Posts filed under Meet Your Maker

Meet Your Maker - Abigail Markov, Third House Inks et al.

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

After writing these columns for over a year, I think I can break the fourth wall to tell you that Abigail Markov’s Instagram makes me tired. She’s like the Hindu goddess Kali with the six arms, each one spinning a different plate: pens, ink, jewelry, soap, choir, kids…. Whew! What’s going on here??

It started with her mother. “She loved fountain pens. I remember all the brand names from going to stores with her, even if she didn’t always buy something.” She and her late husband loved pens, and she said to him, “You know, we could make these,” so he bought a wood lathe and started making pens. “He didn’t let me near it, so I started casting the materials with supplies I had on hand from art.” When he passed away, she thought it was a shame to give it up because he wasn’t there anymore, so she taught herself to do kit pens, and then kitless pens. Shop creep came quickly with the need for a metal lathe to do all of the things she wanted to do.

The Saturn.

Markov’s first pen model was called the Saturn – it was a rollerball pen with a metal fidget spinner in the pen body. Her current flagship model, the Bebe, came about as a way to create a fountain pen that is fun and more affordable than the Saturn with all its more involved metalwork – a sub-$200 daily writer. “I wanted to make something able to withstand the kind of abuse I would put it through.” The Bebe has aluminum parts as well as resin, but it isn’t heavy. “My resin is lighter than most, it’s polyester resin. Nobody likes working with it because it will explode if your angles aren’t right, but it’s lightweight and durable, it polishes like glass, and the colors stay bright.” She makes her own metal parts from rod stock – aluminum currently, and some brass is on the way, which she finds more fun to work with.

The Bebe.

Markov’s soap business was created to help fund the rehab of the farm in rural Florida that she and her husband had undertaken. “The design aspect of soap was very close to some of the art I had done.” With soap came incense that wouldn’t give her a headache.

Perhaps her most complex endeavor has been the creation of Third House Inks. You may have noticed that the ink bottles you buy from your favorite manufacturer don’t have lists of ingredients on them. Nobody really talks about what’s inside those bottles, and there are undoubtedly trade secrets involved. So figuring out how to make ink seems like a rather tall order. For Markov, it started with a fiber arts interest. “Eighteen years ago, my first husband and I were stationed in Germany and my youngest had just been born – I was home all the time, so I took up knitting.” Of course this led to spinning, weaving, and dyeing her own yarn and fiber. “I wanted to dye yarn, so I did some dyeing. When I wanted to make ink, it seemed like it involved ingredients I already had from soap making and dyeing.”

To find out what really needed to be in the bottle, she started looking up and reading patents for different kinds of inks, and began iterating. After releasing her Version 1, she got a lot of feedback about the ink’s behavior in pens and on paper, and started tweaking her ratios to get better results. After about forty small incremental batches she arrived at Version 2. She now produces close to a dozen colors.

With pens, ink, soap, incense, jewelry, and driving her youngest a long distance to his magnet high school, oh, and rehabbing a farm, you would think every second would be crammed full. But Markov is also in a community choir. “I sang in a choir in eighth grade, but it wasn’t until my kids were older and I stopped moving around that I joined a community choir. People say, ‘Why would you want to go be bad at something with other people?’ Because it’s fun! And we’re actually pretty good.”

Even while juggling all of these endeavors, Markov is always inspired with new ideas. “I have more ideas than I even have time to write down. So many people on social media are making interesting jewelry, sculpture, art – so many ideas I can use.” Future plans include a clip design, an eyedropper pen design, a piston fill design, and experiments with using titanium as the metal component in her pens. She wants to make more “art pens – similar to the concept of the Saturn, but with more moving parts.” She is also looking to move her ink business to wholesale, once she takes in feedback on Version 2.

It can’t be entirely coincidental that the goddess Kali comes to mind when taking in the scope of Markov’s endeavors, and not only because her cat’s name is Kali. “I have what you might call a ‘kitless faith process’ – also called chaos magic.” Wikipedia says chaos magic practitioners “… treat belief as a tool, often creating their own idiosyncratic magical systems and frequently borrowing from other magical traditions, religious movements, popular culture and various strands of philosophy.” For the past few years, Markov has been delving into aspects of Kali. “Personification of traits helps us deal with hard things. Kali shows that you are not lesser for having anger, frustration, trauma, or grief.”

All those arms are just an extra perk.

Abigail Markov’s work can be seen on her Instagram, her website, and at the Orlando Pen Show.


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Posted on November 16, 2023 and filed under Meet Your Maker.

