Posts filed under Writing

Writing Retreat/Retreating Writing

Lake Michigan

Long weekends are good for writing. Thing is, they're also good for not writing. This past weekend I ventured off to my usual retreat spot--a small inn on the shores of Lake Michigan, where it's usually just me and the water and the words for days.

What I brought with me:

— A lofty list of goals.

— A Nock Sinclair loaded with good pens.

— My laptop, because one of the things on my list was to finish a rewrite and revision of a new short story I needed to turn in.

Writing setup

— A printed draft of the current novel I'm editing/synopsizing.

— Two notebooks that each contain the beginning of the same novel that I accidentally wrote twice, years apart, so that I could combine them into one preferred draft.

— My stack of planning notebooks for several writing projects (the short story planning notebook, the novel planning notebook for the novel I am synopsizing, the novel planning notebook for the new novel I am drafting, and the random ideas notebook in case I had any random ideas.)

— Far too many snacks.

— Far too little discipline.

I also brought a writing friend this time, a dear person with whom I normally would have been attending a writing convention that same weekend. This was our substitute for that lost convention. It was also the first time we'd seen each other in nearly two years, and perhaps we didn't take that enough into account when making our lofty goals.

Writing Window

I did finish the short story and turned it in on time. I also managed to fix my diverging novel drafts. I did not make it far on my synopsis--the main thing that I had hoped to finish. I only completed three of the twenty chapters.

What I did instead:

I visited with my friend. We had many snacks, and took walks, and chatted. We watched the waves on the lake and boats passing by. We watched a beautiful red moon rise, listened to audiobooks and podcasts. We came across a trove of fossils and climbed over boulders to meticulously document our discoveries. We inconvenienced seagulls. We had the best ice cream ever. We spent five hours strolling a beach, picnicking, sifting through rocks, finding more fossils, dozing in the sunshine. We exhausted ourselves with fresh air and fell asleep early with our work undone.

Red Moon

Sometimes I need to remember, when I look at my lofty lists of goals, that I can't just write. I need to write about something. And if you're going to write about life, you also have to live it--soak up the experiences you can draw from later. If you only write about the world as you see it from your office window, it will be a filtered view, textureless, scentless, incomplete.

Fossils

I didn't get done what I needed to get done, but I did what I needed to do, and while today's drafts are half empty, tomorrow's are half full. There are lots of ways to work on your writing, and sometimes that work involves ice cream, spectacular rocks, and neglected stationery.


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Lighthouse
Sunrise
Seagulls
Posted on June 3, 2021 and filed under Writing.

Under Wraps

Juxtapoz

While my wrist is under wraps for the next few weeks I'm going to explore a few new ideas during what is normally my Monday review time slot.

Today, we make a mess.

Over the past week I've missed using my stationery immensely. I didn't touch a pen until Friday, and only then to see how bad my lefty handwriting was. It was passable, and could certainly do in a pinch. But my new, shorter, cast freed up my fingers enough to grip way back on any pen or pencil, which was even better.

But I'm still not comfortable working on a proper product review for my normal Monday time slot. It feels too weird to do it differently than I have done for almost 13 years. So this Monday, and the next several Mondays, I'm going to talk about whatever pops into my head. Luckily, that usually involves stationery in some shape or fashion.

Going almost a week without pens had me wanting to swim in the stuff this weekend. Sunday afternoon provided a great opportunity, with windows-open weather, and the Masters in the background. I went around the house and gathered up all the things I've been wanting to use and piled them up on my dinner table. Yes, I thought. Back to normal.

uni-ball vision

I went through my inked fountain pens to make sure they haven't dried out from inactivity (one had, but it was more due to the fact it had almost been written dry,) and cracked open some new uni-ball products sent to me by their new US offshoot.

I grabbed my bills (I got a bit behind), and my books, and made sure to grab my creative journal to play around with. There was a bag of pencils, a sharpener, a bunch of washi tape, and a notebook, or two.

Creative Journal

And I just played around. How were the new uni-ball Vision 0.38 mm pens? Surprisingly good. Can I use scissors with my right hand? Yes, quite well in fact. Is a wooden pencil the best writing instrument for me right now? It sure seems that way.

uni-ball Vision 0.38

Softer and darker cores are better for me right now, I've discovered. My grip pressure is lighter, and further away from the page, so a pencil like the Blackwing MMX works well, when normally it isn't a consideration.

Billy Collins

I used that pencil to copy one of my early favorite poems from my first Billy Collins book. Well, to start copying, because I could feel my arm pressure begin to tighten up inside my normally loose cast. Too much stress for today. Oh well. My wife probably won't appreciate the cast marks on the edge of the table either. Nobody tell her, ok?

I'm writing this post in the Ulysses app on my phone, where I have also taken and edited these average photos. I've been typing with my left hand on my phone a lot. It's more comfortable than my laptop sometimes, and Myke shared with me the amazing swipe to type feature, which I didn't know was built in to the iOS keyboard already. Oops.

I still need, and love, all of the digital hardware and software that allows me to do my job, but dang if this mess on this table on a random November afternoon didn't put a smile on my face.

Time to go play some more.

Washi Tape
Posted on November 16, 2020 and filed under Writing.

Venetian Card Company Artist Series Card Review

And now for something completely different.

I met artist Zac Gross of the Venetian Card Company at the Philadelphia Pen Show this past January. I had seen his plaster pen rests cross my Instagram feed in the months prior, but I wasn’t prepared for what else he had on display at the show.

As it turns out, plaster as a medium works for making bespoke correspondence, too.

That’s what took me back standing in front of Zac’s table. Here, I was presented with a wide range of art in a range of colors and styles, but this art wasn’t only meant to be looked at. It was meant to be used.

Each Venetian Card Zac produces is a unique piece of art. He has released nine series so far in the Artist Series, along with a range of standard colors in the Open Edition. The front of the card features what Zac refers to as “traditional old world plaster techniques” to essentially “paint” the card, for lack of a better term. There is color, texture, layering, and character - everything you would expect from a unique piece of art.

Flip the card over, and you are presented with a writing surface, similar to a postcard. Yes, you are supposed to use these cards. Can you imagine opening your mailbox and finding something like this inside? My mind was blown standing in front of Zac’s table, and staring at this card on my desk while typing this review. I bet the feeling is similar on the receiving end as well.

Absorbent paper, but reasonably fountain pen friendly. This is a broad Sailor KOP stub nib, inked with Sailor Manyo Akebi.

Not having any idea a product like this exists, I had no idea what to expect on the pricing. At $86 each for the Artist Series (this particular one is Series 7-A1,) this piece of correspondence is a gift in itself. It’s expensive, no doubt, and I admit I did a double take when Zac told me the price. But I couldn’t leave the table. As a fan of art and of makers, I was captivated, and knew I was leaving with one. Especially when I got the show special price of $69.

The Open Editions are more reasonably priced at $32, and while that is still a luxury purchase, I could see myself using a few of these spread out over the year to send notes to friends and family.

Each card comes with a custom box to protect the card when mailing, and I’m going to address it and send it off across the country to see how it fares.

After I write a note, of course.


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Posted on February 17, 2020 and filed under Venetian Card Co, Writing.