Posts filed under Ink Reviews

Papier Plume x Stationery Universe First Blossom Ink Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

At the 2026 Chicago Pen Show, Tori Woods of Stationery Universe released her First Blossom collection. Inspired by the blooms in her neighborhood, she collaborated with Papier Plume to make these inks a reality. And like a dingbat, I kept forgetting to buy the First Blossom inks. Thankfully, she was at the St Louis Pen Show, and so was the Bossman, which means free ink for me! That also means I gotta earn my keep, so let’s get to it!

Papier Plume x Stationery Universe First Blossom and First Blossom Shimmering.

I love that Papier Plume dips the caps in wax and uses a wax seal on top! The one on the right is the Shimmering one - even with a rapid flip, the shimmer dispersed pretty quickly.

As usual, all swatches were done on Col-O-Ring cards and also Wearingeul Instant Film Color Swatch cards, using a Kakimori steel dip nib and writing samples were done primarily with a Lamy Vista with a steel Medium nib and a TWSBI Go with a Medium nib. The notebooks used for writing samples are from an Odyssey Notebook, with 68 gsm Tomoe River paper. Dry times for the Vista are shown with “(V)” and the Go will be shown below that with a “(T)”. Dry times may be a bit slower on 52gsm TR or faster on more absorbent papers like Rhodia, copy paper, Cosmo Air Light, or with drier or finer nibs.

Side note: Photographing inks is not easy. My photo editing skills are mediocre at best, so I prioritize swatch/writing sample accuracy over paper or background color accuracy. Even then, it doesn’t always work out – it could look great in the Lightroom app, and then less great when I export to my phone, or great on phone, and less great when I upload to the Bossman’s Dropbox, etc.

First Blossom and swatches.

First Blossom is an ink that is difficult to describe: pinkish purple, or purplish pink, or purple leaning muted hot pink, maybe muted magenta? Either way, it is a lovely color. In the TWSBI Go, the line is more saturated while the drier Vista shows off a bit of the shading. There was no sheen from either pen. It had average to fast dry times in both pens.

First Blossom writing sample.

You can see the First Blossom’s shading from the Vista (top) versus a slightly more saturated writing sample from the Go.

You get more shading when printing due to the pooling of ink at the bottom/end of the stroke. As you can see, there is shading from both pens, with more showing from the Vista than the Go.

Pretty fast dry time for First Blossom. I was surprised that the ink dried a little faster from the Go initially, but both were dry in around 30 seconds.

Chromatography from First Blossom - a colorful spread of magenta/purple at the base, to blue, then to a peachy pink up top.

I will save the comparison photos for later since the two inks have the same base, the only difference being shimmer vs none.

First Blossom Shimmering and swatches.

First Blossom Shimmering has the same base color ink as the above First Blossom, but with the addition of rose gold shimmer particles. Lamy Safari-based pens, like the Vista, can be a bit ink-stingy with their nib/feeds (one of the reasons why they tend to lean drier compared to other pens) - this has the added effect of making shimmers less obvious in the Vista writing sample. Friction-fit TWSBIs like the Go, Eco, Swipe, have a more generous flow, resulting in more shimmer flowing onto the paper. The rose gold shimmer, while lovely, is subtle and difficult to see against the pink-toned ink, and was very difficult to photograph. You need more heavy-handed swatching to get the shimmer to show through.

The parts that look like white specks in the upper middle section are actually the shimmer particles. There are a few random specks throughout this swatch.

Some more impossible-to-photograph flecks of shimmer.

First Blossom Shimmering writing sample.

First Blossom Shimmering doesn’t shimmer much from the Vista (top) and is occasionally there from the wetter Go. As with the non-shimmering version, the shading is more noticeable from the drier Vista.

Printing with the First Blossom Shimmering. Same difference in shading as above.

Shimmer PSA: As with any shimmer in any pen, periodically “rotate” the pen nib up and down, so the shimmer particles have a chance to disperse. If your feed looks saturated with shimmer, or seems to be clogging the feed, you can try to gently flood the feed with ink (either by gently twisting the converter or piston, or lightly pressing the spring or button, if applicable) and then retracting the converter/piston/spring/button to “suck up” the shimmer particles back into the converter/barrel. Always do this over a sink or paper towel, not over your precious writing or art 🙂

This time the TWSBI’s dry times took longer than the Vista, no idea why.

Chromatography from First Blossom Shimmering - Same chromatography as above - magenta to blue to peachy pink.

When I said that I didn’t know what color First Blossom is, I wasn’t joking. I looked through the Pinks in my Col-O-Rings and my Purples (where the Magenta swatches typically are) and neither really fit the bill. Robert Oster Cherry Blossom (representing dusty pinks) and Wearingeul Cheshire Cat (on team magenta) were close but no cigar.