Meet Your Maker: Ben Stewart, Mayfair Pens

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

I imagine Ben Stewart learned how to swim by diving into the deep end or leaping off a boat. When he started making pens, he had not previously learned how to use a lathe, or observed a relative working in a shop. The habit of carrying a pocket notebook around had led him to start getting into pens, but in 2021 he became aware of the wide world of good fountain pens, and was smitten. He spent a month getting engrossed in watching videos of pen makers, and talking to makers about the equipment that was needed, and then bought a lathe and jumped in. No kit pens for him.

“I was really bad at it at first. I broke a lot of things.”

A special education teacher by day, with one small child and another arriving as this article is being published, Stewart has limited shop time, so he spends more time thinking about what to make than actually making it. Combinations of materials particularly appeal to him, and over time he has curated for himself a list of his favorite materials by each material artisan.

This does not translate into a yen to make materials himself. “These folks are so talented, anything I could want is being made by someone.”

Naming his pens with words out of the world of J.R.R. Tolkien came naturally. “I’ve always been Tolkien obsessed, and big into writing and language.” Tolkien built not only worlds, but languages, offering Stewart an endless supply of names as he developed what would become eight different pen models. The name of his company came from closer to home in Virginia. “Mayfair is a part of London, but it’s also the street I grew up on. My shop is still on that street, in my dad’s garage.”

Mayfair pens have distinctive shapes that are unique to Stewart. “I tend to write with my hand further back on the pen, so threads on pens were a problem for me. I thought – what if I didn’t have threads there?” The fourth pen he successfully completed had threads in front of the section, and all eight of his models now have that construction. He nods to Jacob Pawloski of Mad Science Pens, whose quest to get rid of threads led to pen shapes with a similar vibe, but with threads inside the end of the section instead of outside. But “my pens are so unique partly because I legitimately didn’t know what I was doing, I had no preconceived notions.”

This early experimentation led to two of his eight models being eyedropper pens. “I wondered, is this a silly idea? Nobody’s going to buy this.” Stewart’s eyedropper system combines the section and barrel into one piece, like his cartridge/converter pens, and it is filled through the threaded area inside the section where the nib unit screws in. There are no threads or seams to take away from the visibility of the ink, and the barrel is most often made out of some translucent material. “I was surprised how many people like these. The feedback has been positive in terms of not leaking.” The Silmaril is a full sized eyedropper pen, and the Narya is a pocket pen that becomes full sized when the cap is posted onto threads at the end of the barrel.

With limited shop time, he tends to make pens in batches of five to sixteen units, and does monthly drops on the second Saturday at about noon. He still takes commissions, and plans to continue. “The requests fit in with what I’m already doing.” His experimental model, the Gondolin, came from a “play day” in the shop, cutting different shapes and seeing what happened.

Stewart’s goal as a pen user is to collect more pens from other makers. “I never really got into high-end pens.” He has a pen made by Tim Crowe of Turnt Pen Company that he really likes, and he is collaborating with Crowe on a limited edition of Vanyar pens inspired by Mount Doom from Lord of the Rings. The pens combine Crowe’s “Painted Desert” material with a custom orange pour. If you like orange and are lucky, there might be some left.

Pen making is both therapy and satisfaction for Stewart. “This was the first activity where I could turn an idea into a creative output, where I could think of something and turn it into a thing you can hold.” With a demanding job and a young family, the shop is “therapeutic – you can turn your brain off and create something step by step. I get energy from that. And it’s rewarding to see other people enjoy the work.”

Ben Stewart’s work can be seen at Mayfair Pen Company and on Instagram @MayfairPens, and at shows in DC and Baltimore.


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on October 24, 2023 and filed under Meet Your Maker.

Meet Your Maker: Sean Allott, London Pen Company

Sean Alott, London Pen Co. (center,) flanked by Jon Tello (left,) and Jonathon Brooks.

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

Sean Allott’s first pens were made for his dad, but there was nothing sentimental about his decision to start a pen company. The analytic bent required to manage an IT consulting company came in handy at this turning point in his business.

After attending a wood show and seeing someone turning pens, he bought a desktop lathe driven by an electric drill. From there he took courses in wood turning of bowls, vases, and boxes (his favorite), gradually upgrading his lathes to match his aspirations (a variable speed drill! clamps!) until he arrived at the CNC setup he now runs.

