmented, I was curious to see how it would behave if doused with water.

Writing on 24lb copy paper and letting it dry completely before running it under water.

Definitely not waterproof but might be readable if there was more space between the letters.

This is a great ink that flows well and is a great color with super cool blue popping in and out. Mike tells me that he will be getting the next batch in 2 more weeks, so keep an eye out on his Inkdependence IG and his store.

(I purchased this directly from Mike and picked it up at the Atlanta Pen Show.)