Posts filed under Notebook Reviews

William Hannah A5 Pen Band: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

I’ve written a couple of reviews about William Hannah notebooks (see here and here), and it’s clear that I absolutely love them. But, one feature many William Hannah fans have been asking for is some kind of notebook closure. If you keep your notebook in a bag or backpack, the lack of closure means that the pages can get crumpled or snagged.

The solution David Round (the genius behind William Hannah) came up with is elegant and simple: a pen band. The pen band comes in all the regular color combinations of WH notebooks. You can even order a bespoke pen band, if you like. Mine is Agave and Petrol to match my A5 notebook.

The pen case portion of the band is made from the same luxurious leather as the notebooks. It is thick and the suede portion is soft. The stitching is beautiful and strong.

The band portion is made from thick matching elastic. This is not a wimpy band. It fits perfectly around the notebook--it’s not so tight that it mars the top or bottom edges, but it is snug enough that it doesn’t move around and it won’t accidentally fall off.

The pen case accommodates a good variety of pens, as long as you’re willing to let it stretch out a bit for larger pens. My band is still pretty stiff, so I had to work to fit my larger pens in it. The pens that fit well were all medium-sized pens: a Lamy 2000, a Platinum Century 3776, and a Leonardo Furore.

My Montegrappa Mia was a bit of a tight fit, but if I really wanted it to be the “chosen one” for my William Hannah, I could stretch the leather out.

The only pen that didn’t fit well was my Kanilea. I could get the pen in the case, but it stuck out quite a bit at the top.

And that brings me to what I don’t like about the pen band. Regardless of what pen you choose, some or all of the cap is exposed. If the point of the pen band is to keep the notebook closed when you toss it into a larger bag, you are taking chances that the top of your pen will get scratched. I wouldn’t put a delicate pen in the pen band for this reason.

Although I like the Pen Band, it’s not my favorite sort of closure. It requires removing the entire band to use the notebook, and I can see myself accidentally leaving it behind somewhere. Plus, I don’t typically use just one fountain pen, and I already carry a pen case that offers better protection for my pens.

I would much prefer a small leather piece that would attach to the William Hannah button on the front of the notebook.

Unfortunately, this would require a redesign of the entire notebook because the leather piece would need to be sewn into the back cover. The good thing about the pen band is that you don’t have to buy a new notebook in order to use it. Still, I’d prefer the option of a William Hannah notebook with a snap closure or a closure that integrates with the current metal button.

That said, if you haven’t taken a look at William Hannah notebooks, you’re really missing out. They are absolutely exquisite and the paper refill options are so useful (see here for a review of the wonderful Intentions Pages refill). The notebooks come in A5, A6, and pocket size.

You can purchase a pen band for the A5 and A6 notebooks. Both cost £29.00 (about $38 USD).

(I purchased the William Hannah Pen Band with my own funds.)


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Posted on January 17, 2020 and filed under William Hannah, Notebook Reviews.

Back Pocket Notebooks Review — The Night Sky

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

I'm always curious to find new pocket notebooks that offer something unique and delightful to the otherwise crowded space. At first glance, you'd be right to assume that Back Pocket notebooks are just another 3.5 x 5.5 pocket notebook. But after trying out the paper inside, you'd be surprised.

Back Pocket offers a nice variety of covers, but the one I'm reviewing today is the lovely "The Night Sky" edition, which features two notebooks. The cover of each notebook is a dark gray with an constellation map of the northern or southern hemisphere. It looks fantastic and they make a great pair. The band that keeps the notebooks together during the retail phase of their journey are minimal, but they provide just the right amount of information about the product inside. According to the band:

  • 36 inner cross grid 120gsm Conqueror High White pages
  • Accent Antique Magnolia 300gsm cover
  • 140 x 90mm

The size is very familiar, but this paper is something else. I didn't know exactly what to expect out of something so dense, but it's delightfully pleasing to use. The pages are thick and take gobs of ink without any problems. I haven't noticed any bleeding or feathering, and the show-through on the back of the page is also minimal. I tried to get a picture of the faint show-through that I can detect on the other side of the wet 1.5mm Opus 88 nib paired with KWZ Gummiberry, but I couldn't quite tease it out for the camera. Suffice to say, it's also fairly hard to detect by eye.

On top of being luxuriously thick, the paper is also quite smooth, with just a small amount of tooth to provide satisfying feedback while writing. The grid used on the pages is a light gray cross pattern, similar to a reticle grid style but a little smaller.

I can't tell you how much I've enjoyed writing on this paper. It really is a treat.

