The James Brand Burwell, Gatecliff, and Daily Notebook System Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

A good notebook, reliable pen, and a case to carry them in is a fantastic match when you find the right products that compliment each other in the right ways. It's an ultimate out-and-about carry package that can test your ability to carry the absolute minimum while still having what you need. The James Brand has their own take on a perfect setup that includes a sleek ballpoint pen, a pocket notebook, and a robust case to hold it all (and a bit extra) in style.

The whole package you see here isn't available as one product; rather, it's two products (and I guess three if you count the notebook separate). Let's look at each one individually first.

The Burwell

Up first, let's talk about the ballpoint pen. The Burwell is a sleek pen machined from stainless steel. In this review, I have the clean stainless version, but you can also get it in a rose gold or black colorway. The pen uses a standard Parker-style refill, which is also known internationally as the G2 refill, and is not the same thing as the Pilot G2 refill. I'm a big fan of the Parker refill for machined pens because you have so many different choices for what refill you want to use. The refill included with the pen is a black medium point cartridge that performs on par with a Parker Quink cartridge — not great, but not bad. It starts writing promptly and delivers a consistent line, but that line isn't as bold or as wet as I like.

Since the included refill is the least exciting thing about this pen, I'm not too worried about this not being an absolute star writer. I can swap in something that works better for my taste.

The pen overall is really slim. It's about the same diameter as a standard Parker Jotter, but without the aggressive taper toward the tip. The shape works really well in my hand, and the small taper on the nose cone of the pen provides plenty of grip along with the machined dot pattern along the grip section. The machined craters provide grip, but they're machined and polished really well so that you don't feel any hard edges. They manage to find a sweet spot between too grippy and not grippy enough. That's a tough line to balance!

The rest of the pen is built well. The upper part of the body is a simple cylinder, and the clip is an integrated part of the pen body that encloses the click mechanism. The clip is really strong and does a great job of securing the pen to other things. The clip also has "James" etched into it to signify the brand.

The click mechanism makes a really satisfying "ker-thunk" sound that sounds bigger than it should when coming from such a slim pen. I really like the sound it makes and how it feels in my hand. There's definitely zero guess-work on whether or not you've successfully extended or retracted the refill.

On the very end of the click mechanism, there's a ring shape machined into the end that has a neon yellow/green finish. I didn't notice it at first because it's so recessed, but I really like it now that I know it's there. I was more excited at first because I assumed it would glow in the dark, but that's not the case. It doesn't glow, but it still looks cool.

I have no doubts that this pen will last a very long time. It feels durable and well-made, so as long as the knock mechanism is equally long-lasting (even though it's made of plastic), this pen should last longer than any of us.

My only complaints about the pen are that it's a little on the heavy side for how slim it is, the balance is too far toward the back of the pen for my preference, and the refill moves around too much when writing. Due to the weight, I haven't wanted to write with this pen for more than a couple of minutes. The heft and solid feel make for an impressive entrance, but it takes away from the overall usability. The refill moving around while writing translates to noise and a sense of instability since the writing tip moves ever so slightly every time you pick up point as you're writing. I'm sure it doesn't actually affect my writing, but it feels like it does because I can't help but notice the sound and movement.

The Burwell is $69 and available in plain stainless finish, rose gold, or black.

The Daily Notebook

Along with the pen, we have a standard-size pocket notebook. This 3.5 x 5.5" notebook is bound with black stitching and has 48 pages of white dot grid paper inside. According to the marketing page, the paper is "157GSM art paper." It certainly doesn't feel any thicker than your standard 80 gsm paper, so don't worry about that spec too much.

In my testing, the paper does a wonderful job with the different inks I tried with it. The paper has a lot of feedback and tactile feel while still being smooth, and I couldn't get any of my currently inked fountain pens to bleed or feather on the paper. I was even surprised to find minimal show-through on the back side of the page.

The corners of the notebook are rounded off so that they don't snag easily, and the dot grid is a great ruling that provides plenty of structure without getting in the way. There aren't any page numbers or date lines — just the dots. The front of the notebook has a couple lines to write your name and the dates that you used the notebook, but nothing else. Since the cover material is black, I'd recommend finding a nice light-colored pen to write with so that it shows up easily.

The notebooks come in a pack of 3 for $15, but you also get a single notebook included with the Gatecliff case. For the quality and performance, this is a fair price that also lines up pretty closely with all the other pocket notebook options. If you'd rather stick with something you know, they also sell a James Brand branded pack of Field Notes for the same price.

