Posts filed under Laban

Laban Skeleton Fountain Pen Review

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Bluesky. And her latest book, The Atropine Tree, is now available!)

In my love for all things spooky, I've had my eye on the Laban Skeleton for a while, so I was excited to give it a try. Clearly it looks fantastic. The resin demonstrator body gives a fun view into the converter and ink inside the pen, and the gunmetal-colored brass lattice covering looks, somehow, both modern and ancient. The shape of the overlay looks both architectural and organic. Yaknow, like a skeleton.

The finial, endcap, cap band, clip, and grip section are also brass, but for all that metal, the pen feels very light. The clip is stiff, but it holds securely to whatever it is clipped to. The grip section has no texture, so it can feel a bit slick, but because the pen is so light, it's not too much of a problem.

The pen has a stainless steel Bock nib and it writes well. It's smooth, but with a good amount of feedback. It has consistent ink flow. I prefer a wetter writer, but this doesn't feel too dry.

For the most part, I enjoy writing with it, but it isn't super comfortable to hold. I had assumed that the metal overlay would be somehow attached to the pen body, but it actually sits around it like a cage, with space between the metal and the resin. One of the reasons the pen is so light is because the metal is very thin. The result is that this cage of thin metal is quite sharp, and the edges of it dig into the hand when you're holding it. On the plus side, grip! You're not going to drop it! But I don't enjoy using it for long writing sessions. I had expected the pen to be more precisely fitted and finished than that.

One of the reasons I had those expectations is the price point of the pen. The Laban Skeleton costs $224, which is rather a lot. While fountain pen prices have gone up at an upsetting rate, I still think this price is too high for the pen. In terms of materials, feel, and performance, I'd compare this pen to a TWSBI Diamond ALR, and those cost between $65 and $90, depending on limited edition status. And those are perfectly good pens, as is this one, but for the price, I expected better than good.

It does look better than good, though, so it definitely has that going for it. And when I took it out into public for a writing group gathering, it received much admiration. And while I don't like the way it feels, I do keep picking it up for quick notes--just not long writing projects. This is a pen you might enjoy very much, but its one I'd recommend you try out before you invest and see if you like the feel of it as much as you can't help but admire its good looks.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

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Posted on February 27, 2025 by Brad Dowdy and filed under Laban, Fountain Pens, Pen Reviews.

Laban 325 Fountain Pen Review

Founded in Taiwan in 1981, Laban has been present in the fountain pen world for a while, but only came on my radar in the last several years. In using the Laban 325, I can only wonder what took me so long?

I’ve had this pen inked up on and off for the past three months, and every time I pick it up and write with it, the same group of words come to mind. Solid. Nice. Pretty. Quality. Fun. What more can I ask for from a pen? Not much. The Pen Addict Review Crew have been reviewing Laban fountain pens since 2019, to generally high praise, and I’m only going to add to the chorus today.

Let’s start with what you see: the barrel. The 325 is on the larger size of the scale, especially given the cap overhang. The design works together as a whole, but the initial visual is that this is a big pen. When in user mode, aka uncapped, the 325 hits the perfect user length at just over five inches. The diameter befits its size, with a tapered section providing a nice grip area.

Aesthetically, the 325 features three distinct visual areas. With this Sun model, both ends use an Ivory marbled acrylic, with the heart of the barrel showing off a beautiful Orange cracked acrylic. Many of the 325’s are designed similarly, with different color acrylics taking prominence on the barrel.

Laban 325 Fountain Pen Safari — *LAMY Safari for scale.*

Gold trim wins the day on the 325, with the clip, finial, barrel and cap bands, and matching gold plating on the steel nib. The nib itself is Laban-branded Jowo #6, and the Medium tip was perfect out of the box. This is an international cartridge/converter filler, and ships with Laban marked on the converter.

Writing comfort is perfect for me. To say that I don’t notice the pen when writing is a high compliment. When I’m putting ink on the page, I want nothing more to get into the flow. I don’t want to think about the pen, nib, ink, or paper. The 325 allows for that.