Here are some inks from both the pink and magenta/purple parts of the spectrum that kinda look similar to First Blossom (top middle) and First Blossom Shimmering (top middle): KWZ Meet Me in St. Louis 2026 MOBOT (Missouri Botanical Garden) (fairly close match but a bit too dusty pink), Inkebara Pale Violet (too purple, but I do love this color), Ink Institute x GourmetPens’ Saskatoon Berry Pie (too purple and too bright, but probably the closest otherwise), and Robert Oster Violet Dreams (too purple).

Both of the inks generally behaved well, though they are a touch on the dry side, so I recommend using them with wetter pens if you want a more saturated line and especially if you want to see more of the shimmer. Both inks also cleaned out easily. I like seeing how different pens can produce similar but different results with the same ink.

Some pens I’d match with these inks (clockwise from upper left): TWSBI Fluorite, Pelikan M600 Pink, Lamy AL-Star Lilac, Platinum 3776 Nice Lilas. (I’m currently leaning towards inking Shimmering in the TWSBI since I have a juicy Broad nib in it.)

The 30 ml ink bottles of the Stationery Universe First Blossom ink cost $13/bottle for non-shimmer and $15 with shimmer. Definitely worth checking out if you like this unique color!

(Disclaimer: These inks were purchased at the 2026 St. Louis Pen Show from Stationery Universe at regular price.)

Posted on July 10, 2026 and filed under Stationery Universe, Papier Plume, Ink Reviews.

Piper Trading Company Ink Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I was excited to pick up the Piper Trading Company inks at the Philly Pen Show earlier this year and I’m finally getting around to reviewing them. Thank you to Scott Franklin of Franklin-Christoph and Piper Trading Company for providing these inks for review.

Piper Trading Company (PTC) is a wholly-owned subsidiary of Franklin-Christoph and had its first show debut at the St. Louis show last year. Full disclosure: I have worked behind the Franklin-Christoph tables for many years and also for PTC’s first show last year and will again be doing so at this year’s St. Louis show. As with all of my reviews, my views are my own and I was not compensated by F-C or PTC for this review.

This is PTC’s first foray into inks; there are 4 inks so far: Fickle Pickle, Firefox, Kissin’ Cousin, Mysteria Wisteria. They are sold in 30ml/1ounce bottles and cost $10 per bottle. The four bottle set is currently unavailable.

Piper Trading Co Inks: Fickle Pickle, Firefox, Kissin’ Cousin, and Mysteria Wisteria.

I like to do a label swatch on the top so I know what color it is in my ink drawer without pulling out the bottle.

As usual, all swatches were done on Col-O-Ring and Wearingeul Instant Film Color swatch cards using a Kakimori steel dip nib and writing samples were done primarily with a Lamy Vista with a steel Medium nib and a TWSBI Go with a Medium nib. The notebooks used for writing samples are from an Endless Recorder and Odyssey Notebooks, both with 68 gsm Tomoe River paper. Dry times for the Vista are shown with “(V)” and the Go will be shown below that with a “(T)”. Dry times may be a bit slower on 52gsm TR or wetter nibs or faster on more absorbent papers like Rhodia, copy paper, Cosmo Air Light, or with drier or finer nibs.

Fickle Pickle is a medium olive green that is neither too light, nor too dark. It is a nice shading ink that is almost a chromashader with hints of brown in heavier swatches. Flow was average.

Fickle Pickle on Wearingeul (top) and Col-O-Ring cards.

Fickle Pickle writing sample.

The shading is more prominent from the Vista (top), while the Go is a bit more saturated. I think it is more noticeable in the cursive writing samples.

Look at that neon green pop of color atop the turquoise and pinks below!

Inks similar to Fickle Pickle - Diamine Sugar Snap, Rohrer & Klingner Alt-Goldgrun (a bit too yellow), KWZ Green Gold #2, Montblanc Daniel Defoe Palm Green (too dark and yellow), Rohrer & Klingner Emma (the closest match), Colorverse Brane (too yellow), and Papier Plume Honey Island Swamp Monster (slightly too dark).

Firefox is a slightly orange-leaning red that can show up as an almost pastel coral pink with drier nibs. Flow felt slightly dry in the Vista but not in the Go.

Firefox swatches as a red with a hint of orange.

Firefox writing sample.

I was surprised at how light the ink was from the Vista (top). I even dipped the nib and scribbled on some scratch paper and it was still this light. Compare that to the Go’s writing sample (bottom) which more closely matches the swatches.

Firefox’s chroma has an electric pop of yellow at the very top which gives this that hint of orange. The rest of the chroma is red, pink, and some magenta near the bottom.