The Gatecliff

The Gatecliff is an interesting notebook case that looks different than anything else I've seen in recent memory. I think this is mostly due to the weather-resistant zipper and unusual method for attaching the cover and zipper together. Weather-resistant zips are really trendy right now, and I'm ambivalent toward it since I don't find myself in rainy or wet environments often. The Cordura nylon cover is incredibly thin and is "welded" to the zipper in a way that there aren't really any seams. It looks really cool, and I hope that it is also durable. I've never used a product like this long-term, so I'm not sure what to expect with this over a traditional stitched seam.

The front exterior cover of the case has a big "JAMES" logo, but no other branding or text. Unzipping the case, you'll find two sides that each hold specific items. On the right side, there's a sleeve that holds the pocket notebook in place, along with a small elastic pen loop close to the interior spine. Standard layout, and it works well in this case.

The spine is adorned with a "MODERN MINIMAL EVERYDAY CARRY" slogan in bright white. I'm not a fan and wish it wasn't there. For me, it ruins the really awesome blacked-out aesthetic on the interior of the notebook.

The fabric used on the interior of the case is a soft felt-like material. I'm not sure what it is, but it feels like a super-thin felt that's also more durable than typical felt. Time will tell how durable it is, but for now it seems to hold up to typical use.

On the left side of the interior, there are three pockets. There's one full-length sleeve that can hold a passport or anything else of a similar size. It can also hold the cover of another pocket notebook if you want to double up with notebooks!

On top of the sleeve, there are two smaller sleeves that fit cards. These pockets can hold about 3 credit cards each, but even a single card feels very secure. I'm not worried about anything sliding out, but there's additional security there since the whole thing zips shut.

I've never been one to use a notebook case or phone case as a wallet, but I can see the allure. Especially if you're traveling, this little case can be a great place to keep your passport, cards, a notebook and pen for jotting down notes, and a place to store small bits of paper you need to save for later. And, it can probably keep all of that stuff safe if you decide to go for a swim with it or get caught in a monsoon.

Once you add a passport, some cards, a pen, and a notebook to the case and zip it up, it feels way too empty. The case is much thicker and can actually hold an additional three pocket size notebooks (!) without starting to feel like it's packed too full. For testing purposes, I actually fit another 2 notebooks before it was difficult to close. That's a total of 6 notebooks, a passport, some credit cards, and a pen. The downside of adding notebooks (or any other objects) to the case is that they have to float in the middle of the case and require you to be more careful when opening/closing the case. I feel like there's an opportunity here to either slim down the case or add some better organization, but The James Brand haven't done that yet.

The Gatecliff comes in at $119, which is a little difficult to swallow. For my tastes, the function and style of this case doesn't justify the price tag. The weather-resistant zipper looks great in photos, but it does make the task of opening and closing the case a little more difficult compared to normal zippers. For my money, I'd rather find something that is hand-made and can pack in a little more functionality.

The Whole Package

As a whole package, this is a sleek little notebook setup. Picking up the pen, case, and some extra notebooks will set you back about $200. The pen is made of solid steel and uses a ubiquitous refill. The notebook works great. The case has a unique aesthetic and a fancy zipper.

The James Brand have been around a while, and you've probably heard of them because of their knives. In the case of their stationery (or Communication) tools, it's a bit of a mixed bag. I can say with confidence that if the aesthetic speaks to you and the price seems fair, you won't be disappointed. The pen is solid, the notebooks are great, and the case is a decent case.

For me, I'm left feeling a little disappointed by the pen (The Burwell) due to the noise and movement of the refill tip when writing, and then the slightly heavy feel that makes writing anything more than a few notes a little uncomfortable for me compared to other pens I use. The notebook (The Daily) is a great option as a pocket notebook. The paper specs on their site are a bit strange, but that doesn't matter because these notebooks work great. And they're priced competitively. My biggest disappointment is with the case (The Gatecliff). I was initially intrigued by the all-black matte aesthetic, but was quickly annoyed by the bright white branding choices, the cumbersome zippers, and the fact that the case doesn't hold nearly as much as the exterior size would lead you to believe. The price tag for the case is the final nail in the coffin for me. It just doesn't feel like it justifies the $119.

All that said, there's always room for improvement and more experimentation! Lucky for us, there's no shortage of choice when it comes to highly specific and subjective stationery items that fit our unique tastes.

(The James Brand provided these products at no charge for the purposes of this review.)


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Posted on December 20, 2023 and filed under James Brand, Pen Reviews, Pen Case, Notebook Reviews.

Meet Your Maker – Tim Cullen, Hooligan Georgia

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

Sometimes when your friends ask you for things, it changes your life.