Should you consider trying out a Laban fountain pen, specifically the 325? At $128, it doesn’t have a lot of price competition. The entire $75 to $150 range is honestly a bit confusing. Benu, Narwhal, and Opus 88 do well here, fancy Kaweco’s live here, maybe some solid maker pens. The 325 is one of the lower priced Laban pens, and has some of the Leonardo Momento Zero feel to it for around $40 less. So yes, I think they are compelling.

*L’Ecritoire ink, from Paris. Courtesy of a pen friend.*

Laban makes several different styles of pens in their lineup, and given the feel and functionality of the 325, I’m interested in moving on up the price bracket to see if the value proposition continues to hold. Seems like a good plan for 2025.

(This pen was provided by Luxury Brands USA at no charge for purposes of this review.)

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Posted on January 27, 2025 by Brad Dowdy and filed under Laban, Fountain Pens, Pen Reviews.

Laban Hermes Sky Blue Ink Review

Laban Hermes Sky Blue ink is an addition to my "didn't know they made ink too" list, but this is a list that I'm always happy to see expand. We definitely don't have a shortage of ink choices these days.

My only exposure to Laban in the past has been their fountain pens and other ballpoint/rollerball writing instruments. They're a luxury brand on the more affordable side that offer a lot of unique and attractive designs. Until recently, I thought that's all they did. But it turns out they also make their own ink.

Hermes is just one ink out of the Greek Mythology collection, all of which are bold and striking colors. Hermes is a bright sky blue that really pops off the page. It's just dark enough to be easy to read while still obviously being sky blue. Compared to other sky blues from other ink makers, it's definitely on the lighter side.

The ink shades easily from the pervasive sky blue to a lighter sky blue as it dries. It's not a large amount of shading, but it provides some character and flair to the ink. Once the ink dries, I can detect a very small amount of bright sheen in some angles. It's not enough to even name the color of the sheen, but it does add a dynamic look to the dried ink on the page.

Dry time is pretty average when comparing to other inks. Typical strokes from a medium nib are dry in around 15-20 seconds, while larger strokes from a wider nib take between 20 and 30 seconds to dry. Nothing to write home about, but decent. For left-handed writers, this won't be a great option since it doesn't dry fast enough to avoid hand smudges while writing.

The flow of this ink is a little on the dry side. It's not enough to make the nib feel dry or scratchy, but it does mean nib/feed combos that lean to the dry side might struggle to supple enough ink. It does fine in the nibs I've tried, but I can definitely tell that the ink feeds slower than most inks. Not a good choice for a nib that you know is already a little scratchy, but it feels fine in a well-tuned nib.

One thing I noticed pretty quickly is that this ink can behave a little erratically on different types of papers. It does well when writing on coated papers (like Rhodia), but can be splotchy or invisible in some areas on uncoated paper. There's a good example of this on the swatch card in the photos. There are a couple of spots on the card that look much lighter than the rest. This is likely due to some sort of small imperfection in the paper stock that the ink refused to soak into for some reason. I've noticed it on other papers that aren't coated, so it must be something in the ink formula that makes it less resilient on different paper types. Not a dealbreaker, but an oddity that needs to be pointed out.

At $25 for a 50ml bottle, Hermes Sky Blue is priced a bit higher than other inks of the same size. Not to single anyone out, but for comparison's sake, a 50ml bottle of Robert Oster ink is $18, and that's an ink brand that almost always delivers flawless performance. I'd rate the behavior of Hermes Sky Blue behind the Robert Oster inks I've used, so that's worth considering given the price. I'd be happier and more willing to recommend it if it were closer to the $15-20 mark. Since I've only tried one ink from Laban, I can't say yet if their other inks are on par with this performance, but I certainly hope they behave a little better than Hermes Sky Blue. I'm definitely keeping my eye on them and looking forward to trying other inks from their lineup.

(Vanness Pens provided this product at a discount to The Pen Addict for review purposes.)

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