Posts filed under Pen Shows

2023 Pacific Northwest Pen Show - Recap and Report Card

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I was hoping to attend this year’s newly launched 2023 Pacific Northwest Pen Show (aka PNW Pen Show or PNWPS) a couple weeks ago but unfortunately I had a conflict. I wouldn’t usually do recaps for shows I didn’t attend but this time I had an offer that I couldn’t refuse (and no, it didn’t involve a horse’s head, lol). Shawn Newton of Newton Pens offered to do some “reconnaissance” and notetaking at the show and April Wu from PLOTTER/Designphil also took a bunch of photos and I thought, sure, why not! While this will follow my Pen Show Report Card format, this is based on information from Shawn, April and others. Hopefully, it’s obvious when I’m speaking from my point of view versus on behalf of others. Anyhoo, without further ado…

Size - According to the Pacific Northwest Pen Show website, there were 19 vendors but Shawn thinks there were more like 25 vendors, spanning 50 or so tables. Their Instagram post said there were 644 people that attended, which sounds like a great turnout for a show of this size. It seems that everyone was busy (always a good thing for ANY show, big or small, new or seasoned). There was a good mix of vendors, makers, nib grinders, ink and paper. It is a small show, so the score will be lower, which as I’ve said many times before, doesn’t make it a bad show, it’s just the only way to compare this size-wise to other shows. Score - 5/10

Kelly from show sponsor Oblation Papers and also of The Stationery Cafe podcast along with April was busy the whole weekend!

Not a surprise Oblation was busy - look at these beautiful paper products!

And these pens too!

Dan of Enigma Stationery, along with his family, came to the PNW show and…

Brought these gorgeous special edition pens made especially for the PNW show!

Jonathon Brooks and all of his colorful pens - how on earth does anyone pick just one?!?

Taccia always has some stunning pens with them!

Ian Scarborough, aka Urushi Ian, talking to a customer about his urushi work.

Location - The PNW Pen Show was located in downtown Portland, Oregon, which was a 15 minute Uber/Lyft ride from the airport in light traffic and cost about $40/each way. Portland doesn’t have as big an airport as some of the bigger cities (like DC, SF, Chicago, etc.) and may not offer as many flights, which can mean pricier flights and/or layovers.

There is a lot of stuff to check out in Portland (which is why it’s still on my list of places to visit), a lot of which is within walking distance of the show. And the weather in the PNW in the summer is usually warm and sunny (thankfully the smoke from the wildfires didn’t impact the air quality that weekend). The show was held on the weekend of July 8th and 9th with really great weather. I know that homelessness and crime are issues that have been plaguing Portland (and other cities too) - I heard that if you stick to the more touristy areas, neither were issues as the hotel is right in the middle of the touristy part of downtown. But definitely be aware of car break-ins, so don’t leave ANYTHING of value in your car, even if it’s in the trunk. Score - 7/10

Hotel - The show hotel was the Embassy Suites Portland Downtown. Like the name implies, each room is a suite, with a small living room, bedroom and a bathroom (Shawn said his room had a big bathroom). Several folks said that the beds were uncomfortable but attractive (which doesn’t really help). There is a nice restaurant on site and breakfast was included and was tasty, with an omelet station and buffet. It was nice to hear that the hotel staff was good too (having recently traveled a bunch, that’s not necessarily the case with many hotels right now). There's a huge parking garage across the street for hotel parking (self-parking was $45/night, valet $55/night), but I was told that it was “scented” and not in a good way, lol.

Front of the Embassy Suites Hotel.

Hotel lobby looks amazing - look at all those pillars (and all that room)!

The show was spread across two ballrooms, which isn’t always ideal, but it also wouldn’t have worked out very well if all the tables were in one room because it would have been too crowded. The volunteers also made sure that people knew about both ballrooms and helped usher folks from one to the other to ensure that vendors in both ballrooms got traffic. They also checked in with vendors to see if they needed help, water, a break, etc. Shawn said that he was able to leave his table a few times to check out the show, which I know he greatly appreciated.

One of the ballrooms where the show was held.

Another side of the same ballroom.

The other show ballroom.

In addition to the two show ballrooms, there was also another room with tables for folks to hang out and take a break. That’s a great way for people to relax, recharge and even meet other pen folks doing the same.

I see journaling!