Inks similar to Firefox: Kyo-iro 03 Flamin Red of Fushime (closest match), Pelikan Edelstein Garnet and Monteverde Sweet Life Strawberry Shortcake (both a bit too dark). I thought I’d have more ink matches but my inks are either much darker, more red, or more orange.

Kissin’ Cousin is a bright magenta that also has a bit of lightness/softness to it. It had average flow despite it being a shader (which can sometimes feel dry). Dry time was pretty fast too.

Kissin’ Cousin swatches are almost hot pink, but not quite.

Kissin’ Cousin writing sample.

While both pens show off shading, it is more prominent from the Vista (top) and moreso with print than cursive (which is usually the case with shaders).

Kissin’ Cousin’s chromatography starts off at the bottom with magenta, then separates into a peachy pink, lavender, and finally purple.

Inks similar to Kissin’ Cousin: J Herbin Rose Tendresse (too bright, too purple), Wearingeul Cheshire Cat (closest match), Organics Studio Unicorn Blood Shimmer (too dark), Diamine Jingle Berry (too dark, too red), Pennonia x Amarillo Stationery Rosa Mexicano and Pineider Cyclamen (both too bright), and Sailor 50 States Louisiana (too dark, too purple).

Mysteria Wisteria is a vivid blue-purple with good flow and very fast dry times.

Mysteria Wisteria swatches.

Mysteria Wisteria writing sample.

It’s very subtle but there is a wee bit more shading in the Vista (top) than the go, but as usual, it’s more noticeable with print than cursive.

Mysteria Wisteria’s chromatography starts pink, then separates out before showing off its lavender to bright purple colors.

Inks similar to Mysteria Wisteria: Sailor Ultramarine (touch too purple), Diamine 160th Athol Violet and Diamine Rainbow’s End (both are a bit too muted and purple), Kobe 56 Rokko Shichidanka and Pennonia Arvacska are both good matches (the Kobe is a touch too dusty).

All of the inks had average flow, with the exception of Firefox in the Vista, which I’m going to chalk up to the pen, since it was fine in the Go. Can’t decide between Fickle Pickle and Mysteria Wisteria as my favorites of the bunch. At $10 for a 30ml bottle, they are a good value especially if you don’t already have similar colors. You can buy Piper Trading Company inks online or at the St Louis Pen Show next weekend. Please stop by and say hi if you’re going to the show!

(Disclaimer: Thank you to Scott Franklin for providing these inks for review. All other products are my own.)


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Posted on June 19, 2026 and filed under Piper Trading Co., Ink Reviews.

Wearingeul The Autumn Night After a Thousand Years Ink Review

Wearingeul The Autumn Night After a Thousand Years Ink Review

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Bluesky. And her latest book, The Atropine Tree, is now available!)

Wearingeul is quickly becoming my favorite ink brand, largely because their inks are fun and interesting, but also because they have the best ink names. The Autumn Night After a Thousand Years is part of their "The Color of Literature" line, in which all the colors are inspired by lines from Korean Literature. This color is inspired by Lee Yuk-sa's poem "Musa" which means "the dancer." The poem features starlight shining through tree leaves, and the ink invokes this imagery with its dark olive color and gold shimmer.

Wearingeul The Autumn Night After a Thousand Years

The color is subtle and stunning. Chromatography shows a charcoal grey base, with a slate blue tint, then sand brown, pine green, and a shock of teal. I want this chromatography strip as a tie-dye shirt immediately. The ink does have some water resistance, though not much. The grey base color stays put while the rest of it washes away. If you spilled your water on your writing, there's a chance you could still make out your words.

Wearingeul The Autumn Night After a Thousand Years Chromatography

The ink has a reasonable dry time of just over 20 seconds, and while it does have a dry feel to it when writing, it flows very well. I had no issues with the shimmer causing any clogging. It does show some shading where the ink pools, but the real star here (pun intended) is the gold shimmer. It's not obtrusive, but it does show up in the written lines. It's very difficult to photograph the effect, but when the light hits the writing, it glistens. It's more pronounced, of course, in larger pools of ink. It's a serious ink with a bit of lovely whimsy, and I think it's fantastic.

Wearingeul The Autumn Night After a Thousand Years Swatch

This line comes in cube-shaped blown glass bottles with plastic lids and nice labels. The bottle's opening is wide enough for most pens and the bottle is sturdy. The 30 ml bottle costs $27 at Vanness Pen Shop, which puts it at the pricier end of inks in general. I would judge the quality of this ink as worth the cost. All the swatch images I've seen of it do not do it justice, and I found it almost impossible to accurately photograph. I highly recommend seeing this one in person, and using it to write some beautiful nature poetry.


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Posted on June 4, 2026 and filed under Wearingeul, Ink Reviews.