Did Less, Swatched More, First Impressions

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

In the vein of last week’s article where I drastically reduced the number of steps to swatch inks, I am happy to report that I have made progress! From the first of January until last week, I had swatched 7 inks (and yes, that included the ones I did for reviews). Since last week, drumroll please, I’ve swatched 20, yes TWENTY, more inks!!! Woohoo!

As you may already know, I like to be matchy matchy with my pens and inks (black, white, clear, silver, and gold pens are the exceptions). Which means I usually start with “what general color pen do I want to use”, then I go through my swatches to find the best match, which is either an exact match, if possible, or slightly lighter or darker depending on mood. Occasionally, I like to go the other route and start with an ink that I really want to use and then pick the pen after. Don’t worry, I’m neither reviewing nor inking up all 20 inks because that would take too long; instead I’ll share some first impressions. Who knows, maybe some of these will jump out and demand to be inked!

A few things to note: (1) Some of the pictures are at an angle because the shimmer showed up better than with head-on photos, (2) even with angled pictures, shimmer is hard to pick up in photos, (3) the picture below has a different colored mat than the other swatches, hence the vastly different background color, and (4) a lot of these are Wearingeul swatches because that’s what I bought samples of and happened to trade with a friend.

Look at all these swatches - I am SO happy to be over the swatching slump!

Here are the 20 inks that I swatched in the past week, sorted roughly by color:

-- Montblanc Le Petit Prince, Rose Burgundy - I knew that I would be inking up a LPP pen since I am nearing the completion of writing out the book, but I had to make sure it matched the pen first. It is a nice shade of burgundy with a hint of copper sheen on very wet swatches. I can’t wait to use it!

-- Wearingeul Anna Karenina - This is a rich red, but not quite burgundy, ink that also has red shimmer and a touch of green sheen on wet swatches. Pretty color but I don’t need to ink up any more red pens right now.

A bit hard to see the shimmer near the bottom.

-- Wearingeul Anne of Green Gables - Yes, this is a red ink, which I was not expecting. Yes, I know that the gables are green but still, it messes with my mind. The ink is actually named “Lucy Maud Montgomery”, and is a bright red ink with some greenish-gold sheen. Off the top of my head, it reminds me a bit of Iroshizuku Momiji.

Anne of Green Gables shows up as a bit more orange than in real life but you can still see the gold sheen in the swatch.

-- Wearingeul Wendy Darling - I am so glad I got a sample of this because I would be a little annoyed with myself if I bought a whole bottle. It is a really pretty, but extremely light, pale, borderline invisible, pastel blue ink with hints of pastel pink, and has silver and turquoise shimmer. I don’t know how readable it is, especially after seeing Kelli’s review from Mountain of Ink, but I’m kind of tempted to put it in a wet Pelikan, but not now, as there are too many other colors that are catching my eye.

Wendy Darling is way too light at any angle.

-- Robert Oster Romeo & Juliet - Ooh, now this one is different, especially from Robert Oster, who isn’t typically known for chromashading. This one is a dusty blue with grey shading that is visible in swatches and I suspect, fairly visible with a wetter pen on Tomoe River and similar papers. This is definitely a contender for “ink it up”!

I really want to see Robert Oster Romeo & Juliet on some Tomoe River!

-- Wearingeul Tinkerbell - Another ink from Wearingeul’s Wendy & Peter collection, this is a light muted, dusty green ink with pearlescent (silver? gold? both?) shimmer and is surprisingly readable. Not my usual jam but that might make it a contender as well?

Wearingeul Tinkerbell looked more readable than I expected.

-- Wearingeul Tick Tock Croc - Also from Wearingeul’s Wendy & Peter collection, Tick Tock Croc is a slightly teal leaning green ink. It looks alright, but it’s not jumping out at me. And yes, silly me forgot to get Peter Pan and Captain Hook.

-- Inkebara #236 Sand - A warm yellow-brown that has some green chromashading in wetter swabs. I’ve got a lot of brown inks in pens right now but this is definitely high on the list for the next light brown pen inking.

The “line” near the light part of the swatch is where there’s some green in Inkebara #236 Sand.

-- Sailor Moroccan Mint Tea - This ink is a touch darker than the Inkebara Sand and doesn’t seem to have the green hint to it either. I’m very curious to see how it compares to Sailor x Tinterias Homemade Tortilla.

-- Diamine Tobacco Sunburst - Part of the Gibson Les Paul series of inks from Diamine, Tobacco Sunburst is a medium golden brown. I wasn’t expecting much but was pleasantly surprised at the golden tone and how nicely it shades. Again, if I didn’t have so many browns inked up already …

-- KWZ x Newcastle Pen Show, Newky Brown - A kind friend surprised me with this ink and I am over the moon because I loved drinking Newcastle in my (much) younger days and I also love KWZ ink! This is a darker reddish/orangish brown ink that could potentially show some nice shading in a drier pen.