When I was looking into possibly attending the show, I believe it was around $220/night, which is the most expensive rate on the US pen show circuit (I think the next most expensive show hotels are in the $160-170 range). The non-show rate dropped to $170 at some point, but if you booked early, you likely wouldn’t get a refund of the difference. With taxes and fees, that’s easily another $70+/night more than the next most expensive shows and more than double the least expensive show hotel, which would be Dallas).

I know that this was primarily a two day show, so one might justify the high hotel rate with only needing to stay just 1-2 nights, instead of 3-4 with some of the bigger shows. But for folks like myself, who may be thinking of staying longer to sightsee, the high cost was definitely a factor. The price of hotels is one of the drawbacks of having a pen show in a city’s downtown, and why many shows aren’t located in the heart of the cities for which they are named. Score - 7/10

Tickets - $25/day online, or $30 at the door. Two day passes were $45 (for both days) online, or $50 at the door. $10 per day for students with ID and kids under 10 were free. For a show of this size, the ticket price seems a bit high to me, especially considering the similarly-sized Arkansas show tickets were $5/day and the larger St. Louis show cost $10/day. There was also confusion over online ticket confirmation, as the email receipt came from a PayPal account that made no mention of the show, nor what dates you bought your tickets for. Instead, folks got an email from the organizer’s consulting firm “Got Your Back Solutions” and several folks said they initially thought they had gotten scammed or hacked. Score - 6/10 primarily for the cost.

Classes - I'm not 100% sure what classes were available or at what cost (the website was never updated with this information). Shawn said there were some, including a forensic handwriting expert who gave a seminar, but we don’t have any details, sorry! Considering it was the show's first year, I didn’t expect a lot of classes/seminars, so it’s nice that there were some. The low score is largely due to lack of information on the website. Score - 6/10

Nib Worker - There were four nib grinders at this show, which is a lot for a show of this size (especially since it is a new show). They were Gena Salorino, Kirk Speer, Matthew Chen, and Thomas Ang who came all the way from London. From what I understand, they were pretty busy most of the weekend. I didn’t give it a higher score because 4 seems like too many, which is good for attendees but not as good business-wise if more grinders decide to attend. Score - 8/10

Matthew Chen was one of the nib workers doing grinds at the PNW Show.

Overall Sense/Vibe - The folks I reached out to told me that they got very positive vibes from the show. Everyone seemed very happy, cool, and also busy on both sides of the tables. The show was generally well-organized and well-run. I saw lots of happy posts on IG and elsewhere that folks had a great time at the show - for many of them, it was their first show, so yay to happy first show experiences!

At 5pm on Saturday (when the show closed), attendees were sent out and vendors got an additional half an hour to pack up/clean up before they locked the ballrooms and had security guards in place. Vendors appreciated that because they didn’t have to rush customers out and it also gave them time to leisurely wrap things up for the night.

Most of the attendees were from the area, but also from Washington, other parts of Oregon, and Northern California (as well as Canada, UK and other parts of the US). I firmly believe that pen shows need the “locals” (anything within a 6-hour driving radius is “local”, or short flight) to attend and spread the word in order for it to be successful, so it was good to see so much support from folks from the PNW and West Coast areas.

PNW Local Calvin (with parents in tow) of Ink-a-Pet had a great time at his first pen show!

Look at these adorable ink vial holders, with accessories too!

Larry Dromgoole along with Kelly and April before the mad rush on Saturday.

Score - 7/10

Food - As mentioned previously, there was a free hotel breakfast. Lunch wasn’t provided for the vendors (most shows don’t do this, so I’m not surprised). There is a restaurant on site, and the prices weren’t too crazy (which is good to hear) and also a lot of food options nearby, including a lot of food trucks too. Score - 8/10 for ease of finding food in and out of the hotel.

After Hours/Socializing - Seemed like most people hung out on the mezzanine level, but some were also in the lobby with beer and donuts - boy, I’m really regretting not being there! Oblation Papers and Press’ own Vintage Jazz Quartet played jazz during the Saturday Pen Social, which also included hors d’oeuvres. I didn’t get a chance to talk to any attendees but the few vendors I spoke with said that it looked like people were having a good time hanging out in the evenings, but they were too tired themselves to stay up and enjoy the after-show scene. Score - 7/10 based on limited info.

