(This is a guest post by Nick Folz. You can find more of Nick and his work on his blog, Smallberry Drive, Twitter, and Instagram.)
Hello everyone, my name is Nick and I have a paper problem.
I guess it started in kindergarten. Up until that point in my life I had been doodling on stacks of ragged, ripped out blue lined notebook paper, without a care in the world. What a fool I was. One fateful day my teacher passed out thick stacks of colored construction paper, and my world was turned asunder. "There are other types of paper!?!" My mind whirled. Other children we busy cutting the sheets up with their safety scissors, all making a pleasurable "SKRRRRIIT" sound as they cut, but not me. I was shoving every available piece into my Captain Caveman backpack. I knew that I must save those for later. That was just the beginning.
In high school I experimented, everything from spiral bound sketchbooks with crisp white pages to hard backed notebooks that looked more like novels than journals. It was a phase I would not grow out of.
Things only worsened in college, now I knew where to get the stuff I had only heard about: Stacks of A4 linen, 80 lb Bristol by the pile, Cardstock as far as I could see and Vellum in every tone imaginable. The Art Store was my enabler. It was just too much.
I bottomed out one day when my friends found me facedown in a pile of thick toothed, cold pressed Cresent board with two bulk rolls of newsprint stock paper tubes stuck over on my arms.
These days I try to keep it under control. Sure, I still stock up on Bristol board during holiday sales. It is a nice heavy stock with a good rough tooth, makes me feel safe to have it around.
Temptation still rears its head, though. Just the other day I received a Maruman Mnemosyne Imagination Notebook, A4, blank pages. Someone had done their homework, someone was trying to pull me back in. Then the first bit of doubt creeped in, the paper was light and smooth and I like my paper thick and toothy. Scoffing, I cracked it opened and took at it with a pencil and, well, wow. The paper is so damned SMOOTH, plus it took the graphite very well. That is usually my problem with smooth papers, the lead lays atop the paper like a stiff breeze might blow it away. My pencil glided over the page like an ice skater, leaving smooth black trails.
Impressed, but still not completely sold on this new stranger, I broke out my brushes. No way this thin stock could hold straight ink. I gave it my all. The full business. Ink wash and everything. The notebook continued to surprise as the brush slid across the pages, okay, okay. I was gaining respect for this notebook, but knew that would all fall away once I flipped the page to see the inky mess underneath from the bleed through. I flipped the page, and gave a gasp, the next page was pristine. I still can't believe it.
I had to take stock of the other features, now that paper quality had been put to the test, and passed. Dual rings bind the notebook together, adding strength to the overall appearance. A black plastic cover with minimal text and a matte texture covers the front, a thick woodpulp backing finishes the book. Each page has a micro perforation, along with a light grey area for "Title" and "Date/No." along the top. It is sleek and clean.
And that's not all! They offer it in a variety! I mean, over at JetPens you can get them ruled, graphed, and plain in everything from steno style to weekly calendars. Listen, if you just loan me a little bit I could just order a few, just two or three and I will be good. Just this once, I mean I'm good for it you know, I , I just... Okay... Breathe... Just breathe...
Whew. I'm good. I, I just got caught up. I still have many more black sheets waiting for me in my Mnemosyne, I'm good for now. I just have to remember the mantra: "I don't NEED more paper, I just WANT more paper, and that is okay."
Thanks for letting me share, now I've got some doodling to do.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)