Posts filed under Pen Reviews

Montegrappa Mia Limited Edition Sea at Dusk Fountain Pen with 1.1mm Stub: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

Montegrappa is one fountain pen brand I’ve never tried. I was poking around on the Casa della Stilografica website one day and came across a striking blue pen. It was a deep blue with turquoise swirls. I was entranced.

Anyone who knows me understands that I have a crazy thing for blue pens. So, despite the rather steep price (€ 569) and the fact that I had no prior experience with Montegrappa, the Mia Sea at Dusk fountain pen stole my heart.

The pen arrived from Italy in a sage green outer box and an engraved wooden inner box with a hinged lid. I must say, Montegrappa did a great job packaging this limited edition pen.

In person, the pen is, simply put, spectacular. The resin looks like brush strokes in rich oil paint.

With solid silver furnishings, this pen has substance and class. The top finial is engraved with the Montegrappa logo. The clip tapers to a roller-ball tip for easy attachment to pockets or papers.

The cap band is engraved with “Montegrappa” on the front and “2020 Italy” on the back.

The barrel threads are also made of silver, which is a special touch, and there are silver rings at the end of the grip and around the piston knob.

You’ll find the limited edition number engraved on the bottom finial.

The Mia is a large pen (but not over-sized). It measures 137mm capped, 125mm uncapped, and 157mm posted. It is heavy, however, because of all the metal furnishings. It weighs 31.6g uncapped and 43g posted. The grip tapers. At its narrowest, it is 10.1mm and at its widest it is 12mm.

The 18k rhodium-plated nib is engraved with the Montegrappa logo, the name Montegrappa, and the gold content. There’s no scroll work to complicate the simplicity of the nib design.

I purchased my Mia with a 1.1mm stub nib. When it arrived, I noticed that the pen was writing poorly--hard starts, scratchy, skipping. I took macro photos of the nib and discovered the tines were misaligned.

But Casa della Stilografica and Montegrappa took care of the problem gracefully. I had to ship the pen back to Italy, but the nib was repaired and returned speedily. Now those tines are perfect.

The 1.1mm stub writes beautifully. It offers a thick line with enough sharpness that it could be called a semi-italic nib. The ebonite feed provides plenty of ink for a smooth, wet writing experience.

I will say this pen blows through ink very quickly, but it’s easy to refill with the piston system. This is one aspect of Montegrappa that is different from my experience with other piston fillers. The Mia piston makes a ratcheting sound the entire time you turn it. That freaked me out a tiny bit the first time I rinsed out the pen. But now it just sounds kind of cool. One thing to note: the piston knob is a little loose and jiggles if you shake the pen (don’t shake the pen!). That said, I haven’t noticed any sound coming from the knob during normal use.

I am quite impressed with my first Montegrappa. This is one solidly built pen. I love its heft, the feel of the pen in my hand, the silver accoutrements, and the (now) fantastic stub nib. I find myself gazing at the beautiful resin and enjoying its depth and painterly qualities.

The Montegrappa Mia Limited Edition comes in two colors: Sea at Dusk and Chrysocolla (turquoise). 120 pieces were made in each color. I bought mine from Casa della Stilografica, but I’m not sure if they have any more in stock.

(I purchased the Montegrappa Mia Sea at Dusk from Casa della Stilografica with my own funds.)


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Posted on April 10, 2020 and filed under Montegrappa, Fountain Pens, Pen Reviews.

Esterbrook Estie Lilac Fountain Pen Review

There is a style of pen that I have been enjoying immensely over the past year or two. I don’t know if this particular grouping has a name, but they share the same style of design, and fall in the same general price point. Leonardo Officiana and Montegrappa make pens that meet whatever this artificial criteria is, as does Esterbrook, which I am finally getting around to reviewing.

I know, I’m a little late to the new Esterbrook party, but I’m here now. And the Esterbrook Estie in Lilac has been proven to be worth the wait.

The story of Esterbrook is a long one, primarily as one of the great American writing brands for a period of over 100 years. It saw a small, yet ultimately failed, reappearance in 2014, prior to being bought out by US luxury goods distributor Kenro Industries in 2018. And from what I’ve seen so far, Kenro has Esterbrook on the right track as a new representation of the brand, not a direct throwback to history.

Any expectation that Kenro would mimic the past was thrown out quickly with the release of the flagship pen in the lineup, the appropriately named Estie. It is a traditional cigar-shaped pen, made in various acrylics from basic Black, to Tortoise Shell, to the Lilac I am currently using, and many more in between - including some limited editions.

The barrel sizes offer range as well, with a Slim model, a Standard, such as this one, and a few Oversized models mixed in for good measure.

While they may not look like your grandparents Esterbrook pens, Kenro did make sure that you could use your vintage Esterbrook nibs with these new pens by creating the MV Nib Adapter. It’s an add-on, but well-worth it if you have a hoard of vintage Esterbrook nibs laying around (I know who you are!) It’s a great way for the brand to be able to discuss the wonderful history of the product while bringing in a group of new users, like myself.