The Vintage Jazz Quartet serenaded the folks during the Pen Social.

Other stuff - The show had door prizes, which is always fun. There weren’t any auctions, but I wouldn’t expect one for a new show, nor for a smaller show (many shows don’t have auctions, so it’s not a ding against them). There was a VIP event scheduled for Friday from 4-6pm before the show, where vendors could bring out their higher tier pens for the pen equivalent of “high rollers”, I didn’t hear anything about this from attendees but heard from one of the vendors that it wasn’t well-attended and didn’t seem to result in many sales. Maybe this might make more sense down the road if the show gets bigger or there is more demand for it.

Vendor communication was good, though they could use some technology help. The website needs to be updated more frequently. As I already mentioned, there was no information on classes/seminars, just that they are being planned and will be updated soon. The website also lacked details on the events. For example the website for the above VIP event says it’s for VIP Exclusive Pen Shopping, with the date/time, there are appetizers/drinks and then a form to RSVP. It doesn’t tell you which vendors will be there, what the format is, does it cost anything to attend, etc. The schedule also had “Community Events” for July 10th (after the show) but doesn’t say what they are. Instead, they had a form asking people what activities they were interested in, so they could organize activities. I don’t know if anyone filled out the form or if they ended up doing anything show-related on the 10th, but when I looked into this, my reaction was “why am I telling you what I want to do at a show and hope that you organize what I pick?” That just seemed a bit weird to me. I understand the desire to help people enjoy Portland but it just didn’t jive with what I expected from a pen show. I did appreciate that they had a list of activities, places to visit/dine, etc. on the website - that’s helpful for folks new to the area.

The show’s Instagram feed seemed to have a decent stream of information, including general pen/stationery facts/tidbits unrelated to the show, but given their small IG following, they should have done some sponsored IG posts to get the word out there. I didn’t see anything pop up in the (many) Fountain Pen groups on Facebook either. I saw that some vendors mentioned that they were going to the PNW show in their IG stories or email newsletters. I heard from several folks that there was quite a bit of chatter online from people who missed the show because they didn’t know about the show until it was too late - hopefully this means increased attendance next year.

Score - 7/10 because it seemed like a good show overall but feels like it needs to figure itself out and be a little more focused on external communication and details.

Report Card:

0-50 Oof, do not attend

51-70 Show is alright

70-80 Show is solid

80-90 Show is pretty darned good!

91-100 REALLY good show and not to be missed

The 2023 Pacific Northwest Pen Show scored 68/100, which is a better score than it sounds. Just a few things here and there could make this a very solid show. A lower ticket price, better website information (a listing of classes would’ve bumped the score for sure). It doesn’t need to be a bigger show to be successful, but it feels like a small & new show that is trying to be and do too many things. “We have events planned” (but with limited details) coupled with “tell us what you want to do” was confusing to me. Ditto re classes/seminars that weren’t listed on the website - I know that they had them, but none of that was on the website. Focus on putting on the show, include details on the website and promote it like crazy.

All that being said, it seemed like everyone was glad to be there and were happy to have a pen show in the Pacific Northwest. Kudos to the vendors who took a chance on the latest addition to an already very full pen show circuit because I heard that they had a good time. I’m hoping I’ll be able to go next year and check it out for myself!

A huge heartfelt THANK YOU to Shawn Newton for being such a great sport and helping make this recap possible! I just hope he sticks with his day job otherwise I’m in trouble, lol!

I’m off the grid next week, but look forward to seeing folks at the upcoming DC pen show. Until then, stay safe and stay inky!


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on July 28, 2023 and filed under Pen Shows.

2023 St. Louis Pen Show Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I’m just got back from the 2023 St. Louis Pen Show (their second one since the pandemic) and have finally recovered enough to gather my thoughts. I spent a lot of time describing last year’s show so that would be a good place to start since I will be doing some comparisons in this recap.

The show was held at the same location as last year, the Sheraton Westport Chalet St. Louis hotel. I love walking down the hallway with all the large displays greeting you as you make your way to the registration desk!

Welcome to the St. Louis Pen Show!

Like last year, Michael and the Dromgoole’s spread were the first things you’d see at the show - lots of pens, stationery and an ink wall too!

The perfect rubber chicken for the one and only Ana Reinart, who was working the Dromgoole’s ink wall.