But, there's certainly a flip side to this equation. The thicker pages mean a thicker notebook, right? Well, since Back Pocket chose to decrease the number of pages in the book to 36, the notebook is still the same thickness as other pocket notebooks. The downside here is that the notebook doesn't go quite as far as you might be accustomed. 36 pages is still plenty for me, but the standard 48 is a dozen extra pages. When the pages are this small, that's an awful lot of blank space that's being cut to afford the premium paper.

I don't think this is a bad thing at all — it's just different. If thick, luxurious paper with a lovely cross grid is what you want in a pocket notebook, then this is perfect. If you want more pages, then there are many, many other options out there for you.

The rest of the notebook is also fairly standard. There are two staples that hold the notebook together, and they seem to be well-done. I haven't thrown this book into my back pocket every day for 12 weeks straight, but they feel like they could stand up to the challenge without falling apart. It would be a shame to wear out these covers, though, since they have these great constellation maps on them.

Another minor complaint I have is the choice to leave the outside corners of the books square. I really like my pocket notebooks to have rounded corners so they don't easily catch on other edges, such as your pockets when trying to stuff the notebook back in for storage. This is a design choice, and I respect it. It just annoys me slightly every time the corners catch on something, and I can only assume they'll be quite worn after a couple of weeks.

The Night Sky edition, which includes two notebooks, comes in at £8 (about $10.50 as of the publish date). This is a little pricey considering you get one less notebook compared to other pocket notebook packs, but these notebooks feature an extraordinary cover and some really, really nice paper that can handle almost any kind of pen/ink combo you throw at it. My hunch is that this notebook pack will speak to some people very strongly, while others will appreciate the design but politely pass on by.

As for me? I really enjoy the paper in these notebooks, but I won't be using them as my daily pocket notebooks. The paper seems too luxurious to be used for my chicken-scratch notes that happen when I'm away from my desk. But, these books will certainly be used around the house for certain specific purposes. They feel like a treat to use, so that's how I'll use them!

(Back Pocket provided this product at no charge to The Pen Addict for review purposes.)


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Posted on January 15, 2020 and filed under Back Pocket, Notebook Reviews.

Yamamoto Ro-Biki Notebook Cover Review

Yamamoto Paper has been a fun entrant into the stationery world over the past few years. CEO Taizo Yamamoto has transformed what was once a traditional, family-owned, paper wholesaler in Osaka, Japan, into a fun and functional stationery manufacturer with a wide range of retail products available.

I first met Taizo when he brought his Paper Tasting sampler to the San Francisco Pen Show in 2017. Listening to him talk about how important finding the right paper for every user is was eye opening, but not quite as eye opening as all of the paper he brought that I had never seen, much less experienced, before.

Shortly after my introduction to the loose sheet wonder that Paper Tasting is, Yamamoto Paper launched a bound notebook called the Ro-Biki Notebook. Two things set this notebook apart: The wax coated paper cover, and the dimensions.

We have reviewed the Ro-Biki notebook before (twice, in fact) and they have proven to surprise and delight even the biggest skeptics of the format. It is a tall, skinny notebook that makes you wonder “What am I going to do with this thing?” right up until the point you get it in your hands, feel the cover and watch it wear, and handle every pen, pencil, and ink you throw at it with ease. They are truly excellent notebooks.

Needless to say, I am a fan of the company and the product. And, when I first saw pictures of their new Ro-Biki Notebook Covers I knew I had to get it.

Seeing it in pictures I wasn’t quite sure what to expect, but it has a lot going on in what seems like a simple cover. First off, it folds open in the middle, allowing you to slide the notebook cover into a side pocket, book cover style. You can fit multiple A5 slim notebooks into the middle section (including Traveler’s Notebooks.)

The front cover doubles as a zip pouch, allowing you to stash pens, pencils, and accessories along with you. It can hold quite a lot, but I wouldn’t overstuff it you write on the back side of the notebook pages, as those will lay on top of the uneven surface of the pouch when writing.

The exterior cover is what I haven’t quite figured out yet. The back of the cover has a built-in full-width pocket than runs approximately 2/3 of the depth of the case. The front features the same, but it is split vertically in a 1/4, 3/4 fashion. The 1/4 side it a perfect pen pocket, but there is already a pen pouch included. And I’m not sure what accessories, notebooks, or loose sheets I would trust to the wider openings on the front and back.

There is an elastic book band that helps keep it all in check, but I’m not sure how useful it is. It does look great, making it more form over function for me. And I’m not sure why this color is called Gray - it’s definitely more of a Khaki to me.

This is a highly specific cover for a highly specific notebook, both of which I can get behind. If you are a fan of the brand, like I am, then you will enjoy the full Ro-Biki Note setup that this product offers.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on December 23, 2019 and filed under Yamamoto, Ro-Biki, Notebook Reviews.