Tim Cullen was a police officer in California, with an interest in woodworking but limited space for a shop, when in 2009 a friend asked him for a kit pen. That seemed like the right size item to make in his space. In fulfilling that request, he was bitten by the penmaking bug and never recovered. He was soon making more pens than anything else, and giving them as gifts to friends or as donations to fundraising auctions at his daughter’s school.

Cullen quickly got bored with kit pens – “They’re limited to what can go on two tubes. I wanted to make things that were all my work.” At the end of the first year, he got a metal lathe and began to research how to make threads. After making basic pens for a year, “I was hungry to learn to do everything.” He can make everything necessary to create a pen – even filling systems and feeds, although those are so readily available and inexpensive that he finds the result not worth the time it takes.

Metal work has become a specialty in which Cullen is endlessly interested. He took classes in metalsmithing, hand engraving, casting, and jewelry making to expand the range of options he could make available on pens. “You can incorporate anything you can do into a pen.” He has worked on commission only for nearly ten years, after a pen he shared on Fountain Pen Network received an overwhelmingly positive response, and currently has a waiting list of about two years. The company he established is named after a dog he used to have. That dog is now immortal, and most of his customers are returning for multiple Hooligan pens.

Cullen finds the individualized hand-done processes to be the most satisfying. “The work I do, you could have done a hundred years ago.” He used taps and dies for his threads for several months, but then stopped, and uses internal and external threading tools to make threads by hand on the lathe. This lets him make a pen in whatever size the customer wants, instead of working within the limits of the tap and die sets on hand. The materials of his pens are frequently unusual items supplied by customers. One pen was made from pieces of wood and wrought iron from a textile mill destroyed by fire in Alabama. A pen in work for his mother-in-law honors her love of Hawaii by using koa wood and blue acrylic. Another customer provided leather which he layered onto a metal barrel, and one sent wood from a fire boat.

This design process with customers provides constant variety and artistic inspiration. “I have to think on the fly and be ready for changes, and give regular updates as the pen is made.” This customer-driven process means he doesn’t make a selection of “models” like many other makers do. Sometimes, Cullen will make an experimental pen, by way of research and development, and will offer such pens for sale if they work out. In addition to the wrought iron, he’s worked with meteorite, titanium, copper, stainless steel, nickel silver, and just about everything else you could think of.

Cullen’s preference for metal work does not mean that all his pens are heavy to hold. He has worked on making metal overlays on lighter weight materials, to make the overall pen lighter. His mentor in overlay making was Henry Simpole, who did overlay work for Conway Stewart and a few other major makers.

Does Cullen have a favorite pen he didn’t make? “No! I don’t have time to write with pens!” He has kept two of his own pens. In 2014 he made a limited edition of titanium and kingwood and kept one for himself, and he also made himself a pen in red acrylic (his favorite color) with a #8 nib for signing his authenticity paperwork. A favorite pen he made and didn’t keep was created for a fire chief in Florida, using red ebonite, with a badge engraved in the cap band and hand engraved flames on the clip.

Cullen’s constant quest to find new ways to add to his pens led him to make and engrave nibs. He’s been hand engraving designs into Bock and Jowo nibs for several years, and can make nibs from scratch as well, usually from continuum, which is an alloy of palladium and sterling silver. To improve the accuracy of cutting nibs, he is working with engineer Robert Sanchez (of Rob’s Pen Works) to design a nib slitting fixture instead of cutting them by hand, to avoid mistakes with the expensive materials.

Handmade nib.

This drive to make everything himself does not extend to making materials or casting blanks. “I’d never have time for anything else!” He usually uses solid color materials to set off the metal work that is his signature.

Having that signature is all-important for Cullen. When he began making pens, he was particularly inspired by Paul Rossi, Joe Cali, and David Broadwell. Broadwell advised him to set himself apart, to incorporate things other people aren’t using, to make his work unique. At the same time, he wishes more people were doing metal work, incorporating that art into pens, and he has been mentoring some makers who want to take up metal work, including Nick Pasquale of Pens by Pasquale.

Engraved nibs.

Cullen sees this as a good time for pen makers. His customers are a constant source of inspiration and the push to expand his capabilities; he is about to start a class in repoussé and chasing, two different ways of embossing a design into a thin piece of metal, to have yet another technique for putting metal art into pens as well as into the jewelry he occasionally makes. “I’ve got to keep trying new things, so I can do more of what someone might want.”

Tim Cullen’s work can be seen on Instagram, and on his website Hooligan Georgia.


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Posted on December 19, 2023 and filed under Meet Your Maker.