Opposite the Dromgoole’s tables were Steve and Diane Curnow of Curnow Bookbinding and Leather with their lovely array of notebooks, inserts and leather covers!

I like that there was a map on display so folks could look up where the different vendors were located.

This was a view of the main ballroom on Friday when it was fairly busy.

I don’t have attendance numbers from last year or this year but it felt significantly slower this year. Most of the vendors I spoke with felt the same way. Slow days are much harder on vendors than busy days because the hours just drag on and it just drains a lot of the energy. There were maybe a few more folks on Saturday but it wasn’t enough for some vendors, who decided to pack it up and not return on Sunday.

I also don’t have vendor or table numbers, though this year’s website listed 93 vendors (compared to around 100 last year). I know that there were some new vendors this year but I had also heard that a number of folks did not return after they had a disappointing show last year.

The pandemic has seen a lot of new folks entering this hobby, which is great for making new pen friends, but also essential for a hobby’s growth and continued existence. It feels like I’ve encountered a lot more newer folks at this show than any other show in the past two years. More than once (and at different tables), I heard “I don’t have any fountain pens” or “how do I get ink in the pen?” It’s not a bad thing to have a lot of newbies, but it often means that vendors spend a lot more time and energy explaining their products (or just pens in general). Budgets are often lower since they are still discovering this rabbit hole. So you end up with a lot of vendors competing for fewer dollars (on average) from fewer attendees.

The vendors that did the best were the ones who catered more to this newer crowd. Paper, inks and pens $50-100 were the items that seemed to sell the most. Though I did hear that at least one customer bought a Namiki Emperor from Jimmy Dolive (Jimmy strikes again!), that was definitely not the norm.

Last year the show had two nib workers, which was about right. This year, there were 5. Richard Binder, the Kennedys of Indy-Pen-Dance and Gena Salorino of Custom Nib Studio came this year, in addition to returning nib folks Kirk Speer and Josh Lax. I think 2 nib workers is more than enough for this show, not only because of its lower attendance, but the relative newness of its audience also means that they often aren’t aware of what a nib worker does, let alone want to spend the money on getting a pen tuned or ground.

Gena Salorino working their magic.

What the show continues to have is variety - plenty of modern and vintage vendors in all price brackets.

Love seeing Greg Hardy’s smiling face alongside (literally) the “Crawdaddy” pen he made just for this pen show!

Danny Fudge of The Write Pen is a well-known and well-respected fixer/restorer of pens!

If you need supplies for restoring/fixing or just cleaning/maintaining your pens, Indy-Pen-Dance can help!

Akhila and Nirmal Sheth of Smruti Pens came to the STL show for the first time!

I love that they have vendors who sell other things besides “pens & inks” and some vendors that don’t sell anything at all (like the calligraphy guild or the STL meetup group)!

This father-daughter duo of Lincoln’s Leathers makes notebooks and other items out of Michigan!

Keith McCleary and his family brought all their 3D-printed goods, as well as stickers and other fun stuff to the show!

Look at these cool creations from War Pony Forge!

Slapme? No,Slap U! The St Louis Area Pen Users (SLAPU) has regular meetups named St Louis Area Pen Meet & Eat (SLAPME)! I’m pretty sure no actual slapping happens, but don’t quote me on that, lol! Just follow the St. Louis Pen Show IG to find out about the next meetup.

There were two of these ink testing stations in the middle of the ballroom - perfect for ink play while taking a rest break.

Members of the St. Louis Guild of Calligraphers were present to write your name in calligraphy for free and to talk about all things calligraphy!

If we’re going to talk calligraphy, then you have to mention the master penman, Michael Sull, who was busy making and embellishing his gorgeous calligraphy prints!

Sitting next to Mr. Sull was a tray full of old letterpress “stamps”. For free. These were used to print handwriting exemplars for cursive books. You neve know what treasures you’ll find at a pen show!

There were a good number of classes/seminars this year, but not quite as many as last year, which was fine given the lighter crowds at the show this weekend. Still, the variety of classes was great - “Your Name - Your Signature”, Back to Basics Bullet Journaling, Celtic Knots, as well as American Cursive Handwriting, Vintage Pen Buying for Beginners, and more – there really was a wide range of classes/seminars to choose from.