Allott began making kit pens for his father, “the pen guy” in the family, and took a course at Lee Valley Tools to learn how to finish them properly. (He still makes kit pens, finding them a good teaching project.) Then, in 2015 he found the London (Ontario) Pen club, and began learning to make kitless pens. He attended his first show, Scriptus, in Toronto in 2019, with his first model, the Parnell, and considered it partly a test to see if launching a pen company made sense. A quick analysis of the demographics of show attendees convinced him to go forward.

“The customers at the show were predominantly younger, and mostly women – this was going to be a growing audience for pens.”

C14 Azalea.

Just a few months later, COVID shutdowns happened, so he was stuck at home with some spare time – the IT company required less of his energy because “customer acquisition was just not happening.” He began working almost full-time on his pens, developing his flagship model, the Christopher, named after his late father. In 2021, he launched his website, because he could not keep up with sales volume using Instagram as a platform. He currently has four main models, plus several variations on the Christopher, and his earliest models the Parnell and Ritchie are being redesigned.

Nona14 Long Argent Sapphire.

While he has cast some of his own materials, currently his equipment for this is still not unpacked from moving his shop when he took his IT company out of its large space into a smaller one. He plans to get back into it, though, because it’s one way to make his pens unique.

Allott finds the CNC processes to be so complex and interesting that he asks, “Did I actually get into penmaking to learn CNC?” When designing a pen, he makes his first examples by hand on the wood lathe, working on it till he’s satisfied and then converting it to CNC tool paths. The biggest challenge has been learning to do the 3D drawing necessary to bring a design to CNC. “You’re essentially doing three people’s jobs” to make a product using CNC. It’s more difficult to get the design produced by CNC, but the payback comes with the ability to produce that design in volume.

Nona14 Omas Black White Swirl.

The sanding, polishing, and finishing still has to be done by hand and takes more than fifty percent of the total time to make a single pen; more than fifty percent in the case of the faceted Nona model, with which he has a “love-hate” relationship. Available methods for automating some of the finishing are unsatisfactory for alumilite resin, which is too soft for any kind of automated tumbling. And finish is too important to take shortcuts. “The finish in a pen is how you can tell how long the maker has been doing it.” He recalls buying a pen from Brad Owens of Mythic Pens and thinking, “Ok I have to up my finishing game!” He has many pens sitting in his shop that have flaws in the material or the making, that will never be sold.

C14, Faceted Cap, Water Liliy Koi.

The materials are a large part of what keeps penmaking interesting for Allott. “I’m a material addict!” Wood turners can get tired of making pens because for them the process itself is simple, but with so many makers creating so many beautiful materials, he never gets tired of it. “Making a product people enjoy is extremely satisfying and rewarding in itself.”

Despite being “not much of a pen user – my handwriting and drawing are horrible” – Allott has a Shawn Newton pen he particularly likes, and a limited edition pen purchased from Jon Tello of Hello Tello. He’s also continuing to grow his collection of pens from independent makers. To use his pens more, he hopes to learn to draw as well as to paint in watercolors, and learn about different nib grinds and what they can be used for.

In 2023, Allott has attended a couple of US pen shows as an experiment to see how successful they would be for him. It is only coincidence that this article is appearing in the same month as the infamous Orlando Pen Show incident, wherein UPS was unable to move his inventory from South Carolina (where Jonathon Brooks was keeping it for him after the DC show) to Florida in anything like the promised two days. The London Pen Company table in Orlando had no pens on it, and he credits the other makers in attendance with keeping his spirits up, as well as promoting the successful online pen show he conducted on YouTube when his inventory made its way back to his home. “I love the people in this community, both makers and customers – they’re fun people. Even though I had NO PENS in Orlando, it was a great experience.”

C13 Cool Tone PM.

Allott has enough plans to keep him energized for the foreseeable future. He’s been reinvesting some of his pen making income in materials and equipment for metal casting, and hopes to be producing silver roll stops, bands, and clips by the end of 2024. To do this, he’ll need to learn more skill at drawing in 3D, and will be taking some online classes in 3D drawing for jewelers using software. He’s also learning laser engraving to enable him to embellish nibs and create finial coins. And he’s learning the ornamental lathe or rose engine – it is usually used to decorate wooden boxes but will allow him to engrave patterns on pens and maybe even try guilloche. In thinking about retirement, he envisions perhaps making fewer pens, but more complex ones that are more like functional art, and turning boxes for storing pens and inks. “The future is wide open, but the next couple of years will be for fun and experimenting.”

Sean Allott’s work can be seen on Instagram @londonpenco, his website London Pen Co., and at shows in Toronto and Washington DC.


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on September 25, 2023 and filed under Meet Your Maker.