-- Franklin-Christoph Bronze Age - Was anyone surprised that I bought this one? Me neither. The color isn’t one that instantly grabs me but it is more interesting than the photo shows - it is a darker chocolate brown that has very slight green undertones, like patina’d bronze.

-- Wearingeul 20,000 Leagues Under the Sea - Ooh, this is a pretty royal blue ink with gold shimmer. I am VERY curious to see how this compares to Pelikan’s Ink of the Year, Golden Lapis, which looks quite similar (I can’t wait to get my bottle). This is a contender since I will be need to ink up a mid-toned blue soon.

The shimmer is much more pronounced in real life.

-- Wearingeul Iaros Orna Eperanto - This is a darker, richer blue with gold shimmer and a hint of red sheen in wetter patches. It reminds me of a shimmery Diamine Blue Velvet.

-- Lamy Pink Cliff - One of those instances where I can’t get past the name because it’s not remotely pink. Not a contender for near-term inking but I will be curious to see how it compares to Lamy Blue Black, which is a favorite.

-- Wearingeul Frankenstein - A slightly blue-leaning, royal purple ink with a hint of copper sheen? Yes, please, but is it unique? Not so much, but I still love the color!

-- Color Traveler Miyoshi Pione Purple - A little moodier and more red-leaning purple than Frankenstein, this is right up my alley, but I’m looking at 8 pens with purple ink right now, so this one has to wait a bit. I’m curious to see if it sheens or has shading properties on TR paper.

Oops, accidentally added an extra “L” in my Color Traveler Miyoshi Pione Purple swatch.

-- Wearingeul Persephone - Ok, Wearingeul, I love this one. Dusty purple with purple shimmer? Yeah, short list. I don’t care which purple pen I have to clear out to make room for this one.

Don’t see purple shimmer that often!

-- Wearingeul x EndlessPens, The Black Cat - My witch-crazed friend shared a sample of this one with me and I’m glad that it’s not a “plain black ink” but has a subtle purple and grey tint to it, as well as some pink (?) shimmer. Not in any rush to put black inks in any pens but this one could pass for almost purple-black.

-- Wearingeul Hades - I got a sample of this because I was hoping it would be more blue, but it’s really a dark black ink with blue shimmer, which is kinda cool.

One of the few ways to get me to use a black ink is to put shimmer in it!

So, out of these 20 swatches, which ones am I most eager to ink up?

Top 3 picks:

Montblanc Rose Burgundy - I already knew this was going into a pen, so maybe this is an unfair pick.

Montblanc Le Petit Prince, Rose Burgundy ink with the Le Petit Prince, Red Planet pen.

Robert Oster Romeo & Juliet - the chromashading looks promising

Robert Oster Romeo & Juliet pairs pretty well with S. T. Dupont D-Inital in Shark Blue.

Wearingeul Tinkerbell - This one is giving me all the feels and I don’t know why.

It’s like Wearingeul Tinkerbell and Sailor Pro Gear Slim, Solar Term, Fuki were made for each other!

Honorable mentions:

• Inkebara #236 Sand - I wanna see how this ink shades on TR or Cosmo Air Light paper.
• Wearingeul Persephone - I know, I said shortlist but there are too many purple pens inked up!

There you have it, some (relatively) quick thoughts on 20 different inks. Now to write some more pens dry so I can start using these inks, and get back to swatching!

(Disclaimer: All inks are my own, either purchased from various retailers at recent pen shows including Jimmy Dolive, Franklin-Christoph, and Vanness Pens, or samples swapped with a pen friend.)

Do Less, Swatch More, Use More, Repeat

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I’ve been in a bit of a slump and it’s about all these inks I have around me. You see, I’m not only a Pen Addict, I’m an Ink Addict too. I absolutely love inks and matching them to pens is one of my favorite parts of this hobby. And while cutting back on ink purchases is probably never going to happen, I did tell myself that I needed to swatch more than I get. And so far, for 2024, I have failed miserably.

Why is this a problem? Because I don’t use what I don’t swatch. If an ink isn’t swatched, I don’t know what color it really is, and therefore, never ink it up because it’s not in my Col-O-Ring when I’m trying to match it to a pen. Not to mention, without the ink swatch, I sometimes forget I even have it, eek! I can hear my friend Judy, aka Tokubetsumemori yelling at me to “use your stuff!” (except she doesn’t say “stuff”, lol). I have added another 42 inks to my stash since January but I’ve only swatched 7 inks. Oof, going in the wrong direction here! To be fair, some of those inks were added for review (I put them in my Fountain Pen Companion account so I don’t accidentally buy inks that are in the review queue), and some of those inks were samples and not bottles, but still! I probably swatched about 200 inks in 2023 (and I’m nowhere near done), so 7 in the first 5 months of the year is not good progress.