I barely made it in time for the Journaling Social on Friday afternoon and there were still plenty of people gathering, chatting and working on their journals!

Look at these gorgeous Namikis at the Pilot USA table!

On the other end of the spectrum, look at this “bargain” of a pen! I love it when vendors have a sense of humor!

I love this Nahvalur Voyage: Pride 2023 Pen, with a portion of proceeds being donated to It Gets Better Project!

This is the blackest black ink ever made by Platinum - Chou-Kuro. Apparently, it is 43% darker than Platinum Carbon black!

Luxury Brands of America’s exclusive Retro 51 is not only a good looking pen, but proceeds also benefit the Rainforest Trust!

As always, I had a good time after hours at the show. The bar staff was painfully slow on Thursday afternoon/evening, and didn’t pick up until Brian the bartender showed up with his amazing energy and great service on Friday. I heard that the show organizers asked the hotel to keep the bar open late, which they did on Friday and Saturday nights (yay!). Security did come by around 10pm on Sunday to (very nicely) ask us to vacate the lobby because it was past their quiet hours.

Discovered that the Schnickelfritz Bavarian style Weissbier is really tasty - I may have had a few this weekend!!

A few of the die-hards at 1:45am Sunday morning!

Last year I said “it is a well-run show that might need to scale back on the vendors/tables. There is such a thing as “too big” when it comes to pen shows, especially if you don’t have the attendee numbers (and resulting sales dollars) to support it” and sadly, that is even more true this year. This is already a very well-run show, so there isn’t much to improve on from that perspective. There are great shows that are much smaller than STL (Colorado comes to mind, but I’ve also heard great things about Orlando and Arkansas), so I hope that they consider pulling back the number of vendors they ask to come to this show. This way, the vendors can have a successful show, which in turn, brings more attendees to the show.

Clockwise from the left: matte blue Platinum Curidas (Luxury Brands), Colorverse Indigo Blue (Smruti Pens), 2023 St. Louis Pen Show ink Missourah Crawdad by KWZ, Rainforest Retro 51 and Endless notebook clip (LBA), washi tape and New Pen Day stamp from InkyConverters, and STL notebook inserts (Curnow Bookbinding), all atop the Col-o-ring Folio (Well-Appointed Desk). Not pictured: a pen tuned by Gena Salorino and two of the letterpress stamps (which need to be thoroughly cleaned before I handle them again).

I was fairly restrained at this show since DC and SF are right around the corner. I spent most of the time at the show spending time with pen friends, old and new, which is the best part of any pen show. Until DC, stay safe and stay inky!

Posted on June 30, 2023 and filed under Pen Shows.

2023 Chicago Pen Show - Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I am back home from the 2023 Chicago Pen Show and I am about as wiped as I have been in a long time (is anyone surprised?)!! As I mentioned in my recap from last year, the Chicago show starts out in a bright, airy atrium before leading you into the ballroom, where you would find yours truly behind the row of tables for Luxury Brands of America. Even though I was working this time (last year I went as an attendee), I still had ample opportunity to check out the rest of the show and do some damage to the wallet as well.

Welcome to the Chicago Pen Show!

The atrium is such a welcoming way to start a pen show! Well-ventilated, bright, fairly roomy, close to the restaurant, coffee and bar (in no particular order, lol), the atrium has a good variety of vendors to catch your eye on the way in AND out of the ballroom!

The atrium as viewed from the ballroom. In the background (aka the view from the lobby) there is a fountain as well as lots of tables and seating.

Always good to see Doug, Marie, and John Phelan of Lemur Ink again!

Even with the rabbit ears photobomb, Angela He of InkyConverters is still adorable! - and look at all the cute things at the table too!

One of the places I broke my ink buying ban this weekend - I couldn’t resist getting a bottle of Papier Plume’s show ink, Lake Michigan Sunrise!

Compared to other shows, including last year’s Chicago show, Friday felt a little quieter but it picked up on Saturday. Sunday continues to be a much slower day at this show - maybe due to the nice weather and a Cubbies day game?

View from two sides of the ballroom on Saturday.

Linda and Mike Kennedy working on nibs and repairs.

Shu-jen Lin and Sue Beck at the Taccia table where they showcase their stunning urushi, maki-e and raden pens.

Erick Gama of Amarillo Stationery has lovely products from Latin America.