So let’s get into why I like it, and why I think this range of pens in the overall market is as strong as its been in years. First off, the Lilac acrylic is stunning. That’s what caught my eye originally, but there were plenty that came before it, such as Honeycomb and Blueberry, and hopefully many more to come after.

Secondly, the build quality is excellent. This is not an inexpensive pen at $156, nor is it a budget-breaker in the grand scheme of fountain pens. It uses Esterbrook-stamped Jowo Steel nibs, fills by standard international cartridge or converter, and has a cushion cap to keep the nib from drying out when closed.

Finally, the Esterbrook Estie feels wonderful to write with. It’s a large pen which you won’t want to post, but not too large or weighted poorly to make it uncomfortable to use. The acrylic has some density to it, and even my preferred Extra Fine nib glides across the page. I’ve thoroughly enjoyed using it since Kenro provided it to me at the Philadelphia Pen Show in January, and I can see more Esterbrooks in my future.

The one thing I can’t figure out about the Esterbrook Estie - and Leonardo Momento Zero and Montegrappa Elmo that I mentioned above - is why this section of the market is popping off, at least in my eyes. You can buy gold-nibbed pens for cheaper, and you can buy small-batch custom poured and machined acrylic pens for around the same price. And many of the existing designs in the $150-$200 range are considered all-time classics.

Is it that we like the new shiny materials of the pens? I know I do. The louder the material the better as far as I am concerned. And we already have the inks to match. I talk about fountain pens as being the most customizable writing instruments on the market, and these are prime examples. Are manufacturers now willing to break the black and gold mold of yesteryear into more modern styles? And have them perform as well, if not better? Is the modern fountain pen market separating itself from a sometimes stodgy history?

I don’t know what it is, but as a fountain pen fan, I like it. And I want more of it. Show us what you got in 2020, Esterbrook. I’m here for it.

(Kenro Industries provided this product at no charge to The Pen Addict for review purposes.)


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Posted on April 6, 2020 and filed under Esterbrook, Fountain Pens, Pen Reviews.

Uni SXR-600 Jetstream Ballpoint Refill Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

It wasn't that many years ago that the Uni Jetstream ballpoint pen revolutionized the humble ballpoint pen, but that doesn't mean it can't strive to continue being exciting. There's always new pen bodies and cool new multi-pen designs that will further the line, but what about different refill shapes? That doesn't sound very exciting until you hear about the particular shape refill that Uni is experimenting with for their SXR-600 refills: Parker-style.

The Uni SXR-600 is very plain — it's a single refill that is available in only one color and only two tip sizes, black and 0.5mm or 0.7mm, respectively. I prefer availability of color and tip options over everything else, but I'm still excited about this particular black refill simply because of the refill shape. The Parker-style refill is fairly ubiquitous, and possibly one of the most common refill types you come across in ballpoint pens. Up until now, my favorite refill has been the Schmidt EasyFlow 9000 due to its smoothness and crisp, dark lines. But, if I could swap in a Jetstream refill of my preferred color and size, I certainly would. That's why the Uni SXR-600 is so exciting: the possibility.

The concept is very simple: if your pen accepts a normal Parker-style refill, the SXR-600 will fit. Aside from the fit, though, does this new form factor feature the same great writing experience as the normal lineup? Yes, it absolutely does. That was my concern before trying this refill out. There was a possibility that the new refill shape could require a different ink formula or something that might negatively affect the writing experience, but that isn't the case here. Whatever Uni did to make this work, I can't tell any difference between this refill and any other regular Uni Jetstream refill when writing.

I chose the smaller 0.5mm refill for my tests, and it features the same ultra-fine and crisp lines that I expect. In every way, it meets my expectations based on using other Uni Jetstream pens. If your concern is that this uniquely-shaped refill won't feel the same as your beloved Jetstream pens, you can go ahead and file that worry away for good.

Now, that doesn't mean it's all roses and good times. This refill is expensive. At $7.25, it's a good deal more expensive than my lovely Schmidt EasyFlow refills, which are five bucks a pop if you buy them individually. I'm not sure why the refill is so much more expensive. Sure, it uses a metal cartridge over plastic, but I can't see that driving the price up by multiple dollars. Still, this isn't completely out of the ordinary for Parker-style refills. Five to ten dollars is a fairly common price per refill in this category, so it's not so hard to swallow when put in that context. What is hard to swallow, however, is that normal Jetstream refills are less than a couple of bucks.

The other current problem with this product is the lack of color and size variety. I'd be willing to spend a lot more money on several of these refills if there were (any?) more color options. Offering only black and only two size options feels like a market experiment more than a full-fledged product launch. Maybe Uni is seeing how these do before they invest more in building out the line? Maybe the availability in Japan is much larger and it's just the US market that they're experimenting with? I'm not sure what the reasoning is behind this, but I hope they decide to ramp it up soon!

With all that in mind, you really can't go wrong with the Uni SXR-600 refills as long as you like black and either a 0.5mm or 0.7mm tip. These refills can quickly spruce up an old ballpoint pen you have laying around, providing that lovely hybrid ballpoint ink writing experience that we've all come to love so much because of Uni and the marvelous Jetstream.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)


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Posted on April 1, 2020 and filed under Uni, Jetstream, Pen Reviews.