This is just one of several overflowing bins of inks waiting to be swatched.

Now, this isn’t meant to be a “wah, woe is me, I have so many inks” article. I am VERY fortunate to be able to surround myself with all these fun inks. But, I have had zero desire to swatch the very thing that I really enjoy. I asked myself why not? What is holding me back and where did the motivation go? I’d feel much less guilty about getting more inks if I swatched more inks, because swatching leads to using and using leads to writing and pen play! I wanted to get back to swatching cuz let’s face it, there are some gorgeous inks being released (a bit too often, if you ask me and my wallet) and I’m not getting them because of my huge backlog! Note that this feeling doesn’t apply to doing swatches for reviews, by the way, since I have a plan for those and it’s usually limited to one or two inks (except when I’m being crazy and do 8 for a review, lol).

So I took a step back and looked at my process and omg, no wonder I don’t want to do this any more. You can read about it in more detail in my 2021 article about swatching, but here’s a quick summary with one addition:

1. Swatches on 2 Col-O-Rings (one is for sorting by brand, the other by color)
2. Little swatch and writing sample on 52 gsm Tomoe River insert
3. Little swatch and writing sample on 75 gsm Cosmo Air Light
4. Longer swatch and writing sample on 68 gsm Tomoe River notebook
5. Circle swabs in a blank 52 gsm TR notebook, organized semi-randomly by brand, color, ink properties

Uh, that’s a lot.

Yeah, a 5 step process for swatching 1 ink (6, if you count the 2 Col-O-Rings separately). No wonder I didn’t want to do this any more! It takes a lot of time, and if I’m being honest, I rarely, if ever, use any of the inserts/notebooks as reference points. So why am I doing it? Honestly? I have no idea.

And since no one is the boss of me (except maybe the Bossman, but he doesn’t boss my swatching, lol), I’ve made the executive decision to cut back on all these steps. I’m going to just make the 2 swatches on my Col-O-Rings, with some occasional swatching on Wearingeul cards (I am thinking of swatching all my Wearingeul inks on their swatch cards). Sounds easy enough, but the hard part is telling myself that it’s ok that I spent all that time doing them all these years (I used to enjoy doing this). It will also be a little tough not regretting the decision to stop doing the extra steps. I know that it might feel weird at first, but I know that I will feel so much better when I make faster progress. And down the road, if I change my mind, I can always resume those added steps for inks moving forward, cuz I sure as heck am not going to go back and re-swatch inks I’ve already done.

The journey of a thousand swatches begins with a single swatch (well, technically two, lol.)

Heck yeah! One down, next!!

Wow, Kimberly, all those words just to reach the conclusion that (1) you’ve been kinda nuts doing all this and (2) that you don’t have to do all those things anymore? Yeah. Because change is hard, especially if it was something we once found enjoyable. Because second guessing ourselves is easier. Because it’s much easier to avoid making a decision to get back on track. Because procrastination, denial (especially of an ever-growing backlog and shopping cart) and inertia are real. And because we aren’t always kind to ourselves when “current us” isn’t loving the decisions that “past us” made.

So, to anyone (including me) who needs to hear that it’s ok to change your mind, change direction, change steps, take a deep breath and regroup, etc., I’m telling you that “it’s ok” (or you can imagine Judy telling you to “use your stuff”) - whatever helps you make this hobby enjoyable again. Now, let’s get swatching!

(Disclaimer: All items were purchased by me from various vendors.)

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Sailor Manyo Koke & Pro Gear Slim Summer Rain Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I needed to ink up one more pen before heading to the Chicago Pen Show this weekend so I decided to ink up the Sailor Pro Gear Slim, Summer Rain because I needed a teal blue pen in the pen binder when I realized, gulp, that I was supposed to have done a review of this pen and the ink that Brad got from Dromgoole’s at the Atlanta Pen Show … TWO YEARS AGO! Eek! Better late than never right? (Editor’s Note: Kimberly now has a meeting scheduled for Monday, post-Chicago show. -B.D.)

Sailor Koke is a part of a dual shading series that is a continuation of their Manyo line, and includes Fuji, Hinoki and Ayame. There are other Manyo inks which are also dual shaders like my favorite Nekoyanagi, Haha and others, but this series specially says “Dual shading” on the box/bottle and was released around late 2021/early 2022.

Sailor Manyo Koko and Col-o-ring swatches.

As in the past, all swatches were done on Col-O-Ring cards using a Kakimori steel dip nib, while writing samples were done with a TWSBI Go with a Medium nib and a Lamy Vista with a steel Medium nib. The TWSBI Go is a wetter writer and the Lamy is a drier writer, so these two give me a good idea of how an ink will look from different pens. This time around, I also included a writing sample from the Sailor Pro Gear Slim, Summer Rain with a Medium Fine nib. The notebook used for writing samples is from Endless Recorder with 68 gsm Tomoe River paper. Dry times may be a bit slower on 52gsm TR or faster on other papers like Rhodia, copy paper, or with drier or finer nibs, etc.