I was eyeing this Writers Briefcase big time!

The official show ink this year is made by Anderillium Inks. Named “Chicago 1871”, it commemorates the great fire of 1871 - the cause of which, according to popular lore, was set by Mrs. O'Leary's cow, who allegedly knocked over a lantern (thanks for the info, Wikipedia!)

Look at all these colorful beauties from Schon DSGN!

I had such a great time working with Jesi and Bryce this past weekend. Thank you so much, Luxury Brands of America, for the opportunity to help out!

One of the busiest tables at the show would have to be for local favorites, Atlas Stationers. Working at the Luxury Brands tables which were directly across from theirs. I got a great view of their bank of tables and witnessed the seemingly endless stream of customers. I got my daily allotment of steps by bringing customers and products to their table all weekend.

Brian, Alex, Jennifer, Momma T and Brendan of Atlas Stationers - what a blast it was working across from them all weekend! Also, it was dangerous for the wallet too!

One of the other busy areas would have to be at the PLOTTER tables. Having seen the crowds at past SF and DC shows, it was no surprise that they would draw a lot of traffic at this show. They had special edition leathers and products just for this show, and had appointment slots where customers could pick the leather and hardware for their custom binder as well as decorations.

The friendly and helpful PLOTTER crew from L to R: Youhei Yamaguchi, Yuri Aida, April Wu, Takayuki Saito, Ethan Hogbin, Christina Del Rosario and Tomomi Morita (Thank you to April for sending this photo.)

Watching Youhei Yamaguchi-san hand embellish a PLOTTER is such a treat.

I was so excited when Tomomi Morita-san handed me my new custom A5 PLOTTER in burgundy Horween leather!

As usual, I flew in on the Wednesday night redeye so my Thursday was a bit of a blur. I did enjoy the pizza party, but my delirious self forgot to take pictures, oops. Friday and Saturday though, I definitely made sure to take a few picts! This is my 5th Chicago show and it continues to be one of my favorites for after-hours socializing.

Look at this table of pen peeps having fun! And this wasn’t the only table where folks were congregated! (PC:Pretty sure Julian from Schon DSGN took this picture with April’s phone.)

The Bossman is giving me his best Blue Steel while playing with some of Alan Shutko’s batons, I mean, large pens!

My little pen up vs one of the biggies - just an example of the ridonkulous things you can see during after hours!

I’m not sure the last time I saw the Bossman awake after midnight (it was nearly 1 a.m.)

Achievement unlocked! I popped Drew Brown's cherry – his washi tape cherry, that is! Did you know this is his FIRST EVER washi tape?!?!?

I spy with my little (medium and big) eyes, little bebe PLOTTERS!!!

You never know what you’ll see at Pen Shows After Dark. In this case, friend Simar is sharpening a knife, you know, no big deal.

Saturday night’s whisk(e)y tasting event was hosted by Mario Campa of Toys from the Attic. Here he is pouring into the glass of Atlas’ Brendan Schmidt, with his dad, Don, patiently waiting his turn.

Les Sheely of Stylosuite and Gena Salorino of Custom Nib Studio were trying each other’s grinds and commenting how much they loved them! Of course, I had to try them too!

One of the highlights of this show was the opportunity not only to spend time with fellow TPA writer Sarah Read and B-rad “the Bossman” Dowdy, but also to record a special episode of Friend of the Show (Wished you were here, Jeff!). We had a fun time brainstorming during dinner but ultimately neither Sarah nor I would know what Brad would end up asking us, so that was a little unnerving! And another shout out to Sarah who just finished her grad school work just hours before driving to the show!

Trouble x 3 - Sarah Read, the Bossman and yours truly.

How does it compare to last year’s show?

  • Weekend pass prices went up - This year’s ticket price did not include a second spouse/friend ticket - last year it was $60 for two people, this year it is $60 per person (kids are free). That is a pretty sizable price difference if you were coming with someone. I think it’s still a good value even if you came alone since it also included access to the Thursday night pizza party.
  • Paid whisk(e)y tasting - In prior years, the Scotch and Bourbon tasting event was free. This year, Mario Campa decided to have tasting glasses made and charge a nominal $10 fee to cover the tasting and glass. This seemed like it worked out well and people still had a good time.
  • Lower attendance? - Last year I went to the show as an attendee and this year I was working at the LBA table, so it’s difficult to compare my two experiences. It felt like overall, there were slightly fewer attendees than before (though I have no ticket data to prove this). I had more time than I expected on Friday to walk around the ballroom and atrium, and there was ample space at the tables to browse and talk with vendors. And as par for the course, I had even more time on Sunday. In fact, it was so slow that many vendors started packing up at 2pm (instead of the 4pm closing time). I spoke with a variety of vendors, both in the ballroom and in the atrium and results were mixed. Some told me they had a strong Friday but weaker Saturday than last year, while others told me the reverse. As far as I could tell, everyone still had fun at this show and plan to return next year.
  • More people staying? - Even though I just said it felt like the attendance might have been slightly lower (and it’s possible it wasn’t), it seemed like I knew more people who were traveling to the show and staying at the hotel. In past years, many of the locals would only come for the day and not stay overnight, but more people I talked to were at the show for longer hours (if they didn’t stay), or were staying at least one night (if not more). Again, this isn’t based on empirical data, so maybe more people I knew were going to the show this year vs past years.
  • More nib workers - There were only 3 nib workers at the show last year (Gena Salorino, JC Ament, Kirk Speer), and this year they returned along with Matthew Chen and the Kennedys. Seemed like they were all fairly busy most of the weekend (except Sunday afternoon).
  • More classes/seminars - I had to re-read last year’s recap to see if they had many seminars and they had a decent amount before but this year it seemed like they stepped it up. While there were some $70-100 classes, many of them were $0 - $10. They had a limit of 13 people per class, making it a nice intimate setting to learn about topics like Flourishing with Fountain Pens with Michael Sull, Conid Pens by Allan Shinogle, Tangles & Doodles with Hong Nguyen, and even a seminar on how to use the PLOTTER system! I continue to think this is a great way for people to continue learning about pens/inks/stationery and while giving themselves a break from the show floor.

Last year, my worry was that diminishing number of attendees would spell trouble for this show. While I’m still not sure if there were fewer people this year or not, at least vendors seemed mostly pleased with how they did, even if some ended up making less than last year. I hope that “local folks” (within a 4-hour driving radius) continue to support this show and bring their friends to experience the fun of a pen show.

Heading into the show, I knew I wanted to get the latest Platinum Preppy WA Series 3, the TWSBI Mini AL Grape and the show inks. I don’t think anyone is surprised that I bought more than that, but the additional inks weren’t impulse buys, but ones that I had been looking for and were sold out.

Haul part 1, Clockwise from top left: Pennonia Azur Frida and Rosas Mexicanas from Amarillo Stationery, Laban Aphrodite Pink from Atlas Stationers, Platinum Preppies, TWSBI and Iroshizuku Sui-gyoku from Lemur Ink, Pelikan 4001 Pink from Chartpak, Anderillium Chicago 1871 from Anderillium Inks, Lake Michigan Sunrise from Papier Plume, Colorverse Coffee Date from Darailz Pens.

If that’s all I got, I would’ve been super proud of myself but I did pick up some fun non-pen/ink things too!

Toyo tool box and denim Delphonics pouch from Atlas Stationers, washi tape from Amarillo Stationery, stickers and vial holders from Keith McCleary of RandomThinks, and a roll of Pen Friends PET tape from InkyConverters.

And if I stopped there, I’d still be pretty happy since I had sold several pens prior to and at the show, but we all know I didn’t stop there. I knew PLOTTER was going to be at the show but I wouldn’t let myself fall into the trap of FOMO like I did last year, so I said I would only get it if they had an A5 in a really nice leather. Which they did. Dang it, April and Saito-san!!

My PLOTTER haul, including an A5 in Burgundy Horween leather, Chicago notebooks, some A5 refills and a pouch. All of which resulted in the bebe orange PLOTTER - no regrets!

Chicago continues to be one of my favorite shows due not only to its variety of vendors and proximity to food, but especially because of its after-hours scene. I am happy to not get enough sleep if it means that I have a great time hanging out with people after-hours. My wallet is a little (ok, a lot) lighter, I’m still sleep-deprived, but my heart sure is full. Thanks for a fun time, Chicago! Until next time (which is still TBD at the moment, but definitely DC for sure), stay safe and stay inky!

Posted on May 12, 2023 and filed under Pen Shows.