Sailor Manyo Koke is a dusty teal blue with purple shading. You don’t get much of the purple shading in drier or finer nibs, but you can see it in the larger swatches and smears.

Writing sample on 68 gsm Tomoe River Endless Notebook. You get more shading from the Vista compared to the Saiior or Kakimori, but not as much purple since it’s a drier nib.

Hello, purple! It’s definitely there on the swatch, but you’ll have to take my word that it’s there in the word “writing” too, it’s just impossible (for me) to photograph.

Chromatography of Koke shows the mostly turquoise-blue tones with just a wee hint of purple before shading to yellow.

Inks similar to Koke: Laban Poseidon Green and Diamine Blue Peppermint, both of which were a bit too green and the latter has shimmer, and both Pelikan Edelstein Aquamarine and Papier Plume Carolina in My Mind were a touch too blue.

What makes this color more unique are the purple chromashading as well as the dusty, muted nature of this ink. It was difficult finding closer matches as the inks leaned too green or blue or were too bright or saturated.

Koke dried really quickly with the Vista (less than 30 seconds) but took over a minute to dry with the TWSBI. You can see the purple that’s left over when I did the smear.

Even though this is a somewhat dry ink, it behaved well in the Lamy Vista (the driest of the three pens), the Sailor and the TWSBI Go. I liked the color the most from the TWSBI because its wet line results in the purple chromashading. I didn’t get much if any purple from either the Lamy or the Sailor, though the based color is still lovely. I can’t wait to ink it up in a Pelikan next time.

Moving onto the pen, which is the Sailor Pro Gear Slim, Sounds of Rain series, Summer Rain. It is a Pro Gear Slim that has matte textured cap and barrel with translucent colored finials and a thick gold trim band at the base of the cap. The other pens in the Sound of Rain series is Spring Rain, Autumn Drizzle, and Winter Rain.

At first glance, this seems like “yet another Sailor Pro Gear Slim” but there is one major differentiator - the nib. The easiest way to tell a Pro Gear Slim apart from a Pro Gear (aside from the slight increase in length and girth with the Pro Gear) is that the Pro Gear Slim usually sports a 14kt gold nib, while the Pro Gear has a larger 21kt gold nib. The Sailor Sounds of Rain series pens, while being Pro Gear Slim in size, have 21kt gold nibs, but they aren’t as large as the Pro Gear nibs. This isn’t the first time that Sailor has done something like that but it does make things confusing!

Sailor Pro Gear Slim Nuts, Summer Rain and Pro Gear Mojito.

I aligned the nibs, so you have to look at the bottom to see the length differences, (the first two are the same length and the third is longer.)

The nibs from the PGS Nuts and Summer Rain as the same, even though the latter has the 21kt gold nib. The 21kt gold nib on the PG is bigger (longer and wider) than the other two.

But how do they write? I unintentionally had MF nibs inked up in the two other Sailors, which made it perfect for comparison purposes. I didn’t notice much, if any, difference in line width, nor between the nibs’ stiffness nor wetness. Even the larger PG’s 21kt gold nib didn’t really feel any different from the other two. I know some people will swear that their Sailor 21kt gold nibs are softer/bouncier than their 14kt gold nibs, and I’m not feeling any difference. It’s possible that this is due to my very steep writing angle, so keep that in mind.

These inks (Montblanc, Sailor and Jacques Herbin, respectively) have different characteristics and flow, but the lines were pretty similar.

There is a significant price difference between the Summer Rain series ($450 MSRP, $360 street price) and a different PGS Limited Edition like the Manyo series ($350 MSRP, $280 street price) and that’s primarily due to the difference in nib’s gold content. As I said earlier, I couldn’t really tell the difference between the PGS Nuts’ 14kt gold nib and the Summer Rain’s 21kt gold nib, so whether the aesthetics of the pen justifies the added price tag is a very personal decision. I really like the matte texture as well and I don’t think Sailor tends to do that very often on the regular PGS lineup. But, as you probably already know, Sailor’s gonna Sailor, so it’s difficult to put any semblance of rhyme or reason to their pricing, lol.

Sailor Manyo Koke ink is available at Dromgoole’s for $24.00 for a 50 ml bottle and the Sailor Pro Gear Slim Summer Rain pen sells for $360 on their website. You can also get the Koke ink as part of a 4 - 20ml bottle set for $60.

(Disclaimer: Both the Sailor Manyo Koke ink and Sailor Pro Gear Slim Summer Rain were purchased at a discount from Dromgoole’s. The other pens, inks, Col-O-Rings and notebook are mine.)